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Narrative essay fiction
Narrative essay fiction
Narrative essay fiction
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From the cover of the juniper trees Duvall watched the wranglers move a steady string of cattle in and out of the corral. If he wanted to get closer he could, but for now, he’d bide his time. In front of him, twin boulders provided the perfect cover. They were tightly wedged, but there was enough room to still slip his rifle barrel between them, make his shot, and leave unnoticed. He would have to walk a ways. To avoid the chance of someone stumbling upon him, he’d left his horse far outside the canyon.
His eyes traveled to the woman. She’d ignored her husband when they rode into camp. Maybe she wouldn’t even miss him. No harm would come to her. He had his orders and those were to kill Masters. The side of his lips turned up. He’d take great
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pleasure in killing the man responsible for his mangled leg and the scars he’d received from the Scarlett Rose. Ready now, Duvall checked his Winchester and slunk low, passing over the prickly pear, and coming up behind the boulders.
He needed one clear shot. His rifle barrel edged between the boulders and slid into the open. So close, he could almost touch Masters’ woman. The rancher wouldn’t live to see another day.
Shouts and whistles sent the cattle into the corral. She kneed her horse within a few yards of the commotion and dismounted. A frightened calf bolted and slid headfirst down the muddy sides of the creek.
Masters scrambled into action, letting his lasso fly around the startled animal’s neck. While the gelding kept the rope taut, he pushed and pulled the bawling calf up the damp bank.
Set free, the animal kicked its legs high in the air and ran through a patch of low-growing shrubs. Under the shrub, a snake with diamond-shaped markings, and a black and white tail, uncoiled its length, and slithered from side to
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side. The woman called out, but the bawling calf drowned the words. Unhurried, Masters wound up his rope, and again, the S shaped crawl started and stopped. The snake slithered through the prickly pear and came to a rest inches from his right leg. She slipped the .45 from her holster. “Jake.” Her voice cracked, “Don’t move.” She set her sights on the rattler. The cows bellowed for their calves and the constant noise resounded on the canyon walls. Masters’ eyes fixed on her. His forehead wrinkled. She lined up her gun, dipping it low, and his eyes widened. He flexed his body, drawing back a step. Behind him, the rattler coiled to strike. She fired.
Blasts echoed, rumbling throughout the canyon. The head of the snake lurched as the violent force plunged it over the rocks and into the creek.
Masters swayed and crumpled to the ground.
The woman screamed.
With a grin, Duvall withdrew his rifle, a thin wisp of smoke following the barrel.
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The wranglers stopped everything they were doing and rushed to the collapsed man.
“Jake, you’re hurt.” Kat sobbed, kneeling beside him.
Blood seeped from his shoulder, saturating his plaid shirt as he made a futile effort to stand. “Get the hell away from me.”
She flinched. “I don’t understand, the rattlesnake—it coiled—I know I shot the snake. It must have ricocheted. I swear I didn’t mean to shoot you, please believe me.”
Dallas dropped on one knee next to them. “We’ll hash it out later. He needs a doctor. Let’s get him to the chuck wagon.”
She shook her head in denial, her eyes pooling with tears.
Dallas shook her wrist. “Come on now, I need you.” He pulled off his bandana.
Jake squinted and reached a hand to Dallas, grabbing his shirt. “Keep her away from me—or I swear—you’re finished.”
Dallas didn’t respond, instead he stuffed the bandana over the bullet wound and heaved Jake to his feet, keeping a tight arm under his good
shoulder. “Dammit—she tried—to kill me.” Jake’s words slurred. Dallas cast a nervous look at his men. “Somebody find a bottle of gut warmer.” As Jake’s knees gave way, the wranglers crowded around him. Two of them grabbed his legs, two lifted his shoulders, and another thrust a flask of whiskey to his lips. Aghast, Kat reeled from the implication. She was innocent. The rattler slid into the creek—she saw it fall. Her hands covered her face. She’d never hurt Jake. She loved him.
