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Thesis statement for macbeth literary analysis for characters
King lear corrupting power
Thesis statement for macbeth literary analysis for characters
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Andrea Pinto
Ms. Wong
ENG 3UA
16 July 2015
The Downfall of Macbeth through the Symbolism of Nature One of the greatest authors of the past century, Joko Beck, once said “We have self-centered minds which get us into plenty of trouble. If we do not come to understand the error in the way we think about our self-awareness, which is our greatest blessing, is also our downfall”. A character’s greatest quality can also become their greatest flaw. In William Shakespeare’s “Macbeth”, the main character, Macbeth, becomes both the protagonist and the antagonist of the play. This is evident as, Macbeth allows certain qualities of his personality to overthrow his sense of morality. Due to Macbeth’s dynamic personality, some may argue that Macbeth is
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Moments after Duncan’s death and Macbeth’s coronation as king, Macbeth ponders on the thought of murdering his close friend Banquo. Macbeth’s foundation of envy flourishes at the beginning of the play when he learns that Malcolm is a direct heir to the throne. After Malcolm flees, his jealousy continues to latch on, when he realizes his reign could be short-lived and quickly taken over by Banquo’s descendants. Macbeth justifies his reason by stating “ [I] have scotch 'd the snake, not killed it” (3.2.15). In this quote the snake symbolizes Macbeth’s image. In his perspective, he believes that his envious behaviour has only scratched his image and not completely harmed it. Throughout the first act of the play, Macbeth and his wife appear to be loyal to the king and his people. However, his true malicious identity is hidden by this false appearance. As the play goes on, Macbeth’s envy grows and finally reaches a climax when he murders Macduff’s family. This becomes the final straw for Macduff to claim revenge on Macbeth. Therefore, by symbolizing the serpent as his ‘false identity’, Macbeth’s envy towards Macduff is evident and eventually leads to his …show more content…
Macbeth’s hubris personality is displayed when the witches reveal his first three prophecies, at the beginning of the play. These prophecies give Macbeth confidence that he will have a long-term reign as king of Scotland. Macbeth receives a great deal of pride that he is willing to murder a man who is of higher importance and a wise leader. Ross describes to his father that during the murder of Duncan “...Duncan’s horses… /beauteous and swift, the minions of their race,/ Turn’d wild in nature, broke their stalls, flung out,/ Contending ‘gainst obedience…”(2.4. 16-20). The horses in this quote represents Macbeth because he is “the minion of [Duncan’s] race”. It seems that Macbeth is confined by his title, represented by the stall, and through his excessive pride, symbolized by nature, from his prophecies. Macbeth disobeys Duncan by betraying him and his country. However, Macbeth’s hubris personality continues to flourish when he learns of his last three prophecies, at the end of the play. One of his prophecies states that “none of woman born/ Shall harm [him]”, resulting in Macbeth earning more pride. Macbeth’s hubris attitude causes him to make a risky move by confronting Macduff. However, since Macduff was born of cesarean section, he was able to defeat Macbeth. Therefore, Macbeth’s hubris character caused him to make perilous decisions, resulting in his
Thirdly, feelings of paranoia and guilt cause Macbeth characters to make damaging choices. When Macbeth asks the witches to reveal the truth of their prophecies to him, they summon horrible apparitions, each of which offers a prediction to allay Macbeth’s fears. First, a floating head warns him to beware Macduff. Macbeth says that he has already guessed as much. Later when Lennox enters and tells Macbeth that Macduff has fled to England. Macbeth in reply says, “The castle of Macduff I will surprise; / Seize upon Fife; give to th'edge o'th'sword / His wife, his babes, and all unfortunate souls / That trace him in his line.” (4.1.149-152). As Macbeth descends to madness he becomes obsessed with eliminating any threats to his power. Macbeth orders the murderers to kill Macduff's family and eliminate any threat to him. Ironically, this is the moment that Macbeth seals his own fate, by murdering Macduff's family he ensures Macduff's retaliation against him, which ultimately leads
Shakespeare created a character in Macbeth who is strongly influenced in his decision making throughout the drama of The Tragedy of Macbeth. This drama is a Tragedy, hence the title, and has a hero, in Macbeth, who has a downfall. Readers become aware of the aspects that lead up to this predicament. Macbeth’s downfall was contributed equally from Lady Macbeth, the three weird sisters, and Macbeth’s ambition.
