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The role of women in the awakening
Literature as a reflection of society pdf
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Edna decides that it was silly of her to stamp on her wedding ring and break the glass vase and decides to do what she wants without apology. She stops receiving guests on Tuesday, neglects the social obligations that her husband expects of her, and instead paints all the time in her atelier. Naturally, her husband becomes peevish and demands to know what is going on. Edna brusquely says that she just wants to paint and that he shouldn't bother her; her husband thinks his wife is becoming mentally unstable. In reality, however, Edna is just expressing her true self, free of the false social constraints that earlier made her be a dutiful, quiet wife. Mr. Pontellier does leave his wife alone, and she gets her two sons, the nurse, and the maid …show more content…
to all sit and model for her. While she paints, she sings the song that Robert used to sing, "Ah! si tu savais!" and she feels transported back to the ocean and overwhelmed with desire for her friend. Edna has intense mood swings without knowing why: on some days she is ecstatic, and her senses are heightened, while on others she is plunged into the depths of depression and feels like life is pointless.(1) One day Mr.
Pontellier drops in on the family physician, Doctor Mandelet, who due to his wisdom, is frequently consulted for advice. He is startled to see someone approaching so early in the morning and inquires after his visitor's health. Mr. Pontellier explains that he's actually concerned about his wife, who though very healthy, seems to be exhibiting odd and uncharacteristic behavior. According to Mr. Pontellier, Edna's symptoms are: neglecting the housework, provoking him to quarrel with her, refusing to sleep with him, and talking about women's equal rights. The Doctor asks him if she's been associating with "pseudo-intellectual" feminists, and Leónce tells him that she spends most of her time alone and likes to wander the streets after dark. When the Doctor hints at hereditary mental illness, Mr. Pontellier briefly describes Edna's family. Her father was a pious Presbyterian, who gambled away his farm, her sister Margaret is very devout, and the youngest is getting married. According to Mr. Pontellier, Edna refuses to go the wedding, saying that "a wedding is one of the most lamentable spectacles on …show more content…
earth." After a bit of thought, the Doctor advises Mr.
Pontellier to leave his wife alone. He argues that women are complex and mysterious organisms, and as ordinary men, they cannot possibly understand them. The Doctor promises to drop by on Thursday, and before leaving, Mr. Pontellier reveals that he has business in New York that may occupy him a considerable length of time. The Doctor advises him to take Edna along if she wants to go and warns him that it might take up to three months for her to regain her humor. As soon as Mr. Pontellier leaves, the Doctor wonders which man is making Edna behave the way that she is, but knows better than to hint at adultery to his friend.
(2) Edna's friendship with Alcée Arobin begins to develop. During this time Edna is moody: sometimes excited by life's possibilities, sometimes depressed that life was passing her by. She starts going to the races a lot, one time with Mrs. Highcamp and Alcée Arobin, a fashionable young man who is pleasant, cheerful, and good-looking. Arobin had long admired Edna from afar, but circumstance never permitted them to meet until the day he saw her and her father at the races. At the races, Edna is knowledgeable and lucky; she gets very excited, and other people in the audience turn around to look at her. Afterward, they all dine together, and the dinner is unremarkable and a little dull. Arobin drops her off at home, and feeling restless and awake, Edna has a snack of crackers and cheese. She wants something to do, but after counting her winnings, she goes to sleep. Waking up in the middle of the night, she remembers that she has forgotten to write her daily letter to her husband. A few days later, Arobin drops by to invite her to the races, and they end up going alone. Once again, she has a good time and finds Arobin easy to talk to her. He stays for dinner and while bantering, shows her a scar from a sword on his wrist. While observing the scar, Edna touches his hand and suddenly squeezes it impulsively. She instantly rushes away and makes an excuse, while Arobin follows her closely. When he asks her to go to the races again and to show him her art, she refuses and tells him she doesn't like him. Arobin kisses her hand and continues to pursue her gallantly until she tells him that she must have accidentally misled him in some way. He apologizes, saying that she has done nothing except to unwittingly captivate him, and he reluctantly leaves. When he leaves, she looks at her kissed hand and feels unfaithful, not to her husband, but to Robert. However, when she goes to bed, she can still sense the touch of Arobin's lips on her hand and longs for his physical presence.
