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Comparing Enda and Adele in The Awakening
In The Awakening by Kate Chopin, the setting is in the late 1800s on Grand Isle in Louisiana. The main character of the story is Edna Pontellier who is not a Creole. Other important characters are Adele Ratignolle, Mr. Ratgnolle, Robert Lebrun, and Leonce Pontellier who are all Creole's. In the Creole society the men are dominant. Seldom do the Creole's accept outsiders to their social circle, and women are expected to provide well-kept homes and have many children. Edna and Adele are friends who are very different because of their the way they were brought up and they way they treat their husbands. Adele is a loyal wife who always obeys her husband's commands. Edna is a woman who strays from her husband and does not obey her husband's commands. Kate Chopin uses Adele to emphasize the differences between her and Edna.
Edna Pontellier is not a Creole, so her relationship with her husband is difficult. In her husband's eyes she has failed in her duties as a wife and as a mother to her own children. What Enda's husband expects from her is never what she does. Leonce comes home in the middle of the night and talks to Edna while she is sleeping. Then he tells her that Raoul one of their sons is sick and tells her to get up and check on him. Edna had never really had the desire to have children but she did anyway. She was not a "mother-woman" because she would rather be alone sometimes; she did not feel she had to be with her children twenty-four hours a day. If one Edna's boys "....took a tumble whilst at play, he would not apt rush crying to his mother's arms for comfort; he would more likely pick himself up"(16). Enda never felt that she fit in with Creole society because she "...most forcibly was their entire absence of prudery"(19). The Creoles' would talk about things such as childbirth and would flirt with others and not mean anything. Yet Edna would never dream of talking about her childbirth's with anyone or flirting unless she meant it. Creole women devoted their whole lives to their husbands where Enda was carefree and did as she pleased. She was carefree because she would go out onto the beach with only a sundress and a little hat on when she was suppose to be all covered up so she would not become sun burnt.
Kate Chopin's novella The Awakening tells the story of Edna Pontellier, a woman who throughout the novella tries to find herself. Edna begins the story in the role of the typical mother-woman distinctive of Creole society but as the novelette furthers so does the distance she puts between herself and society. Edna's search for independence and a way to stray from society's rules and ways of life is depicted through symbolism with birds, clothing, and Edna's process of learning to swim.
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
Edna’s Fall from Grace in The Awakening. In the novel The Awakening, Kate Chopin tells of Edna Pontellier's struggle with fate. Edna Pontellier awakens from a slumber only to find that her life is displeasing, but these displeasing thoughts are not new to Edna. The actions taken by Edna Pontellier in the novel The Awakening clearly determine that she is not stable.
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
Kate Chopin's The Awakening begins set in Grande Isle which is the summer get-away for a few families of New Orleans "upper-class". It is a community of cottages owned by the Lebrun family. Edna Pontellier and her husband Leonce summer there with there two children. This is the setting where Edna also develops a close relationship with Robert Lebrun. He is one of Madame Lebrun's sons who helps her run the cottages for the Pontellier's and the Ratingnolle's. The book begins and ends with Edna and her attraction to the water. Throughout the story water plays a symbolic part in the unfolding of Edna and her relationship to Robert and also her awakening to a new outlook on life along with an independence that takes her away from her family and the socially constraining life in which she no longer can see herself a part of.
The Awakening sheds light on the desire among many women to be independent. Throughout the novel Edna conducts herself in a way that was disavowed by many and comes to the realization that her gender prevented her from pursuing what she believed would be an enjoyable life. As the story progresses Edna continues to trade her family obligations for her own personal pleasures. This behavior would not have been accepted and many even criticize the novel for even speaking about such activities. Kate Chopin essentially wrote about everything a women couldn’t do. Moreover, it also highlights the point that a man is able to do everything Edna did, but without the same
Throughout A Monster Calls by Patrick Ness, Conor, the protagonist worries about many issues. He suffers through all the emotions he has to combat about his mother's battle with cancer. However, the greatest emotion Conor has conflict is with fear itself. He is so fearful of countless issues he has to struggle with such as the fact he might have to possibly live with his grandmother for the rest of his life, or if he might not stay with his father the way Conor would like to. Primarily what Conor suffers through the most is the fear of his own mother's health. Conor cannot handle the fact that his mother is not getting any better and her health is slowly failing. Conor has an incredible amount of conflict with his fear, he tries to hide it, pretend it is not there, but soon his fear will grow until his fear finally get hold of him. In similarity, it is like procrastinating on an assignment in some sort, when there is no time left the assignment must be done. When there is no time left Conor has to acknowledge and face the fear. Patrick Ness tries to say that, through the way Conor deals with all his fears, Ness says it is better to overcome his fears than hide them. Also, not acknowledging his fears will lead to painful internal conflict, and acknowledging fears is difficult, but facing them is for the better of Conor.
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
Her memory of running away from her Father and church when she was a young girl living in Kentucky shows how desperate she is to be free. However, Edna gives up her hopes of freedom for marriage in the hopes that all will fall into place afterwards. Edna’s expectation that marriage and children is proven false when she still is not happy with her life afterwards. She feels that life is worthless and that there should be more to what she is. Edna is not like the other creole mothers; she holds an affection for her children, but it comes and goes. Occasionally she will hold them fiercely to her chest and yet others she will forget them. Her husband disapproves of her lack of maternal instinct and rebukes her when he discovers one of their children, Raoul, sick in his bed. Edna is not alarmed by it, but his harsh words make her burst into tears on the front porch, after he has fallen asleep. Mr. Pontellier does not care about his wife much as a person, only as something he owns. He views everything this way, new lace curtains, glassware, furniture. He is disappointed in his wife because, in his view, she does not function well as a mother. Edna’s lack of
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
... Instead of idealizing war in a romantic way, war poets such as Wilfred Owen aimed to expose gruesome truths about these wars and how they impacted lives. It points a finger and criticizes the governments and authorities that wage these wars but don’t fight in them themselves but rather watch as lives are lost. It exposes propaganda for what it is, a tool for brainwashing. It puts into question the notion of dying for ones country to be noble, honourable and admirable.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.