An assembly line at Lincoln-Mercury automobile plant is where the idea of Motown first developed in the mind of Berry Gordy. Every day, Berry Gordy watched a bare piece of metal frame roll down the assembly line and reached the end only to become a shiny brand new automobile. He believed that this concept was ideal and could be used to produce music. Mr. Gordy’s vision was to take an unknown person with just a dream and raw talent and turn them into a star in the music industry. His assembly line idea and vision later became a reality we all know and love as “Motown” (motownmuseum.org) Mr. Gordy is responsible for many stars in the music industry who just like the strap of metal became a vision of beauty once Gordy finished with them. The term ‘Motown’ is popular and refers to a legend, a style of music, a state of mind, and a successful music industry. The beginning of the Motown legend started when Berry Gordy borrowed eight hundred dollars from family members to launch Tamla Records in 1959. By 1961, Gordy scored a million selling recording, the Miracles’ “Shop Around” (Waller 11). Within ten years, the legendary Motown had released twenty-two number one pop hits, forty-eight number one rhythm and blues hits, and had become the largest black-owned business in America (15). Actor Sidney Poitier best described Barry Gordy as a person who was set out to make music for all people regardless of race. In doing so, Berry Gordy made black music, the Motown sound, part of the mainstream popular culture in America (mackinac.org). Gordy had white teens all over America humming the catchy tunes of the Four Tops and the Temptations. After that, he promoted a flurry of black stars including Diana Ross, Michael Jackson, and Stevie Wonder. Gordy wanted their music, and that of other Motown singers, to reach the larger white audience in America (bsnpubs.com).
...influenced by many genres of music and wanted to cultivate a sound that was their own and like nothing else out there. Artist flocked to them to receive something that was completely different and to bring out put out the best recordings that were possible. The studio was influenced an array of artists who possessed individuality, a sound that differentiated them from other artists, and a will to try to experiment. The studio created a sound like no other studio and much different from the prominent studios from the north, west, and south. It was a studio that will leave a legacy of risk takers, who had a desire to produce a sound that would stand the test of time and influence many generations to come. Their production style mixed genres and may music boundary less. It influenced the sound of today’s music to not be boxed in or classified as just one type of genre.
This paper will be an updated version of my last paper which talked about a portion of Barry Gordy's background, Diana Ross and the Supremes, the Four Tops, Smokey Robinson and the Miracles, the Temptations and their start at Motown. How Motown was the first American music label owned by an African-American, the first music label to successfully market black artists to white mainstream audiences. How Motown was responsible for discovering, mentoring, and perfecting a lot of American popular music's most influential and successful artists and the best albums and artists and what new artists have entered Motown.
“We stuck to who we were at Motown, and the world came around.” Berry Gordy, the founder of Motown records relayed at the Occidental College’s 125th commencement ceremony in 2007. Motown was “the new voice of America” due to its great impact and influence on the music industry and society. Numerous events were happening in America at that time and Berry Gordy identified several of these factors to target the music of Motown and its artists to young audiences in specific ways. There were various social, musical and cultural factors that were critically important and of these factors, Gordy identified the segregation and the civil rights movement, the music and cultural aspects of the black community at that time.
The music industry during the 1940s was filled with many talented artists who impacted the music industry and the history of rock n’ roll forever. But one of the very well known and talented artists was Buddy Holly. Buddy Holly was the first to pioneer new music genres and progressive music. Charles Hardin Holley (1936-1959) was an American musician and artist whose creative career began in 1956. The family name is correctly spelled “Holley” but his first recording contract from Decca Records in 1956 spelled his last name “Holly” and he kept it that way for the rest of his career (Griggs 1). Holly took a very influential position in the music industry and built an audience for his Rock and Roll music very quickly due to his unique voice and advanced knowledge of music. Buddy Holly is a prime example of a musical pioneer who blended resources from various music genres including a variety of popular genres such as rhythm and blues (RNB), oriental, and African (Schinder and Schwartz 85).
Ross moved to California to launch her solo career. Her reworking of the Ashford and Simpson standard “ain’t no mountain high enough” became their first #1 hit as a solo artist. In 1971, Her first child Rhonda was born later announced as berry Gordy child (the founder of Motown).
