Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
E.e. cummings poetry analysis
E.e. cummings poetry analysis
An essay on e.e. cummings and how he started writing poems
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: E.e. cummings poetry analysis
How Cummings’ Play with Language Transforms from Nonsensical to Meaningful E.E Cummings’ poem, “r-p-o-p-h-e-s-s-a-g-r,” is written in free verse and has fifteen lines. It is captivating right from its title that is hardly pronounceable. At a first glance at the poem, the reader sees a spacious poem with lines as short as an alphabet arranged in an irregular pattern on the page. Cummings’ writing of the poem makes it seem nonsensical to the reader , at first, and also creates a curiosity to discover the meaning of the poem, if it has any. Cummings uses punctuations unusually, joins words together, separates words and joins letters together in a way that seems insensible. However, his unusual use of punctuation and the arrangement of words …show more content…
The poem starts in the first stanza, “ r-p-o-p-h-e-s-s-a-g-r,” with a combination of letters that is nonsensical, at first, but gradually becomes meaningful as the poem progresses. The combination of letters in the first line is repeated many times in the poem. At first, the letters are hyphenated, “r-p-o-p-h-e-s-s-a-g-r.” Then in the fifth line, “PPEGORHRASS,” the combination of letters is cohesive, but all the letters are in capital. The first letter of the first word in a sentence, which is sometimes the subject of the sentence or precedes the subject, and the first letter of proper nouns are usually capitalized. The capitalization in the fifth line could indicate that the combination of letters,“PPEGORHRASS,” makes up a word that is a proper noun and is the main subject of the poem. More pronounced is the fact that this combination of letters is made of phonemes which make it pronounceable as opposed to the first line. Before the final development into its most sensible form, the combination of letters is seen again in the twelfth stanza, “.gRrEaPsPhOs).” The letters …show more content…
The third stanza , “ a)s w(e loo)k,” has a closing brackets after “a”without an opening bracket, then an opening bracket in the middle of the word “we” and a closing bracket before the last letter in “look.” The words inside a bracket usually express the same idea and are connected. Brackets also separate the enclosed word or words from the preceding words in the sentence. The use of brackets to enclose “e loo” suggests that they are connected, though the letter “e” does not seem connected directly to “ loo .” However, “e” is part of the subject “we” while “loo” is part of the verb look. The bracket indicates that the subject, who is the “doer” of the action , is related to the action performed. This is true as people’s actions usually have effects on them, and an action cannot be performed without the performer. Cummings also uses brackets in the fourteenth line, “rea(be)rran(com)gi(e)ngly” to separate “rearrangingly” and “become.” While “rearrangingly” and “become” are connected , since they are woven into each other as one word, the brackets separate them to distinguish the two words. Cummings’ use of brackets may seem incorrect, but his use of brackets and the meaning it conveys highlight their function. Cummings’ play with punctuation is also seen in the first line , “r-p-o-p-h-e-s-s-a-g-r,” where he uses hyphens between each letter. An hyphen is used to join a
12. What form of figurative language does the author use in lines 8 & 9 of page 216 to make his writing more
The most noticeable aspect of the structure of the entire poem is the lack of capital letters and periods. There is only one part in the entire forty lines, which is at the very end, and this intentional punctuation brings readers to question the speaker’s literacy. In fact, the speaker is very young, and the use of punctuation and hyphens brings to attention the speaker’s innocence, and because of that innocence, the
The use of anaphora is prominent in the poem as each stanza is initiated with the same or similar phrase. The second through eighth stanza begin with the words, “I see them,” this is to show the speaker’s sympathy for the slaves and the horrible lives they were given. He feels as if he is his great-grandfather and is responsible for the abhorrent crimes he committed. Berry then changes the phrasing to, “I know” signifying that he empathizes with the slaves, finally saying, “I am” showing that he feels similar to a slave. This anaphora shows the struggle of being a descendant of an evil person, the speaker’s inner demons make his life full of shame and guilt for the actions of his ancestors.
In the following excerpt from the autobiography Narrative of the Life of Frederick Douglass, an American Slave, the third paragraph is distinguished from the rest of the passage due to the immediate shift of attitude, and exhibiting a somewhat of an ebullience through this hopeful vision of becoming forever free, which is effectively displayed by his use of figurative language and short and concise like syntax.