This adds to the reader’s sympathy because he didn’t provoke the man’s attack and did nothing to deserve what happened to him. He was punished despite being completely innocent. Though the snake does not pose a direct threat, he is an extremely powerful creature and a great asset to the beauty of nature. He “felt no necessity of getting out of anybody’s path,” showing his confidence in himself. Though he is confident, he is not arrogant. He does not cower at the sight of the man, nor does he try to threaten him. He simply stands his ground confidently, waiting for the man to dictate his next move. This trait of the snake causes the reader to respect him and appreciate his position of power, reinforcing their sympathetic feelings. The snake’s death was slow and painful, and the author described all of the gruesome details in order to further affect the reader. The man himself admits that “it was a nasty sight”. First, he hacked about in the paper bag bush until he “dragged
The effect the reader perceives in the passage of Rattler is attained from the usage of the author¡¯s imagery. The author describes the pre-action of the battle between the man and the snake as a ¡°furious signal, quite sportingly warning [the man] that [he] had made an unprovoked attack, attempted to take [the snake¡¯s] life... ¡± The warning signal is portrayed in order to reveal the significance of both the man¡¯s and the snake¡¯s value of life. The author sets an image of how one of their lives must end in order to keep the world in peace. In addition, the author describes how ¡°there was blood in [snake¡¯s] mouth and poison dripping from his fangs; it was all a nasty sight, pitiful now that it was done.¡± This bloody image of snake¡¯s impending death shows the significance of the man¡¯s acceptance toward the snake. In a sense, the reader can interpret the man¡¯s sympathy toward the snake because of the possibility that he should have let him go instead of killing him.
He picked up his gun and went to where he had been waiting for her. He
with sheer rage and eagerness as he circled back and forth for a chance to spring in. Buck was no
“So did I help?” Logan pulled Veronica close by her waist, clasping his hands around her
... Nature, including human beings, is `red in tooth and claw'; we are all `killers' in one way or another. Also, the fear which inhabits both human and snake (allowing us, generally, to avoid each other), and which acts as the catalyst for this poem, also precipitates retaliation. Instinct, it seems, won't be gainsaid by morality; as in war, our confrontation with Nature has its origins in some irrational `logic' of the soul. The intangibility of fear, as expressed in the imagery of the poem, is seen by the poet to spring from the same source as the snake, namely the earth - or, rather, what the earth symbolizes, our primitive past embedded in our subconsciouness. By revealing the kinship of feelings that permeates all Nature, Judith Wright universalises the experience of this poem.
He saddled the horses and glanced at Kat. He’d tried to figure her out. A woman that easy on the eyes didn’t just take off from family, but he’d made a mistake thinking he’d see her home. Hell, he couldn’t even get her to tell him where home was. She made her deal,
“You are out of your mind!” “Why do you kidnap me?” She gabbled and made a fist.
“All medical personnel, grab a hand ventilator and find the nearest patient that needs help!” screamed the attending on the floor. But as Brayden applied pressure to the wound, she froze in fear about what was to come.
She bounded to the carcass, running faster and farther than she had ever gone before. She remembered the way her mother had carried her, and soon she found the deer, lying on the ground mostly eaten. Paw looked around, and saw a blackberry bush nearby.
"You okay, Raph?" He muttered lightly as he picked his hands up, wiping away the blood with a cloth.
They had a feeder 50 yards out filled with corn and seeds. Then Jim finally stopped talking to not scare the deer off. Edward was bored as always and look at what his father was wearing. He saw that besides his dad’s own rifle he had a 45. caliber revolver. Edward broke the silence.
“Here, I’ve got a rag,” Gladio said, pulling one from his pocket. “It’s not much, but it’ll help stop the bleeding.”
He reached into his leather jacket and withdrew his rusty scalpel, stroking it with his finger lovingly. "You see this? If you don't do as I say, you can kiss your little friends goodbye."