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People'S Attitudes Towards Death
The attitude towards death between Chinese and western
Death and dying cultural reactions
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Can death be considered non-tragic? Can your religion or culture belief make death acceptable and honorable? In this Classical Chinese Drama, known to be Hanqing’s most admired zaju play, he writes about an injustice done to a girl, by showing how her life is one whole misfortune. The events that occur to Dou E, go from bad to worse thought the play and they all beginning after her father gives her away to Mistress Cai, to cancel out a debt, help explain the great lengths people will go to “fix things”. The play displays the corruption of the morals, combined with Dou E’s decision to stay righteous, an innocent girl since a child, regrettably it was her fate to be unlucky as her life ended early from a false accusation.
Dou E is shown
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(Guan Hanqing, Ibid. p. 55)”.
Doctor Lu, not only tries to kill Mistress Cai, by strangulating here but he is stopped by Donkey and his father Zhang. Donkey blackmails Mistress Cai, into marriage along with Dou E, in exchange for them saving her from Doctor Lu’s strangulation. When she tries to pay him off instead Donkey is clear to inform her that if she refuses such offer he will have no choice but to strangle her himself. Cai decides to re-marry, in addition arrange a marriage for her daughter-in-law to marry Donkey. Dou E, upon hearing all this marriage talk from Mrs. Cai, tries to convince Mrs. Cai of her loyalty issues, explaining’s that her actions were considered unloyalty to the dead, as well as refusing to re-marry. Chinese culture, is a very strict culture that is based on loyalty. Those who go against that loyalty are highly looked down upon. Disloyalty of Mrs. Cai seems to be the downfall of her righteously loyal daughter-in-law.
During this section, we can see how loyal Duo E, is in respect to her dead husband, but also, Chinese culture beliefs. She states that some women are disloyal. “The women today are
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From the moment Dou E, Mrs. Cai, and Donkey walk in, it seems the Prefect already determined Dou E guilty of the crime. Dou E, shows us her commitment, beliefs, along with her growth in God. Demonstrating to us the audience that no one can stand between her, God and how she has full honor in her culture. She maintains her innocence; but to spare her mother in law a beating, she willingly choices to sacrifice herself by falsely confesses to the crime which sentences her to death. Yet, even right before execution, she asked for one more thing to prove her innocence towards this crime, although she will be content. She asked the executioner for a clean mat, with white silk streamers 12 feet long to hang from a flagpole. She insists that if she is wrongfully executioner not one drop of her blood will fall on the ground, yet it would fly up instead towards the white silk. She explains that it is the hottest day in the summer, and if injustice has been undeniably done, that three feet of snow will fall and cover her dead body along with a drought that will make the district suffer for three
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
Lessons for Women was written by Ban Zhao, the leading female Confucian scholar of classical China, in 100 C.E. It was written to apply Confucian principles to the moral instruction of women, and was particularly addressed to Ban Zhao’s own daughters. As her best remembered work, it allows the reader insight into the common role of a woman during this fascinating time-period. The work starts off by Ban Zhao unconvincingly berating herself, and claiming how she once lived with the constant fear of disgracing her family. This argument is rather implausible, for the reader already knows the credibility of Ban Zhao, and how important her role was in ancient China.
