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The merchant of venice analysis
The ability of Portia in Merchant of Venice
The ability of Portia in Merchant of Venice
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The Merchant of Venice is a romantic and funny play that has a lot of characters. In Shakespear times people found different things funny like insulting foreigners. There is always some form of drama in plays this makes the audience more excited and more into the play.One of the most dramatic plots in the play was when a wealthy heiress named Portia had to find a husband.
Portia was a wealthy woman that inherited all her fathers money and her father left three caskets if someone wanted to marry her they would have to pick a casket if they pick the wrong casket they are never allowed to marry again but if they pick the right casket all of Portia wealth goes to her husband. Several men came to woo her in Act 1 Sc 2 Portia spent time talking about these men. Portia and Nerissa make fun of the Neapolitan Prince because they liked to insult foreigners and saying he only talk about he's horse and that he's mother had sex with a blacksmith.
The county Palatine does not smile and he never laughs Portia ''rather marry deaths-head with a bone in he's mouth''. Portia does not like people that are boring and full of sadness. The French lord is the worst out of all of them he copy other peoples bad habits Portia says "if I should marry him, I should marry twenty husbands''.This means instead of marrying one men with lots of bad habits she would marry twenty husbands.
The Falconbridge was next Portia couldn't understand who he is and he can only speak one language and he cant even speak English properly and has no sense of fashion. The Scotch lord don't have enough money and she don't like him. Portia is very picky about who she chooses and she's happy stereotyping about the European and it builds up excitement and get the audience t...
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...t she forswore to her father.
Portia gives Bassanio a hint by singing a song and all the end letters rhyming with lead. The lead casket says that people that choose not by looks have a fair chance. You got the fortune, you don't need to look anywhere else. Bassanio uses his common scenes and says that lead looks the most threatening. Bassanio opens the lead casket and finds a counter feit of a Demi-god. All of Portia's wealth is going to Bassanio. As Bassanio reads the scroll the audience will be excited to know what's on the scroll.
On the scroll all the end letters rhyme. Portia uses exaggeration when she says for you i would be trebled twenty times myself. This shows that she wants him to be the worlds happiest man. Feather on she says that she wants him to teach her everything. She also gives him a ring as a promise that everything she got goes to him.
Throughout the presentations, I made a connection with Poncio Vicario at the wedding party. Page 44 in the work describes the old man at the party. “Really, the most intense image that I have always held of that unwelcome Sunday was that of old Poncio Vicario sitting alone of a stool in the center of the yard. They had placed him there thinking perhaps that it was the seat of honor.” When a daughter of a family gets married, the father feels happiness and joy. Contradictory to that, Poncio Vicario is described on the lines of being blind and powerless man, deprived of control and influence.
Critique Of The Constancy Upon Women At The Time in William Shakespeare's The Merchant of Venice
While studying under his English expatriate mentor, McKay would have inevitably stumbled across Shakespeare's works and possibly one of his most famous comedies The Merchant of Venice. One of classical theatre's most complex heroines: the cross-dressing heiress, Porti...
... She first criticizes Hero’s choice of a ruff; then she indirectly denigrates Hero’s wedding gown by contrasting its simplicity with the duchess of Milan’s lavish garment (3.4.14-23); finally, she mocks the prim and proper Hero by making a coarse sexual allusion (3.4.27). When Hero rebukes her, Margaret refuses to be shamed and defends herself: “[ashamed] of what, lady? Of speaking honorably? Is not marriage honorable in a beggar? Is not your lord honorable without marriage? (3.4.28-31). By implying that honor is achieved not through any marriage but through a “good,” socially suitable marriage, Margaret implicitly criticizes the inequality in her society and expresses her desire for a marriage that will not leave her “below stairs” (5.2.10). But she is acutely aware that she has no such marriage prospects as she resentfully watches Hero’s wedding preparations.
