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Mental illness and oppression in literature
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Edward “Fairfax” Rochester is set to be portrayed as an innocent individual. An innocent individual, who doesn’t initially feel contempt with his life or even free. Although he is a character who is wealthy, he has been described as having strong features that haven’t necessarily accredited him to being the most handsome soul. Furthermore, his own family, the Rochester, have been a prominent factor in his horrific life. Because of the late Mr. Rochester, the father of Edward wrote his will in favor of Edward’s brother, he wanted to make sure that both of his sons are protected. Nonetheless, Edward young and “blind” was allegedly forced to marry a Creole woman, who had a family background of mental illness. To his dismay, his wife, Bertha Mason,
To begin, when Mr. Rochester secretly returns to Thornfield as a gypsy he tells many fortunes but when the secret comes out there is nothing but distrust for him. For example, when Jane finds out that Mr. Rochester was the gypsy, and Mr. Rochester asks if she can forgive him for his trick, she says ¨[She] cannot tell till [she] [has] thought it all over. … [she] shall try to forgive [him]; but it was not right¨ (Bronte 213). This shows that Jane had lost some trust in her beloved Rochester by such a simple joke and it was that, the secret had been kept from her, that makes Jane really wonder if she could tru...
Jane Eyre is a book about mind over heart. But this is not the case with Mr. Edward Rochester of Thornfield. He is a character with many flaws. One of them is that Mr. Rochester is something of a secretive person. Mr. Rochester’s motives for lying are in order to keep his secrets hidden from people he is close to. He lies to Jane twice in this story (that are important to the overall plot/storyline). Once is when he wants to make her jealous by saying he’ll marry Blanche Ingram, and then the second time is about having a wife, Bertha Mason, when he’s planning to marry Jane. Mr. Rochester’s lies are essential to the story line of Charlotte Bronte’s Jane Eyre, but his motives for lying are purely for selfish, secretive reasons.
Literature of the English Restoration offers the example of a number of writers who wrote for a courtly audience: literary production, particularly in learned imitation of classical models, was part of the court culture of King Charles II. The fact of a shared model explains the remarkable similarities between “The Imperfect Enjoyment” by the Earl of Rochester and “The Disappointment” by Aphra Behn—remarkable only because readers are surprised to read one poem about male sexual impotence from the late seventeenth century, let alone two examples of this genre by well-known courtly writers. In fact, Richard Quaintance presents ten more examples by lesser-known poets as he defines the literary sub-genre of the neo-Classical “imperfect enjoyment poem,” written in imitation of Roman poems on the same subject, which is shared by Rochester and Behn (Quaintance 190). Since Rochester and Behn are working along such closely similar lines in terms of the artistic models that their own poems aim to imitate, it is therefore fair to ask the question: what are the main differences in their compositional technique within this tightly-defined literary sub-genre of the neo-Classical “imperfect enjoyment poem”? By examining features of each poem in turn—including form (including this sub-genre they share), but also narrative voice and tone—with some examination of the secondary critical literature on both Rochester and Behn, I hope to demonstrate that there are distinct differences in compositional technique which involve the difference in sex between these two writers. But my conclusion will attempt to problematize the very notion of an authorial sex difference by raising the concept of gender, and in particular the aspect of “performativity”—...
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
Mr. Rochester pleaded Jane for forgiveness and that they should marry and forget about Bertha Mason and leave with him to France. Jane deceived him by leaving the Thornfield hall in the middle of the night without saying farewell to Mr. Rochester in person.
terror but I couldn’t understand why my creator was horrified at my sight I was devastated all I remember was charging at him My farther was running for his life when my farther thought I was dead he left town without me keeping his secret in his attic.
Bertha and Mr. Rochester were set up and pressured into marrying each other. Mr. Rochester claims that isolating Bertha in a secret room is a justifiable act because of her mental instability. However, The Bertha that the reader gets to see exhibits an accumulated maniacal rage as a result of her imprisonment. Jane describes her as a savage woman. The very sight of her when she attacked her brother or when she ripped the wedding veil traumatized Jane. However, Bertha impacted more than her safety. When Bertha is revealed to be Mr. Rochester’s wife, Jane finds out that despite the love she and Mr. Rochester have for each other; Jane can be nothing more than a mistress because it is illegal to divorce an insane women who is not in control of her actions.
