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The differences between books and movies
The differences between books and movies
Book versus movie
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Dracula, the 1931 film directed by Tod Browning is loosely based upon the novel of the same name. Therefore both share similar characteristics but are distinct. The differences between the novel and film occur due to the cinematic choices made as well as the fact that the film is based off of not only the novel Dracula but also the 1924 play Dracula. One major decision made by Browning was to alter the role of Johnathan Harker. In the novel Johnathan is the solicitor who meets with Dracula in Transylvania and narrowly escapes the “veritable prison” and is a changed man due to his experiences there (25). On the other hand, in the film Johnathan never visits Transylvania. Renfield is the one who does so instead. That provides Renfield with a …show more content…
In the novel Johnathan is the subject of the first four chapters and sets the foundation for later events. His words are taken seriously by the reader due to having no reason to belittle him. In contrast the film reduces Jonathan to an insignificant, childish character. Throughout the film Johnathan is seen wearing suits of a lighter color than the suits of the other characters. This choice in costume demonstrates the inferiority of Johnathan compared to the other men such as Van Helsing. Another such example is when Johnathan wears sporting clothes to the opera unlike the other characters who dress more formally and appropriately for the occasion. Also in the film Johnathan acts childishly when he makes empty threats. For example, when he becomes aware that Mina is in danger from Dracula, he commands Mina to promptly meet him in the library so they can leave for London; this occurs in spite of his being told that it is best that they stay with Van Helsing and Dr. Seward who can take care of Mina. Although Johnathan Harker is respected in the novel by the other characters, his diminished role in the film also diminishes the respect and importance given to him by …show more content…
The cinematic choice to have Renfield travel to Transylvania has multiple implications in the film. First, it allows Renfield to develop as a round character who is present from the beginning to the end of the film—now Renfield is not just a lunatic but also an average man enslaved by Dracula. In addition, since Johnathan himself has not experienced the actions of Dracula as he did in the novel when he journeyed to Transylvania, he is skeptical that a being such as Dracula can exist. This makes Johnathan less important, leading to a greater emphasis being placed on Renfield instead. Another aspect of Renfield that characterizes him is his costume. Renfield is presented to the audience as a dapper young man who wears a suit and carries a cane. The cane is especially important because it is a symbol of power that is later taken by Dracula, making Renfield subservient to him. Another example of the subordination of Renfield to Dracula occurs when Renfield enters Dracula’s castle. The camera angle portrays Renfield as a small figure in comparison to the vast space of the castle, thus reducing his power relative to that of Dracula as the novel showed. Overall, although Renfield becomes more important to the film by replacing Johnathan at the beginning, he remains a servant of Dracula in both the novel and
The diary entries or notes used in ‘Dracula’ are fragmented and have an epistolary structure ‘Jonathon Harker’s Journal’. This emphasises each of the character’s feelings of isolation and loneliness, adding to the appeal of the reader. During the entries, Stok...
Bram Stoker’s Dracula is not only a classic story of men and monsters, but a dramatic reactionary work to the perceived threats to Victorian society in nineteenth century England. In modern times there have been many film adaptations of the novel, each developing a unique analysis or criticism of the literary text within the framework of the society and time period in which it was created. The 1972 film Blacula is one of the most culturally specific variations on the story of Dracula, and highlights many of the themes and messages found in Stoker’s original text. Among the primary similarities between the novel and the film is the portrayal of race, sexuality, nationality, and culture, and the characterization in each work speaks to the fears and ideals of their respective dominant societies.
Religion was the core of his tale, and modeled it. On one side were the humans and on the other Dracula. Through their struggles to defeat the monster, they experienced changes in gender roles, which was also present in real time.