...ligent, and sometimes vicious character, in her society it is not acceptable for her to be a strong, intelligent, vicious woman. Sadly, Portia's public image must remain that of her speech in Act III. Though she will have ultimate control over herself and her husband, she still must call herself "an unlessoned girl," hiding her true authority under a thin mask of submission. Ironically, it is only when Portia dons a disguise that we see her as she truly is - a shrewd, calculating judge, willing to convict and sentence not only the inadequate suitor or the much-abused Jew, but also her own unsuspecting husband.
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
In William Shakespeare’s play, Othello, the power that Iago has over Emilia in their relationship helps manifest the unfairness of gender roles thus, leading to a distortion of the worth of women. The power that Iago has over Emilia hurts Emilia’s self-confidence. The distortion of the worth of women ultimately leads to misunderstandings in Emilia’s view of relationships.
Some critics consider Measure for Measure a "dark" play because of the serious obstacles encountered by the characters. However, doesn't The Merchant of Venice also have near-tragic hindrances that af...
The suitor picking the casket containing the picture will be the suitor who will marry Portia. ‘I may neither choose who I would, nor refuse who I dislike, so is the will of living daughter curbed by the will of a dead father’ this shows that Portia would rather have a say as to who she gets to choose rather than being told who she has to marry. She overcomes that after two suitors who she wishes not to marry choose the wrong casket letting her know which casket contains her picture, so that when Bassanio becomes a suitor and she falls for him she is able to hint to him which casket to choose: Tell me where Fancy is bred. Or in the heart, or in the head? How begot, how nourishèd?’
The nature of the contract between Portia and her father is as follows, Portia’s father state’s that all suitors must first select on of three caskets in order to marry her. The caskets are made of gold, silver, and base lead, all containing different messages. Only one of the three caske...
casket to open in order to see if he will be able to marry Portia, but Bassiano
With two drastically different relationships with their spouses, analysis of Portia and Calpurnia’s relationships and care for their husbands leads one to see that Portia is the more admirable and redeeming character. Although both couples equally loved each other, the ways in which they reacted and influenced each other differed greatly.
'who chooseth me shall gain what many men desire'" (2.7, 37). what he desires most is the Portia's hand so the gold must be the correct. casket. The sand is a sand. He insists that the gold casket is the one holding Portia's.
Everyone is deceived and believes Portia is truly a man therefore showing that she has the capabilities to exert the traits of a man. Portia is described as the “wise young judge” (IV, I, 228) and an “excellent young man” (IV, I, 252) by Shylock showing that he believes in the gender identity of Balthazar. Bassanio, Portia’s husband, is also fooled as he states that Antonio’s life is more valuable to him than Portia. Her credibility in turn gives her power over the men in the scene. She is able to use the balances of justice along with her knowledge in order to save Antonio. The turn in this scene is when she repeats, “A pound of flesh” (IV, I, 315) and states the specific words used in the document as no blood can be dropped from Antonio or else Shylock will be punished and strikes fear into Shylock. This shows that it is possible for a woman to obtain the masculine qualities of being powerful and intellectual. If Portia were to have not dressed as a man, but merely a woman, due to the social constructs of the time she would not have had any power in this situation. Portia tells Bassanio “I pray you, know me when we meet again” (IV, I, 432) which shows her feelings towards Bassanio not knowing her true identity, even through her disguise. Her actions were that of her individual, but due to her altering her appearance of gender it changed the way others viewed her
Shakespeare highlights three of Portia’s suitors, the Prince of Morocco, the Prince of Arragon and Bassanio. He does this to heighten dramatic tension, as these three men are the most important candidates to win Portia’s hand in marriage. They reveal the contents of the three caskets and their different characters as exposed as being proud, vain and humble. They also emphasise the racial prejudices of Venice a place where many races clash. Their attitudes towards the caskets and their choices indicate what their character is like. This essay will compare and contrast the three suitors and will explore how Shakespeare influences the audience’s attitudes towards the three men.