This is my account of Macbeth’s downfall from a popular, successful soldier, quote “What he hath lost, noble Macbeth hath won”, who has received great honours for his loyalty, his courage, his bravery and his nobility. At the end of the play the only respect he has is because of the fear that his subjects have of him.
Macbeth, “A matchless soldier, kinsman to the king, wins the king’s battles and the king’s praise” however, “prompted by inner ambitions and external urgings”, he takes rash decisions conclusively ending in his atrophy of his title, power, and position (Bernad 49). Several factors contribute to the downfall of Macbeth, which produce a contagion effect; and ultimately end with his demise. The weird sisters disclose his prophecies which enlighten him about Duncan’s throne; Lady Macbeth abets Macbeth to realize his deep desires and come to the conclusion to murder Duncan; and Macbeth, the most significant contributor, makes his deep desires come to reality. In Macbeth, by William Shakespeare, the weird sisters and Lady Macbeth are important contributors to Macbeth 's downfall, however, they are not mostly responsible. Unlike, the weird sisters and Lady Macbeth, Macbeth is the most prominent contributor to his downfall; whose actions, decisions, and state of mind lead to his ruination.
This essay earned a 89/100. it was a lot of work considering the lines from macbeth for textual support.
In Macbeth, Shakespeare examines the significance of time in the form of one’s present and future through the unfortunate character of Macbeth. Macbeth is an ordinary soldier, loyal to the king as the Thane of Glamis, prior to his meeting with the three witches. The three witches reveal to Macbeth his future “All, hail Macbeth! Hail to three, Thane of Cawdor! All, hail, Macbeth, that shalt be king hereafter!” (1.3. 49-50). For the most part one does not know his or her own future. Our futures are uncertain and predictions like these do not always come true, yet Shakespeare has set Macbeth up in a way that he knows these predictions will come true. Not long after the witches state their claims
In the beginning of the play, Macbeth is portrayed as a courageous and well-respected soldier who is loyal to his King and country. He is described by one of King Duncan's men as “brave Macbeth.” As a result of his bravery on the battlefield, Duncan decides to reward Macbeth with a new title – the Thane of Cawdor – as the last Thane was proven to be disloyal; however, Macbeth is unaware of this, and this creates tension in the audience. The opening scenes show that Macbeth is a powerful and courageous man who is not naturally inclined to do wrong, but is capable of being brutal when he needs to be. The meeting with the witches also reveal that Macbeth is a very ambitious man who craves an even greater power. There is contrast between Macbeth’s and Banquo’s attitudes towards the witches’ prophecies. Whilst Banquo dismissed the witches’ prophecies, Macbeth was “rapt withal.” This shows that Macbeth has thought about being “king hereafter.” Macbeth's first soliloquy reveals his deep desire to be king. His soliloquy also reveals that he would do anything to achieve it.
In the beginning of the play, Macbeth is described as being “valiant”. He is a skilled warrior, who is loyal to his king and his country. Almost single-handedly, he wins the war for Scotland. He defeats many of the enemy soldiers, including a traitor, all in the name of his king. But, when three witches encounter Macbeth and his friend Banquo, Macbeth’s ambition begins to grow. They tell Macbeth that he will be Thane of Cawdor and King. Soon after, Macbeth meets with King Duncan. He informs Macbeth that he is the new Thane of Cawdor. Macbeth is astonished, and from then on he is obsessed with being king. His ambition begins to become ruthless when Duncan proclaims that his son Malcolm is the Prince of Cumberland, and therefore, the heir to the throne: “The Prince of Cumberland! That is a step/On which I must fall down, or else o’erleap, /For in my way it lies. Stars, hide your fires;/Let not light see my black and deep desires:/The eye wink at the hand; yet let that be/Which the eye fears, when it is done, to see.” (I,iv,48-53) At this moment, Macbeth, realizing that they stand in the way of the witches’ prophecies, decides that both Duncan and Malcolm need to die for him to be king. As soon as Macbeth kills Duncan, he enters into a world of evil. Later in the play, Macbeth’s ambition becomes increasingly ruthless. He kills his best friend Banquo, and almost kills Banquo’s son, Fleance, because he believes they would stand in the way of his reign. The witches told Banquo “Thou shall get kings, though thou be none.” (I,iii,67) This means that Banquo himself would not be a king, but that his successors would be. Macbeth tries to prevent this by killing Banquo and his son Fleance.