Confucius believed that proper behavior within all types of relationships was dictated by a hierarchy that should be honored and preserved in order to maintain harmony within oneself and the rest of society (Bulliet 86). Zhao respected and supported these ideas in her own writings as she regularly makes reference to the notion that relationships between married men and women should be guided by the principles of yin and yang. According to Zhao, “as Yin and Yang are not of the same nature, so man and woman have different characteristics”, hence while the yang is firm and strong, the yin must be flexible and gentle (Zhao). Her advice to her daughters and the rest of her female audience was meant to help them avoid the shame that came with breaking the rules of society and promote a happy, harmonious lifestyle. To Zhao and most others, the inequality that existed between men and women was an inherent and necessary quality of traditional Chinese life. The historical context in which Zhao lived gives sufficient information to understand her position and motivations in Lessons for a Woman, nonetheless, her views on education add a unique dimension to her
Her unfazed attitude towards society’s expectations of women shocked the country – from marrying more than one man to killing her child to poisoning her family – she became a figure no one else would ever replace. Only her legacy will live on, as well as all the effort she has put into pushing away the boundaries and limits for women, in order to show the world, that women can be just as cruel. Historian C.P. Fitzgerald wrote, “Without Wu there would have been no long enduring Tang dynasty and perhaps no lasting unity of China,” and just with this simple quote, it can be observed that throughout her shocking tactics she used in order to become emperor of China, she indeed succeeded and showed the entire country just how dangerous and cruel a woman can be – completely opposite to the stereotypical expectations in their
In the beginning of the story, the author describes the Chin Yuen's as American in appearance yet Chinese in customs. Throughout the story she continues to describe the deterioration of the Chinese customs by American ideal. This is pinpointed when Mr. Chin Yuen decides to let his daughter marry the boy that she loves. The conversation that Mr. Spring Fragrance has with Young Carman explains that only in American culture is it customary to find love before marriage; in the Chinese tradition, all marriages are arranged. This clearly exemplifies the manner in which the Chinese characters are more and more disregarding their Chinese culture and taking on this new American standard of living. Ironically, Sui Sin Far conveys the notion that the American tradition is not necessarily better than the Chinese tradition. More so she demonstrates the struggle of identity between two worlds that both make sense. Though Laura and Kai Tzu have found their happiness in the American tradition of marriage, the reader discovers that Mr. and Mrs. Spring Fragrance are equally as happy even through the Chinese tradition of marriage.
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
In a village left behind as the rest of the China is progressing, the fate of women remains in the hands of men. Old customs and traditions reign supreme, not because it is believed such ways of life are best, but rather because they have worked for many years despite harsh conditions. In response to Brother Gu’s suggestion of joining communist South China’s progress, Cuiqiao’s widower father put it best: “Farmer’s have their own rules.”
Ann-Mei's mother is forced into concubinage because of her lack of power as a women. She becomes the third wife. As a third wife she maintains very little status in the home of Wu Tsing. Ann-Mei's family disowns her mother because by becoming a third wife she has brought shame to her family. "When I was a young girl in China, my grandmother told me my mother was a ghost". Ann-Mei is told to forget about her mother and move on in her life. The fact that Ann-Mei is told to forget her mother because she has become something she could not control, is preposterous. She was raped and forced into concubinage. The lack of appreciation for a female causes this feeling of shame for the Mei family. Since rape and polygamy is accepted in China, it makes it appear that what Ann-Mei's mother has done is wrong, and what Wu Tsing did was right or normal.
“Only two kinds of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard, the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart. In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei eagerly hoped to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei.
During the 18th Century women in China continued to be subordinated and subjected to men. Their status was maintained by laws, official policies, cultural traditions, as well as philosophical concepts. The Confucian ideology of 'Thrice Following'; identified to whom a women must show allegiance and loyalty as she progressed throughout her life-cycle: as a daughter she was to follow her father, as a wife she was to follow her husband, and as a widow she was to follow her sons. Moreover, in the Confucian perception of the distinction between inner and outer, women were consigned to the inner domestic realm and excluded from the outer realm of examinations, politics and public life. For the most part, this ideology determined the reality of a woman's live during China's 'long eighteenth century?'; This is especially true for upper class women.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
...ningham, and Reich 40). In addition, it pays no respect to one’s material status. Death, as depicted, also takes no notice of ones beauty and knowledge. Due to these reasons, death is greatly feared for it is considered a tragedy.
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
...ying in a marriage since divorce was frowned upon during that era. Her decision was a succession for all expectations put on a woman and wife by society.