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The aspects of cinematography
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The film E.T. The Extra-Terrestrial is about a normal boy named Elliot who meets a lost alien who was accidentally left behind when the aliens had to quickly leave due to a group of federal agents. After Elliot stumbles upon the alien he lures the alien back to his house after not being believed by his family. After swearing his siblings to silence, he decides to keep the alien and names the extraterrestrial E.T. While Elliot tries to help E.T. find a way back home he teaches him about Earth from how to work a bathroom and the Solar System. During this time the kids discover E.T.’s ability to levitate things. However, during this time, we learn about the bond between E.T. and Elliot where Elliot feels everything E.T. feels. The kids help E.T. gather parts to build a communicator because he hasn’t been feeling well and needs to return to his planet. Even as E.T. gets sicker when Elliot cuts his finger E.T. heals it for him. After E.T. calls his home Elliot gets sick just like E.T. and when E.T. is finally brought home their mother meets him for the first time. Not long after agents and doctors storm in the house and run tests on E.T. but afterwards as Elliot gets better E.T.’s heart …show more content…
This low key lighting film technique creates a sense of scariness and suspense. This was seen when Elliot was moving in the field not sure what he was about to find. We see it again in the scene where E.T. calls home, and we see how the light is restricted to what the blinds allow in. The shadows on the faces and objects within the house are a lot and it adds to the overall suspense of what is happening in the scene. The lighting is what most times tell us what is coming because when it’s bright the characters tend to be more relaxed as opposed to the low lighting which alluded to the fact that something would most likely happen. The lighting in a way kept the movie going as we looked forward to what would occur
In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
Neil tries to make sense of why Effie would become so emotional upon seeing him, and tries to discover more about this mysterious person for whom she is waiting...
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
The lighting played a major role in setting the tone for both the theatre performance and the movie. In both the film and play, the lighting was dimmed and the non-important elements, such as background elements, were often hidden in the shadows. In the film the murky lighting also hid Todd in the shadows, in order to increase the suspense and further emphasize his intimidating demeanor. In the play,
The setting gives the reader a sense that terror awaits. This story shows this by talking about the lighting
First and foremost, film noir refers to the visual style of a picture. The imagery of film noir was influenced by early 20th century German expressionism, featuring distorted, sinister shapes and shadows. These precursors to film noir used abstract figures and looming shadows for bizarre, emotionally stirring results. Techniques such as chiaroscuro were used to give a dark and minimalistic feeling. In many cases lighting is limited to a single harsh light source, which obscures the image, and even throws shadows across actors’ faces. These elements ensure that an audience regards the actors and the setting with equal importance. Oblique angled shots permeate many film noirs, naturally provoking anxiousness and apprehension in the viewer. In Sun...
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
The lighting is used as colour symbolism through Priestley’s decision to imitate the emotions in the act, ‘the lighting should be pink and intimate until the Inspector arrives, and then it should...
Spellbound was not a film noir. Crime and detection wasn’t viewed in a dark and urban environment. The only part that was dark was when Dr. Peterson and the fraud Dr. Edwards where on the train to Rome, Georgia. Dr Peterson was trying to pry memories out of him. I admit that John Ballantine was a bit cynical, but only when he was trying to remember what had happened to him. Otherwise, he was very friendly and sociable. High contrast lighting was used once, that I noticed. It was used when Dr. Peterson and Dr. Brulov where analyzing “Dr. Edwards” dream. They figured out why he was scared of white with black lines. Then they showed a picture of the outside where it was snowing and there were sled marks in the snow. Even though I don’t recall any low camera angles, I do know that they had deep focus on that same shot.
His name was Shaq, captain of the Check Mate. He claimed to be a Romulan
High-key lighting is typical in use with musicals, and Oz is no exception. The technique of brightly lighting the set to rid the film of dark shadows injects a happier feel, a lighter tone to the movie. Excellent use of low-key lighting in the film can be seen when the characters meet the wizard for the first time. The use of low-key lighting and the play of shadows here creates a sense of suspense in the viewer. The tone is dark, and the controlling color is
It was in 1979 that the nightmare began, when the spaceship the Nostromo landed on an unknown planet to answer a rescue message and later explore an abandoned vessel. That’s where the crew met for the first time a creature as deadly as beautiful, the Alien. This creature and it’s environment, created by the talented Swiss artist H.R. Giger, were the main antagonists from the movie « Alien », directed by Ridley Scott and featuring Sigourney Weaver as the only survivor of the Nostromo crew when the Alien penetrated it. This movie was the first chapter of a cult saga still active these days. From the four movies featuring the Aliens, the third one is considered as the worst one.
This is visible in the Se7en film where the setting of the film is in a city that is constantly raining. There is high crime rate and urban decay. There is plenty of dark areas and places in the film especially where the victims are found. For example, the sloth victim was found in a dark house without any source of lighting. There are inverted frames that represent the inner thoughts of John Doe. Se7en is an example of a neo noir film. It has a lot o...
The night sets used in the film are important to setting the mysterious atmosphere and sense of danger that the movie thrives in. The filmmakers utilized lighting fixtures of the time to amplify the sets. As Lincoln’s mother dies in his wooden cabin, the single light from a candle flickers illuminating the horrid scene. The light amplifies the sense of unease that a lone cabin sitting in the woods generates within modern people. Next, lanterns are used to illuminate key parts of the set during Lincoln’s first fight with a vampire. Only fixtures such as slave shackles, dark boat moorings, and a slowly breaking wooden dock are shown. The light cast drives the viewers focus onto objects that would cause a sense of dread and fear and make the fight much more powerful. Objects that would be considered frightening and strange today but common during the Civil War period are also used to generate an aura of danger and horror. During a fight, Lincoln stumbles into a basement filled with rope, porcelain bowls, and a straight razor. At the time these all would be common household objects, but immediately after it is revealed that this was the scene of multiple murders. Each of those objects symbolizes death in popular culture and generate a dark atmosphere that foreshadows the horror Lincoln was about to stumble upon. The combination of accurate lighting to focus the viewer on certain objects on the set and the symbolism that these objects represent generates much of the atmosphere the film
In addition, the elements of lighting can be a supplement to a visual story with alluring amount of light and darkness. Firstly, light versus dark is a complex theme in the film. It is looking at terms of the film’s images with use of lighting, day and night, and use of color. Second, is the way the film examines the dark recesses of the human mind and its dimensions of evil. For example, in one scene in the film, Marion Crane gets to know Norman Bates a little too well. Norman states, “Well a boy’s best friend is his mother”. There is an alluring shadow behind Norman Bates, as a shadow is not seen from Crane. It was implied in the film that Bates was deranged and had multiple personal...