In conclusion, Jane Eyre’s painstaking journey to find a sense of acceptance, affection, and family was finally completed, attaining the things she yearned. She eventually discovered everything she was searching for through Mr. Rochester, forgetting her agonizing past and looking to what was ahead. As Jane looked for many different alternatives to make her feel as if she was complete, she found that Mr. Rochester was the only one who could make her feel
He acts very flirtatious and by the way he speaks to her it seems as
Charlotte Bronte presents Rochester in many different ways. He comes from a rich family, and has a sophisticated personality. His attitude and behavior from the start of the book and the end of it has a dramatic change. Rochester corresponds to the mould of a Byronic Hero however, with his brave and humble actions, he starts to become less attractive as a hero. Moreover, one could argue although he is an unconventional hero he is appealing in both physical and mental ways. However, another could argue against this and find no attractive views of Rochester.
Edward Rochester, the owner of the Thornfield estate and the later romantic interest of Jane, also has dynamic emotional relationships throughout this Bildungsroman novel. Rochester, a powerful but unusual man, uses his authority to assert his position through his relationship with both Bertha and Jane Eyre. Bertha, his first wife, with whom he has an arranged marriage, involves an association that primarily revolves around preserving
Rochester and the attack of passion with St. John. After the proposal that Mr. Rochester had done for Jane, she feels like her love with Mr. Rochester is like a dream, for which she then dreams about their relationship. She tells Mr. Rochester that she “carrie[s] the unknown little child” (284) for which “the child roll[s] from [her] knee, [and Jane] lost [her] balance, fell” (285) explaining the horror she experienced in her dream. In the novel, “the child” represents an omen or devil to Jane. Jane falling as she “carrie[s] the unknown little child” foreshadows the actions that she may make towards her life with Mr. Rochester because she is running for Mr. Rochester. Then, a crazy woman walks into her room and tears the wedding veil apart. The crazy woman, which is named Bertha Mason, is “fearful and ghastly” (286) and “discoloured face-it was a savage face” (286) creating an image of how Jane sees Bertha with her actions. A regular human does have “a savage face” instead of a “discoloured face” meaning Bertha is unlikely a human. Bertha have a “fearful and ghastly” face because she remains in the dark mentally conducting her actions. The words “fearful”, “ghastly”, “discoloured”, and “savage” negatively connotes Bertha and her physical look. The supernatural fact about Bertha is that her descriptions tells Jane that she is not human but somewhat near a beast or ghost. Then, with St. John, Jane
Charlotte Bronte utilizes the character of Bertha Rochester to interrupt Jane’s potential happy ending with Mr. Edward Rochester. Bertha is announced by Mr. Briggs as a way to stop the wedding and it also shows how hopeless Jane’s situation is. “That is my wife “said he. ‘Such is the sole conjugal embrace I am ever to know—such are the endearments which are to solace my leisure hours! And this is what I wished to have,’” (312) and “’I wanted her just as a change after that fierce ragout,’” (312) are quotes that express Mr. Rochester’s reasons for trying to remarry while he already has a wife, meanwhile showing his disposition towards said wife. Had Mr. Briggs and Mr. Mason not been present for the ceremony, Jane may have lived happily in ignorance. Due to Bertha’s involvement however, Jane could never truly call herself Mr. Rochester’s wife. She says, “’Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire—I should then be your mistress: to say otherwise is sophistical—is false.’” (323) This quote shows that as a result of Bertha’s exposure, Jane refuses to marry Mr. Rochester. The influence that Bertha’s brief debut had on Jane’s life was significant enough to hinder the growth of her relationship with Mr. Rochester.
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.
The tragedy of Hamlet, Shakespeare’s most popular and greatest tragedy, presents his genius as a playwright and includes many numbers of themes and literary techniques. In all tragedies, the main character, called a tragic hero, suffers and usually dies at the end. Prince Hamlet is a model example of a Shakespearean tragic hero. Every tragedy must have a tragic hero. A tragic hero must own many good traits, but has a flaw that ultimately leads to his downfall. If not for this tragic flaw, the hero would be able to survive at the end of the play. A tragic hero must have free will and also have the characteristics of being brave and noble. In addition, the audience must feel some sympathy for the tragic hero.