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Social commentary on edward scissorhands
Social commentary on edward scissorhands
Social commentary on edward scissorhands
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The Tim Burton Film, Edward Scissorhands, is about a man made character named Edward. Edwards’s creator was a scientist who unfortunately died before he was finished making him. In fact, he was nearly done with Edward but was unable to give the character hands. Therefore, Edward dangerously has scissors for hands, hence his name. After the death of the inventor, Edward was left alone in the mansion on top of the hill. A door-by-door sales representative named Peg was determined to sell her product to the owners to the mansion, so she walked inside of the house when no one answered the door. She was surprised to see Edward in the corner of the upstairs room, all alone. Peg has a big heart and made Edward come live with her and her family so …show more content…
The ending goes back to the grandma and little girl. Basically, the older woman was telling the little girl the whole story of Edward throughout the movie, the audience now realizes this and are now thinking why is this older lady and girl are so important. But what she doesn’t tell the audience is that the older woman is the daughter that Edward fell in love with. The line that really gave it away that the older lady was the daughter was when she was talking about the snow and her saying “sometimes you can still see me dancing it in” which is a reference to the scene where the daughter was dancing in the snow earlier in the movie. That was the line that the filmmakers were trying to hold off as long as possible. Holding that line till the very last minute of the film made the movie have the most intense “aha” like moment. Immediately after she said that dialog, we cut back to Edwards house. Where Peg found Edward in the beginning stands a bunch of ice sculptures that Edward created, one being a sculpture of the daughter dancing in the snow. Editing wise, the juxtaposition between the two scenes fitted nicely together to have an overall great ending that the audience will understand. I believe that they did the jump cuts between the bedroom and the mansion is to show that she really is thinking and still cares for Edward after all of these years. I
Edwards gets caught and every friend of his from the neighborhood turns on him. Edward Scissorhands has an overall mood of self-discovery for most of the characters. In the film, Burton uses close-up shots in order to convey an unusual tone towards Peg’s curiosity. For example, when Peg goes to Edward’s house, she continues to walk into the house after seeing topiary in the garden. This achieves divergent tone because Peg being comfortable to walk into a dark home for a customer which contributes to the overall mood of self-discovery, because we discover what kind of person Peg is.
Would you let a man with scissors for hands in your, that you found in a dark evil-looking castle? I know I wouldn’t, but a mom named Peg would. Peg, who is very empathetic, decides to go sell Avon to the evil mansion across the street, but then finds a boy with scissors for hands and decides to take him home. Edward seems to be doing fine in the community, but is soon seen as a monster because he is framed by a bully name Jim. The movie is Edward, the protagonist, trying to recuperate his innocence and he won’t stop until he does. Throughout the movie, director Tim Burton used the stylistic elements of juxtaposition and symbolism to show the character’s personalities and to show how some places in the story are opposites.
Edward used 2nd person, which uses the word “you” a lot. He also had a very harsh and blunt tone about it. Using this point of view and style it makes it seem like the author was directing it towards the reader. he used real life situations to relate what was happening to the reader. “It gave him,to the very depth of his kind heart,to observe how the children fled from his approach.
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
Use of Allusion and Symbolism in Edward Scissorhands Nothing just happens in film. Directors all make certain choices in production in order to invite a particular response from the audience. The film, Edward Scissorhands is based around the introduction of a social outcast into a community and his attempts at acceptance. Although at first he is accepted whole heartedly and somewhat smothered, he later learns that despite how human he is, he cannot co-exist in the same world due to his differences.
Edward exercised in a way that was excessive, violent and on the verge of punishment, he also ate food sparingly, he was practically suffering from anorexia and worried excessively about the way he looked particularly about the thinness of his legs, he had slight OCD, an unusual manner of speaking, social insensitivity and often had nervous tics such as constant fiddling, this is why some believe Edward may have suffered from Autism or Asperger's Syndrome, some thought Edward may ha...
Everyone has that one friend who is a complete goofball: the one who is just different from the rest and can be a little abstract. The misfit may be easy to spot in a crowd and be judged; however, Tim Burton accepts the oddball and takes the concept of character dramatization one step further. Through his movies, Edward Scissorhands and Charlie and the Chocolate Factory, the outcast tries to break through the social barrier by reaching out to the community and trying to fit in. With Burton’s imaginative characters, Burton shows how being an outcast gives a person the potential for success.
