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Recommended: Drugs at school
It didn’t take the room long to figure out that I was digging for answers to very particular questions but then again these are people who have known me for many months if not several years. My original interviewee’s schedule and my own did not mesh in such a way to allow a “guided conversation” and I was hesitant to go the way of a cyber-interview. In the end, I choose to turn my (fairly) normal Saturday night into a sociological journey into our collective experiences in high school surrounding the “specter of the fag.” My focus during the conversation was on Joe Messa and this summary will reflect that focus but throughout the evening I found interesting experience coming from not only Joe but from others present that evening including my partner Leo Goodson and his best friend (and Joe’s boyfriend) Mathew Parks.
Joe’s experience throughout high school and within his own peer-group would best be reflected as a combination of River High’s Gay-Straight Alliance and drama department where play and gender-bending took on new meanings for not only those involved but the greater network of the high school generally. Being a part of the “geeky and artistic” crowd in his high school expression of any sort was seen not as much as an expression of the person but of “artistic expression” in general. It was perhaps this behavior in particular that assisted Joe in escaping the “specter of the fag” as Pascoe describes. It should be mentioned that as a whole Joe is not easily identified as either feminine or gay – the two primary usages of the word “fag” but as our conversation continued we realized that this may go even further than sexuality or even gender expression.
Nearly all of our experience were unique but held some striking sim...
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...ain reflects the dominate/passive relationship found within the male/female dichotomy.
Our community, as open minded as it tries to be, finds itself conforming to the hegemonic ideologies of the greater society that we wish to be found equals to by assimilating the ideals of masculine and feminine alongside the inevitable power plays involved – this truly shows the hidden power of patriarchy. Fundamentally, we all agreed that it was only loosely tied to homophobia and had found a more stable and divisive place within the male/female or masculine/feminine dichotomy. My final question of the night was this: “should we as a community try and reclaim the word “fag?” I believe Joe hit the nail on the head by saying “It may be too early to reclaim the word and given its new found place in patriarchy it should probably just fall into the annuals of history.”
The topic of homosexuality has become a constant issue throughout our society for many years. Many people believe that being gay is not acceptable for both religious and moral reasons. Because being gay is not accepted, many homosexuals may feel shame or guilt because of the way they live their everyday lives. This in turn can affect how the person chooses to live their life and it can also affect who the person would like to become. Growing up, David Sedaris struggled to find the common ground between being gay as well as being a normal teenager. He often resorted to the conclusion that you could not be both. Sedaris allows us to see things through his young eyes with his personable short story "I Like Guys". Throughout his short story, Sedaris illustrates to the reader what it was like growing up being gay as well as how the complexities of being gay, and the topic of sexuality controlled his lifestyle daily. He emphasizes the shame he once felt for being gay and how that shame has framed him into the person he has become.
Director Ken Hannam uses the eclectic character range of the film to demonstrate the masculinity and mateship of Australian culture in the era. The competitiveness, alchoholism, gambling and distain for the daughter reak “Aussie” maleness and provide a bleak but relative humour to the film. Through out the film speech is kept to a minimum and the feel of the film is replaced by actions such as the scene where Foley and his “mate” compete in washing clothes while naked. Through similar scenes it seems that Ken Hannam is showing the nessecity and pain of masculine culture through the characters and situations presented.
Patricia Young’s poem Boys is a representation of implied heteronormacy in society. Young uses tropes and schemes such as allusion, metaphors and irony to convey the ways in which heterosexuality is pushed onto children from a young age. Poetry such as Boys is a common and effective medium to draw attention to the way society produces heteronormativity through gendered discourses that are typically used to understand sex. Boys does an excellent job at drawing its readers to the conclusion that it is an ironic poem trying to emphasize the over-excessive ways in which we express heterosexuality in daily life.
Andrew Sullivan, author of, What is a Homosexual, portrays his experience growing up; trapped in his own identity. He paints a detailed portrait of the hardships caused by being homosexual. He explains the struggle of self-concealment, and how doing so is vital for social acceptation. The ability to hide one’s true feelings make it easier to be “invisible” as Sullivan puts it. “The experience of growing up profoundly different in emotional and psychological makeup inevitably alters a person’s self-perception.”(Sullivan)This statement marks one of the many reasons for this concealment. The main idea of this passage is to reflect on those hardships, and too understand true self-conscious difference. Being different can cause identity problems, especially in adolescents.
To begin with, ‘Down Low’ is a phrase that was coined by members of the African American urban culture during late 1980’s which defines gay men who appear to be straight (Hamilton, 2009). Many characteristics of men living on the down low include individuals (who appear as though they are straight) who are sometimes married with children, members of the clergy, elected officials, ex-convicts, and most notable in a number of low-budget and often overlooked films – straight acting thugs (Hamilton, 2009). It is almost virtually impossible to be appreciative of the drama “Angels in America” without having an understanding about the history of the AIDS crisis as well as a more extensive story of lesbians and gays in the United States of America. While men and women have engaged in homosexual conduct in all times and various cultures, it was only in the twentieth centu...