When Mr. Pontellier returns from Klein's hotel and awakens Edna, with criticism about her care of the children , after a night out with the boys. We begin to see him as thoughtless and as eligible as Edna for the same criticism. She goes into the adjoining bedroom and cries. This indifference on the part of her husband triggers, “An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish.” At this point the antenna were up and the story began to accelerate.
A typically assumed reason for having an affair is that the person's spouse is, in some way, unsatisfactory. Perhaps by their affair, they are searching for a better source of love. This, however, was not a justifiable cause for Edna's adultery. Mr. Pontellier was a loving husband who tried to show his love for Edna in all of the ways he was able. Léonce showered his wife with valuable gifts. His life revolved around money, and he knew no other way to show his wife how much he loved her. He attempted to compensate Mrs. Pontellier materialistically for the lack of emotional support. While this may not be an ideal solution to the problem, it cannot be denied that Mr. Pontellier was trying to diminish the problems between them. Yet, even though it is understandable that she is upset that her husband lacks family skills, getting married was solely Edna's fault. The history of their relationship is far from perfect. Chopin states "her marriage to Léonce Pontellier was purely an accident... He fell in love...and pressed his suit with an earnestness and an ardor which left nothing to be desired. He pleased her; his absolute devotion flattered her" (18). Edna was not fair to him when she married him without loving him. She "grew fond of her husband" (18), but fondness is not a good reason for marriage.
Doctor Mandelet first appears in the novel when Mr. Pontellier pays him a visit to discuss his concerns about Edna. The Doctor who “bore a reputation for wisdom rather than skill,”(69) was always available for consultation. Because of his range of knowledge and experience, Doctor Mandelet does not have traditional beliefs compared to other men in the novel. After Mr. Pontellier complained about Edna’s odd actions and her lack of completing her household chores, he responded by saying, “women are not all alike, my dear Pontellier” (70). Ultimately, Doctor Mandelet believes that women should be able to have more independence. He understands that all women are different and that each should be treated accordingly. Through the use of Doctor
The novel states, “‘How does [Edna] act?’ inquired the Doctor. ‘Well, it isn’t easy to explain,’ said Mr. Pontellier, throwing himself back in his chair. ‘She lets the housekeeping go to the dickens!’” (66). Like Edna, I do not believe that I, as a woman, should have to do all of the housework and taking care of children. If I was faced with Leonce complaining to me about this, I would have explained to him that marriage is an equal partnership and that he could help around the house and raising the children. Even though Edna’s society believed in traditional gender roles, I do not, and I would make sure that my husband knew this. As well as this, Edna goes against her husband and buys a house against his wishes, which makes her an “other” in her society because women were not supposed to go against their husbands, as the novel states, “When Mr. Pontellier learned of his wife’s intention to abandon her home and take up her residence elsewhere…[Edna] had acted upon her impetuous determination…” (94). Unlike Edna, I would have talked this over with my husband and heard his side of the decision. Although I am independent, I like to consider other people’s reasonings on why or why not to do something and not make irrational decisions. If Edna would have made the same decision that I would have, her husband and she might have talked out their problems and fix some issues. Moreover, because Edna does
While in his garden reading, Doctor Mandelet is interrupted by Mr. Pontellier, who promptly reports his wife’s troubled mind, indicating that Mr. Pontellier himself has a troubled mind through lines like “it isn’t easy to explain” or “She’s making it devilishly uncomfortable for me”(88). These disclosures help to add a few more stenciled lines, deepening Mr. Pontellier, who is, through the course of the novel, made most noticeable by his absences. His character is marred by a dependency on social conventions and aristocratic pride that he cannot push the logic of the facts toward a conclusion that would require a rethinking of his way of life.