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly. His outside actions of touching the wall and looking at all the names are causing him to react internally. He is remembering the past and is attempting to suppress the emotions that are rising within him.
To that end, the overall structure of the poem has relied heavily on both enjambment and juxtaposition to establish and maintain the contrast. At first read, the impact of enjambment is easily lost, but upon closer inspection, the significant created through each interruption becomes evident. Notably, every usage of enjambment, which occurs at the end of nearly every line, emphasizes an idea, whether it be the person at fault for “your / mistakes” (1-2) or the truth that “the world / doesn’t need” (2-3) a poet’s misery. Another instance of enjambment serves to transition the poem’s focus from the first poet to the thrush, emphasizing how, even as the poet “[drips] with despair all afternoon,” the thrush, “still, / on a green branch… [sings] / of the perfect, stone-hard beauty of everything” (14-18). In this case, the effect created by the enjambment of “still” emphasizes the juxtaposition of the two scenes. The desired effect, of course, is to depict the songbird as the better of the two, and, to that end, the structure fulfills its purpose
Capitalization of nouns that aren't normally capitalized can bring importance to things that might not be considered proper nouns. Poetry gives the author the freedom to manipulate the structure of a poem so they can emphasize different subjects. In this poem, Petrosino capitalizes the beginning letter of every work that isn't a connecting word such as “of, the, to is, etc.” Most of these words are nouns, but not proper nouns, so the capitalization of these words brings importance to every word. It also sets apart each word making it it's own subject. The different subjects are disconnected from each other and it is a little unsettling to the eye to look at.
...ould contradict 'swi/ftly', so Cummings decided to refer to the speed average of the two, 'Swi/mming.' "Swi" contains less symbolism than the other poems being analyzed, but it is similar in that the syntax adds greatly to the poem.
In his poem "l(a", the words are arranged in such a way that they are falling down the page. He only puts several letters of each word on a line and then continues to spell the word down the page. The main focus of the poem is about loneliness and the words almost appear to be "lonely." He uses parentheses around the phrase "a leaf falls," which appears in the middle of the poem. The remaining letters in the poem spell "loneliness." When these are placed together in the same poem, it creates an effect that there is a leaf falling from a tree to the ground where it will be lonely because it will be separated from the tree. Cummings emphasizes the image of being alone or aloof by using two versions of the word one. On the first line, he uses the letter "l," which also looks like the number "1." On ...
To begin, the poem, “Eve’s Apology,” uses many different poetic devices such as alliteration, assonance, rhyme scheme, and simile. The author uses a great number of alliteration, which is the repetition of constant sounds generally at the beginnings of words. Alliteration can be seen in the words “what” and “weakness” in line 3. Some more examples of alliteration throughout the poem are “subtle serpent’s” (23), “he had him” (24), and “with words which” (30). Assonance, the repetition of the same or similar vowel sounds in stressed syllables that end with different consonant sounds, is another poetic device that the author uses greatly. Some examples of assonance are found in lines 10 “ The ‘p...
this poem. I believe it is mainly what the poem is about. To make the
Edgar Allen Poe’s alliteration and repetition of words support the poem’s flow and musicality. Poe begins with the alliteration of the m sound in “merriment” and “melody” (3). The soft m sound, also known as a liquid consonant, helps to keep a quick and continuous pace for the poem. Similarly, the alliteration of the s sounds in sledges, silver, stars, and seem, emphasize the calming sounds of the bells (1-2, 6-7). The s sound helps express the soothing and comforting effects of the bells, essentially contributing to the merry tone of the poem. Furthermore, the alliteration of t...
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
Through the fixed exclamation of moods this individual likewise felt, the reader was able to recognize the progression of emotions felt. Furthermore, this precise usage of diction allocated the many perceptual dispositions, one should experience in his or her lifetime. Finally, with also switching the point of views concluding this excerpt, Johnson created a sense of how deeply & severely this event was traumatizing. Amidst the brilliant enunciation of language this 1700 writer proclaimed, he conjointly employed elevated and purely intentional diction, to form a piece worthy of epitomizing the opposing situations of
... since it deals with the growth of the mind. Therefore, the poet uses syntax and form to emphasize on the important matters that occurred in each stanza.