"Motown Music - The Sound that Changed America - Motown Museum Home of Hitsville U.S.A.." Motown
Although he later denied that he ever said it, Sam Phillips-the man who discovered Elvis Presley-is reputed to have said, “if I could find a white man who had the Negro sound the Negro feel, I could make a billion dollars” (Decurtis 78). Certain radio stations would not play the work of black artists in the segregated America of the 1950s. But, nevertheless, rock ‘n’ roll was an art form created by African-Americans. Little Richard, whose songs “Tutti Fruitti” and “Long Tall Sally” became hits only after white-bread versions were made by Pat Boone, said, “It started out as rhythm and blues” (Decurtis 78).
Mainstream music in the 21st century is known to blend many different genres. Chuck Berry has influenced such genres as rhythm and blues (R&B), country, and today’s pop music. He realized at a young age he had to play more than just “black” music as a black artist. He had to appeal to whites since most Americans in the 1950s were white.
The birth of Motown music came to be in a small recording studio aptly named Hitsville, U.S.A. Barry Gordy, who came from a large middle class family had borrowed money in order. The main stage of Motown music came from a small house that had been remodeled into a recording studio, the name of the company was Hitsville, U.S.A. Mr. Gordy had gathered the best jazz and blues players in and Motown was born through his genius. This small but dynamic record company has produced and help make many stars that we all know today such as Diana Ross and the Supreme, The Temptations, Stevie Wonder, and more recently the Jackson 5, Boyz II Men , and Queen Latifah. It is very surprising that both the genre of Motown and Hitsville remind unharmed by racism for the most since Detroit has been historically known for severe racism and segregation. Hitsville U.S.A. was one of the first African American owned record companies, this was just one step in popularizing and taking a step for African’s Americans many talents to become well known and chart topping.
Berry Gordy's "Motown" had the largest impact on music on behalf of its direction and redefinition. Berry Gordy's "Motown" impact music through cutting across divisions of race, region, and class. According to Schloss, Joseph G. et al., "unlike the music of earlier black-owned record companies, Motown's music was not directed primarily at black audiences." Gordy is characterized
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
Henry Ford's assembly line in Detroit was the largest one in the country. When Ford first started making cars, the only car he made was a black Model-T. Almost everybody in the United States had a car. Three-out-of-four families owned one or more cars. With the assembly line they made a lot more cars in one day than they did before. Instead of payin...
The beginning of racism in the music industry began only 13 years after the creation of the phonograph by Thomas Edison in 1877. Recorded sound was still pretty new at the time, but it didn’t take long for record companies to form: Berliner, Edison, and Columbia, all of which functioned under the plan that the artist didn’t matter, but the song did. Under this plan, companies skipped over the talent from stage and focused on finding anyone who could carry a turn and had good diction. By the 1890’s, they “had established a cadre of profession white recorders” that “could reproduce works of African American performers with “authentic” dialect”. This group of white singers were grouped together and made to sound like black artists
“Rhythm and blues is a combination of soulful singing and a strong backbeat” (Cahoon, 2004). Rhythm and blues was created by and for African Americans between the ends of World War II. By 1946 the style of swing music started to fade away where early R&B artists started breaking away from using big bands and emphasizing using blues-style vocals and song structures. “Billboard magazine coined the term rhythm and blues to rename its’, “race records,” chart in 1949, reflecting changes in the social status, economic power, and musical tastes of African Americans” (Cahoon, 2004). Rhythm and blues was like a stepping stone for the popularity of Rock and Roll. There were several focal points for rhythm and blues music, but the main focal point for early R&B originated in Atlanta, Georgia. The first radio station to play rhythm and blues was in 1949. Even though the R&B late night show on WGST was a big hit in the African American community, it featured a white disc jockey named Zenas “Daddy” Sears. (Cahoon, 2004)
"The American Dream" is that dream of a nation in which life should be better and richer and fuller for everyone, with options for each according to capacity or accomplishments. It is a dream of social stability in which each man and each woman shall be able to achieve to the fullest distinction of which they are essentially competent, and be distinguish by others for what they are, despite of the incidental conditions of birth or stance. The American Dream is often something that humanity wonders about. What is the American dream? Many people discover success in a range of things. There are many different definitions of the American Dream. However, the American Dream embraces prosperity, personal safety, and personal liberty. The American dream is a continually fluctuating set of ideals, reflecting the ideas of an era.