"How do you honor the deepest truth you know?" --Ram Das In order to honor one's deepest truth, one must first discover what that truth is and then apply that truth to everyday life. The life of Edna Pontellier in The Awakening signifies the search, discovery, and application of an individual's deepest truth. Edna, a wealthy New Orleans housewife, at first attempts to find the deepest truth about herself by conforming to society's norms. She marries a well-respected man, Leonce, and bears him children. However, Edna discovers that she wants more out of life; something about her marriage is not allowing her to achieve fulfillment. Through her relationships, confrontations, and conflicts with other characters, Edna discovers that her deepest truth is her need for independence from those that hold her back and she honors her deepest truth by exerting the power of her individuality. However, Edna's search for and exertion of independence drastically contrasts the expected role of a nineteenth century woman in Louisiana and this fact eventually causes the entrapment which leads to Edna's suicide. Edna cannot have the things she wants (independence and freedom), and she cannot want the things she has (respectability, children, and a good home) and she must find a way to escape this predicament. Chopin, by demonstrating Edna's awakening, attempts to wake her own society up to the beauty of an independent woman. However, Louisiana was not very receptive, just as Edna's culture does not accept Edna's change.
Edna Pontellier is not a Creole, so her relationship with her husband is difficult. In her husband's eyes she has failed in her duties as a wife and as a mother to her own children. What Enda's husband expects from her is never what she does. Leonce comes home in the middle of the night and talks to Edna while she is sleeping. Then he tells her that Raoul one of their sons is sick and tells her to get up and check on him. Edna had never really had the desire to have children but she did anyway. She was not a "mother-woman" because she would rather be alone sometimes; she did not feel she had to be with her children twenty-four hours a day. If one Edna's boys "....took a tumble whilst at play, he would not apt rush crying to his mother's arms for comfort; he would more likely pick himself up"(16). Enda never felt that she fit in with Creole society because she "...most forcibly was their entire absence of prudery"(19). The Creoles' would talk about things such as childbirth and would flirt with others and not mean anything. Yet Edna would never dream of talking about her childbirth's with anyone or flirting unless she meant it. Creole women devoted their whole lives to their husbands where Enda was carefree and did as she pleased. She was carefree because she would go out onto the beach with only a sundress and a little hat on when she was suppose to be all covered up so she would not become sun burnt.
Edna takes her ring off and flings it across the room. The narrator develops, “When the saw [the ring] lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark on the little glittering circlets”(Chopin 80). The description of this scene reveals the metaphor of the wedding ring as a marital restrain to Edna. The oppressive nature of her marriage to Leonce prompts this outlandish behavior and further isolates Edna as she contemplates her future decisions. Although Enda openly admits that Leonce is a great husband, their differences in their perspectives leads Edna to move out of her Esplanade Street home and into her own “pigeon” home where her progression in her awakening is hindered by days of agonizing
In other ways, Mrs. Pontellier’s morality led to a dreadful deceit of her own children. Her self-righteous mindset was damaging to her children’s vitality. The ways that she treated the children were full of neglect. As in a certain night, Mr. Pontellier returned home from work to find that one of his children had a fever. Mrs. Pontellier refused to look at the child because she stated that “He had gone to bed perfectly well . . . and nothing had ailed him all day (P.5).” Mr. Pontellier knew that his child had a fever, but could do nothing about it, and was left to ponder that his wife was a habitual neglecter of their children. He told her this and she did nothing. As a neutral detail, Mr. Pontellier had no idea what his beloved wife had on her mind.
