Drum Drums History

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Less than a Century old, the modern drum kit is a relatively new instrument, however, the drums have been the driving force and heartbeat of popular music through the times. From the change through marching music, to jazz, big bands and rock, the drums have been used as a means of keeping time, and of musical expression.
During the period of the Civil War (1861-1865) marching music dominated the music scene. Every military unit had its own squad of musicians, usually formed according to locality. Occasionally some bands stayed together after the war Brass bands were very commonplace and nearly every town in the United States had outdoor bandstands and stages where concerts could be played. Each brass band consisted of two or more drummers that …show more content…

Many of the ethnic instruments they brought with them were adapted into the drum set: gongs, “Chinese” cymbals, tacked tom toms, Temple Blocks, Woodblocks and Cowbells. Greek immigrants contributed a small musical disc known as the “Greeko” cymbal, and a Turkish immigrant family named Zildjian brought with them an ancient technique for manufacturing high-quality, hand-hammered cymbals that would shortly make them a household name among drummers around the world. This early sit down “contraption” included a variety of percussion instruments including whistles, sand paper blocks, gongs, woodblocks, triangle, temple blocks, cowbells, and a goose neck style cymbal stand. By 1920, this set up became the standard. these early sets were known as “trap kits,” a name that’s still used occasionally to describe the drum …show more content…

The effect was produced by rotating the brush fan over the top of a calf skin drum head.

Drum sets began to become more and more intricate The drum set developed further as a long line of percussionists of all stripes demanded certain configurations to suit their styles. In the 1930s, one of the first great drum-set players, Gene Krupa of the Benny Goodman Orchestra, ditched the contraption kit and opted for a four-piece kit with bass and snare drums, a small tom mounted to the bass drum, and a larger one on the floor, complemented by a hi-hat and ride, splash and crash cymbals: the drum kit in its modern incarnation. This setup enabled Krupa to develop into a vivid soloist.
The modern drum kit is what allowed players like Max Roach to play polyrhythms at racing tempos and, in the 1940s, develop a highly complex new jazz idiom: bebop. They began using the ride cymbal to delineate time in a swinging way, and this pattern, is still the basic rhythmic unit of

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