Drag shows is a form of comedy entertain that has its own unique twist. This form of entertain is very important to the gay community. To me, drag shows were emphasized in this class mentioned in some of the readings, like the navy base in Rhode Island. From stories about same sex companionship, like Alice and Freida and Weston’s stories, being gay or showing same sex romantic feelings were thought of as an embarrassment. In Alice and Freida’s case, Alice’s family disproved of such relationship, and in many of Weston’s stories, many were debated about the idea of coming out, because they were afraid that they would be shamed upon. The reason why drag shows, especially drag queens, work so well in the gay community is because the idea of norms are flipped in this environment. Outside of the drag show, the idea of crossdressing is thought of as weird and wrong, but in a drag show, it is encouraged. Within the drag show, homosexuality is treated as the norm, whereas outside, homosexuality is not “normal”. This almost provides a safe environment for homosexuality.
First, no matter what is represented on stage, the fact that boys are actually playing cross dressing men and women is insistently metaphorical; the literal fact of trans-vestism (that is, the boy actor impersonating either a woman, a woman cross dressed as a man, or a man cross dressed as a woman, not the represented character) is divided between the homoerotic and the blurring of gender. On the other hand, the represented female character who cross dresses functions literally to relieve the boy actor, at least for a time, from impersonating a woman. Represented characters who cross dress may pre-sent a variety of poses, from the misogynist mockery of the feminine to the adroitly and openly homoerotic. In the case of the title character of Jonson's Epicoene, the motif is utilized as disguise intended to effect a surprise ending for Morose and his heterosexual audience, for whom the poet also pr...
Life for most homosexuals during the first half of the Twentieth century was one of hiding, being ever so careful to not give away their true feelings and predilections. Although the 1920s saw a brief moment of openness in American society, that was quickly destroyed with the progress of the Cold War, and by default, that of McCarthyism. The homosexuals of the 50s “felt the heavy weight of medical prejudice, police harassment and church condemnation … [and] were not able to challenge these authorities.” They were constantly battered, both physically and emotionally, by the society that surrounded them. The very mention or rumor of one’s homosexuality could lead to the loss of their family, their livelihood and, in some cases, their lives. Geanne Harwood, interviewed on an National Public Radio Broadcast commemorating the twentieth anniversary of the Stonewall Riots, said that “being gay before Stonewall was a very difficult proposition … we felt that in order to survive we had to try to look and act as rugged and as manly as possibly to get by in a society that was really very much against us.” The age of communist threats, and of Joseph McCarthy’s insistence that homosexuals were treacherous, gave credence to the feeling of most society members that homosexuality was a perversion, and that one inflicted was one to not be trusted.
Modernist writings have always been hailed for its nuanced relationship with sexuality. This paper looks at the ways E.M. Forster, one of the modernist writers on the fringes, deals with the discourses of sexuality different in ways different from other high modernists against the backdrop of the socio-cultural milieu which was extremely intolerant to homosexuality through his novel Maurice, written in 1913-14 and published posthumously in 1971. To what extent Forster’s homosexuality and his novel on same sex love negotiate with other homosexual writers and activists of the period? The mere fact that Maurice was published posthumously shows the grim situation of homosexual men and women of the time. Now our job is to closely look at the novel and situate its transgressions and liberation in the larger context of same-sex writings of the early twentieth century.
‘Flaming Classics’ looks at the film ‘The Wizard of Oz’ entailing it had hidden meanings. This book takes the films perspective from a queer point of view. His description of the word ‘queer’ is not very specific however he does state that the use of the word can cause anxieties from those who do not understand it as the word is still being defined today. By attaching labels to those that do not fit into the typical stereotype of culture it helps others to better comprehend.
The 1990s saw surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek and it’s supporting character of teenager Jack McPhee, we are slowly seeing gay and lesbian characters creeping into the mainstream media.
“For when Kate literally prostrates herself in her final lines of the play and thus rearranges the sexual space onstage, she reconfigures the iconography of heterosexual relationship not merely for herself but for all of those ‘froward and unable worms’ inscribed within her interpellating discourse” (Boose
Then, I will address the research area and the significance of this research in relation to knowledge and understanding of the literacy processes of adolescent readers and writers. After the statement of the problem, I will describe the television program Glee, which, over its six-year run, has achieved immense popularity, in part because of its cutting edge LGBT plotlines, its premise regarding challenging the social structure of the typical public high school, and the treatment of students among and between the social strata of a public high school. The goal of this chapter is to introduce the topic of my proposed research, which questions how the interactions among adolescent participants on the Glee pages of FanFiction.net may contribute to refinements in empathy, behavior, and understanding of difference and diversity; particularly as it relates to LGBT teen and
When one hears the words “LGBT” and “Homosexuality” it often conjures up a mental picture of people fighting for their rights, which were unjustly taken away or even the social emergence of gay culture in the world in the1980s and the discovery of AIDS. However, many people do not know that the history of LGBT people stretches as far back in humanity’s history, and continues in this day and age. Nevertheless, the LGBT community today faces much discrimination and adversity. Many think the problem lies within society itself, and often enough that may be the case. Society holds preconceptions and prejudice of the LGBT community, though not always due to actual hatred of the LGBT community, but rather through lack of knowledge and poor media portrayal.
He described a moment, as he recreated it with gestures, where his friend responded to a homophobic heckling by turning around and exposing himself to the culprits. That incident drew the loudest crack-up from the crowd while I was only mustering a decent chuckle at the same instance. I took a moment to reflect on why that obvious joke felt flat to me compared to a room full of giggling viewers. I concluded that perhaps my exposure to the gay community and how sexuality is a very strong part of our culture and identity made the lewdness seem