The “strong independent woman” is an amalgamation of modern attitudes towards women. Feminist, outspoken, and sexually liberated, this entity breaks the “mother figure” stereotype usually attributed to women. Current society reinforces these unconventional notions, however this was not so in Shakespearian times. In Macbeth, by William Shakespeare, most female characters are portrayed in “unstereotypical” ways. Lady Macbeth’s “unsex me speech” leads her to acquire male attributes throughout the play, Lady Macduff openly criticizes her husband for leaving, and minor characters such as “the sailor’s wife” are inhospitable and unaccommodating. Although this seems to portray support for modern views of women, this is not true. It, in fact, reinforces traditional roles, as every “strong independent woman” within the play is punished. Women that go against “natural gender roles” disrupt order and lose their personal stability. This is evidenced by the actions of Lady Macbeth, minor female characters such as the sailor’s wife and the gentlewoman, and Lady Macduff.
“This tyrant whose sole name blisters our tongues, was once thought honest…” (77). This quote represents the change of Macbeth throughout the play. The use of blood imagery is used to represent the character development of Macbeth from a noble thane to a murdering tyrant. We first see blood imagery characterizing Macbeth when he is called noble for defeating Norway. Then, the idea of un-washable blood shows that Macbeth’s character will change. When Macbeth begins to experience the blood of others on his own hands, it leads him to ultimately become the “villain” or antagonist of the play. Finally, before the death of Macbeth, blood imagery has been used to characterize Macbeth so much that he is now over confident and seems to be fueled by the idea of it. By examining the use of blood imagery, one can determine that blood represents Macbeth’s character development from an honorable thane to a disrespected tyrant.
In everyday society, there are movie stars, celebrities, athletes and powerful figureheads that are looked up to. In every generation people experience downfalls due to individual choices, personal conflict, and family problems, . These people develop a tragic flaw that usually leads to their ruin. In William Shakespeare's, The Tragedy of Macbeth, Macbeth, the main character develops a tragic flaw, and ends up experiencing a downfall. In this play, there are people who can be blamed for his eventual demise, but in the long run, people are truly responsible for their own choices and actions. Macbeth is responsible for his own downfall. Macbeth is responsible because he abandoned his morals, he was easily persuaded, and he became too hungry for power.
Macbeth is not a victim of fate, but he is a victim of his own choices and the power of suggestion. Macbeth on multiple occasions chooses evil over good, and these decisions lead to his circumstances. Macbeth is not a victim of fate, but an ambitious man who makes poor decisions that have terrible results for him.
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
Macbeth, and all of William Shakespeare's other works include several universal themes. Shakespeare incorporates these themes into his works to emphasize meanings and points. Several times in Macbeth nature is out of order which coincides with unpleasant events occurring. This happens many times in Macbeth. Shakespeare demonstrates this using setting, characters, and dialog.
When anything in life first begins to grow, it begins as a seed. The seed of a plant, or of a thought, or of an idea. Once created, the seed can do one of two things. It can grow, or it can die. Shakespeare’s play Macbeth tells the story of an innocent man who is turned evil from the seeds planted by those around him, allowing readers to explore the repetition of growth and how it is implied through characters. Throughout the play, growth is used to display Macbeth and Banquo as foil characters, show Banquo’s “goodness” through positive imagery, and to show Macbeth’s “evilness” through negative growth imagery. By analyzing Shakespeare’s use of growth imagery, critical readers recognize that growth enforces the idea that growth triumphs evil, embodied in the actions and consequences of Macbeth and Banquo as they make one of two crucial choices? Good, or evil?