Edna’s husband Leonce Pontellier treats her lavishly, and other women even admire her for her marriage, as “the ladies […] all declare that Mr. Pontellier [is] the best husband in the world [and] Mrs. Pontellier was forced to admit that she knew of none better” (Chopin 9). Thus, Edna’s unrealistic dreams of wild, youthful behaviour which she develops through her awakening may also simply convey her childlike nature rather than her social confinement, as she fails to consider the needs and desires of anyone but herself.Esperanza, on the other hand, seems to progressively mature, the process of which potentially reverses for Edna, as she becomes increasingly naïve and
Edna’s husband criticizes her on “her habitual neglect of the children” (Chopin 7). Additionally, Chopin describes Edna as “In short, Mrs. Pontellier was not a mother-woman.” After being criticized, Edna leaves the room and starts to cry; these cruel words are not seldom used. Chopin writes, “the tears came so fast to Mrs. Pontellier’s eyes . . . such experiences as the foregoing were not uncommon in her married life” (Chopin 8). Just like how the tyrant, Heathcliff, of Wuthering Heights commands Isabella, Mr. Pontellier does the same. One night, Edna decided to stay outside on the porch for the night, while her husband was away. When Mr. Pontellier returned, he calls her actions “more than folly” and demands that she “must come in the house instantly” (Chopin 41). She begins to think to herself whether or not “her husband had ever spoken to her like that before, and if she had submitted to his command” (Chopin 42). Chopin confirms that Edna has indeed submitted before, “Of course she had; she remembered that she had” (Chopin 42).
The action of sacrifice from Edna throughout “The Awakening” illuminates her appreciation for independence. Edna’s husband, Leonce, continuously put her lower than himself in situations, such as making money for the family and travelling around town. Leonce criticized her, claiming that she had no purpose in venturing to town during the night. Due to Leonce’s criticism and her understanding of it, Edna eventually began having affairs and left her entire family behind. Edna began speaking to a man named Robert Lebrun, and after he left for Mexico, she began a short-lived relationship with a man named Alceé Robin. Edna did this as an act of defiance and advancement for herself away from Leonce. Edna was foraging for independence in all her daily activities. Mrs. Pontellier even made the decision to incorporate her time painting in order to sell art to rent her own apartment so that she did not have to
It is seen as “wrong” when Edna expresses discontent with her marriage personally, and with marriage as a whole. She feels no desire to be a wife, as “the little glimpse of domestic harmony which had been offered her, gave her no regret, no longing. It was not a condition of life which fitted her, and she could see in it but an appalling and hopeless ennui” (Chopin 56). At this point, Edna begins to realize what she wants, which is to live for herself without the need to be tied to anyone. She states that “I am no longer one of Mr. Pontellier's possessions to dispose of or not. I give myself where I choose” (Chopin 108). Unfortunately, this newly found desire wholly contradicts the desires of Robert, who thinks Edna wants to utilize this independence to marry him. He’s confused and troubled by Edna’s rejection, as he turns pale and questions her. From a historical viewpoint, Robert’s traditionalism and inability to understand Edna’s motives and the meaning of her awakening could reflect men of Chopin’s time, some of who claimed to support feminist movements but were unable to accept the effects of such change. Regardless, this conflict between Edna and Robert completes her awakening. Edna is no longer reliant upon Robert in order to feel confident or
In her “ordinary world”, Edna Pontellier is not aware of the world she was put in and does not know how to deal with her growing situation. When Leonce, her husband, sees
The male-dominated society she lives in (late 1800s) looks down on females who doesn’t meet their husband's and children's needs. Edna looks to be the "brave soul," and a "soul that dares and defies" (XXI). Therefore, Edna is seen as rebellious and treated as an outcast. Edna's husband, Leonce, poses the question, "If it is not a mother's place to look after children, whose on earth is it?" (III). In saying this, Leonce is reflecting the the public view of women. He is saying women should be mothers, and giving up themselves for the needs of their children. He believes that women should be selfless, never taking from their families, but remaining the one in the household whose sacrificial. Leonce believes that Edna should be the “angel of the house”, catering to his every need. He wants his wife to be one of the "ministering angels," (IV) who "idolized their children"(IV) and "worshiped their husbands" (IV). However, Edna shows little interest in taking care of her husband and children, and hints that she seeks more than living her life for the needs and desires of others. She begins to "recognize her relations as an individual to the world within and about her," (VI) and this revelation naturally becomes a curse, creating a complicated conflict in her heart. Edna begins to ponder whether she should be defined as a mother and wife, or as a woman