Poetry can serve as cautionary tales, a declaration of love and many other types of expression. Poems can discuss several themes from love and life to death and religion; however two poems with the same themes can have two different messages. Thomas Grey’s “Elegy Written in a Church Courtyard” and “Beowulf” author unknown, express themes such as death and the value of life; however their use of figurative language and choice of form convey two different messages. Figurative language can deepen the meaning of a message, while form can give the reader a hint about the poem’s theme. Meticulously choosing the proper form for a poem is vital to conveying an author’s message. For example, “Elegy Written in a Country Churchyard” is written in Elegy form. An elegy is a type of lyric poem used to memorialize and mourn a person’s death. Grey uses the elegy form to memorialize and mourn all of the souls who aren’t valued. Grey states “Even from the tomb the voices of Nature cries / even in our ashes live their wonted fires / for thee, who mindful of the unhonored dead” these souls aren’t valued due to a lack of fame and fortune (91-93). Grey’s form offers structural support for his theme of death and aids the reader in understanding the poet’s point of view. “Beowulf” was written in Epic form, the oldest form of poetry, wielded to tell tales of heroic adventures and conquest. The author utilizes the epic form to dictate a cautionary tale of how man can become the monster. Beowulf, a heroic war hungry warrior defeats the demonic hellion, Grendel. An act that would be considered a great feat if it was not for Beowulf’s hunger for war and his egotistical personality. This form implies that the reader will read a story about a great man who wa... ... middle of paper ... ... to figurative language and form can create a masterpiece. Works Cited 1. Jackson, Wallace. N.p.. Web. 25 Mar 2014. . 2. Dye, E.. N.p.. Web. 25 Mar 2014. . 3. Ferguson, Margaret W. , Mary Jo Salter, and Jon Stallworthy. The Norton Anthology Of Poetry. shorter fifth edition. New York, New York: W W Norton & Co Inc, 2005. print. 4. Author unknown “Beowulf.” The Norton Anthology Of Poetry. shorter fifth edition. Ferguson, Margaret W. , Mary Jo Salter, and Jon Stallworthy. New York, New York: W W Norton , 2005. 2-9. Print. 5. Grey, Thomas. “Elegy Written in a Church Courtyard.” The Norton Anthology Of Poetry. shorter fifth edition. Ferguson, Margaret W. , Mary Jo Salter, and Jon Stallworthy. New York, New York: W W Norton , 2005. 410-413. Print.
Frank, Roberta. “The Beowulf Poet’s Sense of History.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987.
Beowulf. Sullivan, Alan, and Timothy Murphy, trans. Longman Anthology of British Literature. Gen. Ed. David Damrosch. 2nd compact ed. Vol. A. New York: Pearson, 2004. 32-91.
...slaying Grendel’s family and a dragon. Needed by the Geats and the Danes, Beowulf is central to the poem, however it is impossible for him not to be an outsider when he is superior to every single character in every single aspect.
Heaney, Seamus. Beowulf: A New Verse Translation. New York: Farrar, Straus, and Giroux, 2000. Print.
Wilbur, Richard. “Beowulf.” In TheBeowulf Poet, edited by Donald K. Fry. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Shippey, T.A.. “The World of the Poem.” In Beowulf – Modern Critical Interpretations, edited by Harold Bloom. New York: Chelsea House Publishers, 1987..
Beowulf. The Norton Anthology of English Literature, Volume A. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 34-100.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
Wright, David. “The Digressions in Beowulf.” In Readings on Beowulf, edited by Stephen P. Thompson. San Diego: Greenhaven Press,1998.
Heaney, Seamus, trans. Beowulf: A New Verse Translation. New York: Farrar, Straus, and Giroux, 2000.
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
During the early seventeenth century, poets were able to mourn the loss of a child publicly by writing elegies, or poems to lament the deceased. Katherine Philips and Ben Jonson were two poets who wrote the popular poems “On the Death of My Dearest Child, Hector Philips”, “On My First Son”, and “On My First Daughter” respectively. Although Philips and Jonson’s elegies contain obvious similarities, the differences between “On the Death of My Dearest Child” and “On My First Son” specifically are pronounced. The emotions displayed in the elegies are very distinct when considering the sex of the poet. The grief shown by a mother and father is a major theme when comparing the approach of mourning in the two elegies.
Greenblatt, Stephen, and Abrams, M. H. "Beowulf." The Norton Anthology of English Literature. 'Comp'. New York City: W. W. Norton Company and Inc., 2006. Print.
Elegy in a Country Courtyard, by Thomas Gray, can be looked at through two different methods. First the Dialogical Approach, which covers the ability of the language of the text to address someone without the consciousness that the exchange of language between the speaker and addressee occurs. (HCAL, 349) The second method is the Formalistic Approach, which allows the reader to look at a literary piece, and critique it according to its form, point of view, style, imagery, atmosphere, theme, and word choice. The formalistic views on form, allow us to look at the essential structure of the poem.
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.