Once Jonathan arrives at the castle, he is met by the mysterious Count Dracula, a man described as strong and pale, with bright ruby lips and sharp white teeth. Although Jonathan is unaware of what Dracula truly is, he can already sense that something is amiss, and he gets worr...
into strange trances. Jonathon escapes from the castle but is not free of Draculas power,
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
He is constructed through the gaze of the psychologist Dr. Seward, who describes him as a complex lunatic who has “a method in his madness,” rationality behind his irrationality. He is the irrational ‘Other’ in a rational society, and the complex ‘Other’ among the ‘usual lunatic.’ Renfield’s ‘otherness’ is thus constructed through his unstable mind, making him the most vulnerable to Dracula’s influence. He is therefore the epitome of the ‘Other’ embodying the “late-nineteenth-century fear that human beings are soulless machines motivated solely by psychological factors.” (A. Stiles, 2006) In the case of Renfield, the latter disconnects himself from the human world by rejecting Dr. Seward and following Dracula when he says, “I don’t want to talk to you. You don’t count now. The master is at hand.” Here, we can see how unlike Mina, Van Helsing or Dr. Seward, Renfield backs off from the humane ‘Holy duty’ of destroying the immoral Count consequently living as an experimental vessel influenced by an exterior force. The irony however, lies in the fact that it is Dracula himself that kills Renfield. This shows how the mentally unstable ‘Other’ is not only rejected by the rational British society but is also rejected by Dracula as he is just an unsteady ‘’soulless machine’’ whose blood, life or abilities are
Stoker chooses to lay some clues out for the readers in order to help them interpret Dracula. The distinct warning presented on the page before the introduction saying the narrators wrote to the best of their knowledge the facts that they witnessed. Next is the chapter where Jonathan Harker openly questions the group’s interpretations of the unsettling events that occur from meeting Dracula, and the sanity of the whole. Several characters could be considered emotionally unstable. Senf suggests that Stoker made the central normal characters hunting Dracula ill-equipped to judge the extraordinary events with which they were faced. The central characters were made two dimensional and had no distinguishing characteristics other then the...
The version that I focused on for the sake of this essay was the book. I did watch eleven of the thirty-three Dracula movies that I own, so some references will be made to the movies. The book is told from the perspective of Jonathan Harker’s journal, with some letters to and from his girlfriend Mina. The purpose of his visit with Count Dracula is that Harker is selling a building to Dracula. Carfax Abby was in England where Dracula wanted to move. Harker went to Transylvania to assist Count Dracula in his move to England.
In act 2 scene 6 and act 3 scene 6 of the play ‘Dracula’, the
Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.
This begins with Jonathan Harker's journal, in which he records his adventures in the Carpathians. This is important, because his journal is an important clue in finally determining what exactly is happening. His fiancé, and later wife, Mina transcribes the journal, and then shows it to Dr. Van Helsing, a noted physician, attorney, philosopher, and metaphysicist. Through the journal, Van Helsing is able to determine what exactly happened to Lucy, who earlier in the novel was a victim of The Count. The phonographic journal of Dr. Seward was useful in observing Mr. Renfield, also a victim of Dracula, who the protagonists used in order to locate The Count's London abode.
When Jonathan Harker get captured by Dracula he is afraid, but he is also determined to get free. "I can not say in this room much longer for I shall die," he said. A small crack of light appeared through the stones. "I pushed the stone with all my might but it only move, I found a carving utensil which I used to make the hole bigger" said Jonathon. "The hole got bigger and bigger then the stone just fell out." When Jonathan Harker and the rest of the people go to hunt Dracula they are determined to kill him because they do not want Dracula to kill anyone else. In order to kill Dracula they must plunge a stake through it's heart, cut off it's head, and stuff it's mouth with garlic. They use silver knives to kill him just as the sun sets. "Get him before he flees" said Jonathan, "he must not get away." Arthur proceeds with the stake cautiously. "I got him" yelled Arthur. Abraham shoves a clove of garlic in the Count's mouth. "get him before he tries to get away." Jonathan and Quincey, use silver knives to cut off his head. "We have finally done it we killed Dracula" said Quincey. Jonathon was determined to escape. Arthur, Abraham, Jonathan, and Quincey are determined to kill Dracula.
Harker describes in detail the picturesque country and the exotic food at the inns, noting recipes that he plans to obtain for Mina. In the evening of the first day of his diary (May 3), he arrives in the town of Bistritz, and checks into a hotel recommended to him by Dracula. There, he finds a letter from the Count awaiting him, welcoming him to the Carpathian Mountain region, and informing him that he should take a coach to the Borgo Pass, where Dracula's carriage will meet him and bring him the rest of the way to the castle.