Tim Burton’s films depict his lashing back from a tortured childhood. Somehow, his movies tell his story. His first big budget movie, Batman, was a huge hit. He then chose to make Edward Scissorhands, his most personal film. Despite the fact that Batman was a hit, movie executives were reluctant to give Burton authorization. His use of cinematic techniques displays his unique style.
From the very beginning, Edward is cast as the monster – but is he really? We first see Edward when Peg searches for the owner of a dark, ominous, gothic mansion. She climbs up a set of gigantic spiral stairs that lead to “Edward’s room”. The setting is quite dark and the only lighting is coming through a gaping hole in the roof. Her curiosity gets the better of her, and as she examines this foreign place, we can hear in the bac...
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
The true test of a film’s greatness is time. The 1984 science-fiction/comedy classic, Ghostbusters, has stood the test of time, producing both a sequel (in 1989) and a hit cartoon series. Ghostbusters is the story of three offbeat scientists interested in paranormal matters: Peter Venkman (played by Bill Murray), Raymond Stanz (played by Dan Aykroyd), and Egon Spengler (played by Harold Ramis), who have just lost their university grant, and are suddenly forced out onto the streets of New York. What will they do now to survive? After taking a third mortgage out on Ray’s family home, Peter, Ray, and Egon decide to pursue the idea of catching and containing ghosts in the private sector. Their business, fittingly named: “Ghostbusters”, starts out slow, but quickly the word spreads of their ghost investigation and extraction services. Within seemingly no time at all, the Ghostbusters are a hot commodity in New York where ghost activity is on the rise.
Tim Burton’s movie Edward Scissorhands explores the idea of an outcast by applying symbolism in a variety of ways. The journey that Edward faced while trying to become part of society falls under the typical “hero story archetype,” but Burton’s unique symbols make the story unprecedented. One symbol that illustrated the theme of individuality was the costuming. When Edward first was found he was wearing leather from head to toe, but Peg gave him a dress shirt and pants to wear so he would fit in with the rest of the neighborhood. Even though he put the clothes on without hesitation, he never took off his leather attire, which implies that although he could be changed on the outside, on the inside he refused to conform. Furthermore, as the movie progressed, Edward’s social acceptance declined rapidly. In turn, Burton made Edward’s costume slowly tear up, until the “mob” scene where he ripped off the dress shirt completely, which showed how he will never become what everyone else wanted him to be. Another symbol Burton included in Edward Scissorhands that sup...
...er he dies, Edward remained alone in his mansion for however long he was alive.
In particular, this theme is revealed in many occasions in the book. On page 56, Edward comes out of nowhere and saves Bella from a car accident that potentially could have taken her life. “Two long, white hands shot out protectively in front of me, and the van shuddered to a stop…” In similarity, towards the end of the movie, Edward saves Bella (who is alone) from being attacked by James. This makes us ask, “How are both of these scenes related?” However, both of these scenes are prominent in the movie and the book because they are so vital to the story. This shows how despite being far away, his protectiveness over Bella made him save her. This inflicts very positive characteristics on Edward, such as: bravery, selflessness, and compassion. The idea of love is what caused him to commit irrational actions in the most necessary
Specifically social isolation. Social isolation is the lack of social interaction with society or friends (Miller, 2011), neither which Edward had because he was not fully educated by his creator yet. Edward was all by himself in the mansion up the hill after his creator died. Because the creator died before he could teach Edward the basic lifestyle etiquette, Edward had hid himself in the mansion the whole time void of social interactions until Peg decided to venture into the mansion in hopes of selling cosmetics and ended up bringing Edward back to her home. The social isolation that Edward experienced since the death of his creator was quickly eased from him after he got introduced to the townspeople. The talent Edward had for having scissor as his hand was impeccable. He managed to capture the attention and trust of the townspeople in a short amount of time he was there. However, the attention that Edward had when introduced to the townspeople was short lived after he was arrested by the police for breaking and entering a home. Edward went back to his mansion after a few unsuccessful attempt of reconciliation with the townspeople. The study by Ahmetoglu, Swami and Chamorro-Premuzic, (2010) stated that reconciliation tactic was used to maintain positive relationship but it did not worked for Edward when he was trying to get back on the good side of the