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The role of women in confucianism
Views of women in confucianism
Status of women in ancient china
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Women In China During 'The Long Eighteenth Century';
During the 18th Century women in China continued to be subordinated and subjected to men. Their status was maintained by laws, official policies, cultural traditions, as well as philosophical concepts. The Confucian ideology of 'Thrice Following'; identified to whom a women must show allegiance and loyalty as she progressed throughout her life-cycle: as a daughter she was to follow her father, as a wife she was to follow her husband, and as a widow she was to follow her sons. Moreover, in the Confucian perception of the distinction between inner and outer, women were consigned to the inner domestic realm and excluded from the outer realm of examinations, politics and public life. For the most part, this ideology determined the reality of a woman's live during China's 'long eighteenth century?'; This is especially true for upper class women.
The philosophical idea of yin and yang is found throughout Chinese culture, literature, and social structure. The idea is that the world is made up two opposite types of energy which must be kept in balance with one another. Neither is greater than the other, or more important than the other. In respect to gender, yin is female and yang is male. Yin is private life within the family and yang is public life outside the family. Men were to focus on public life and outside affairs and support the family while women were to focus on private life and support the men.
For many men resisting the pressures of scholarly careers, women appeared as guardians of stability, order and purity. The woman's quarters, secluded behind courtyards and doorways deep in the recesses of the house offered a refuge from world of flux, chaos, and corruption. Women nurtured and tutored men when they were young, tended them when they became sick, and cared for them when they grew old. When a man holding office faced devastating financial losses or difficult political decisions, only his wife's disinterested advice and frugal savings could save his career. Although a man might often be called away to duty or might die prematurely, he could count on his wife or widow to care for his aging parents and his vulnerable children. (Mann 50)
Ideally, women and men were to share in a partnership with the ultimate purpose of mutual support and prosperity for the family as a whole. From a modern American p...
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...ways to learn the arts of passion and to express their emotions. Hints about homosexual attraction among women, especially within the same family compound, suggest that it was not considered abnormal or unhealthy. Young girls might have an opportunity to observe married women within the same household (wives or concubines) who were sexually attracted to one another; in fact, a wife might select a concubine for her spouse with her own sensibilities in mind. (Mann 60)
An upper-class married woman in High Qing Jiangnan could expect to bear children throughout her fertile years. The risks and burdens of childbearing may have made the advent of a concubine a source of relief rather than jealousy or turned widowhood into a time of respite rather than loneliness. (Mann 62)
Stories and biographies of faithful widows remind us time and again that the learned woman who survived her husband must not celebrate her longevity.
She knew from her classical studies that she was the wei wang ren, 'the person who had not yet died.'; Having survived her spouse, she was required to rear his sons and support his parents, but on no account could she revel in her passage to old age alone. (Mann 67)
Ban Zhao wrote Lessons for a Woman around the end of the first century C.E. as social guide for (her daughters and other) women of Han society (Bulliet 167). Because Zhao aimed to educate women on their responsibilities and required attributes, one is left questioning what the existing attitudes and roles of women were to start with. Surprisingly, their positions were not automatically fixed at the bottom of the social hierarchy. Ban Zhao’s own status as an educated woman of high social rank exemplifies the “reality [that] a woman’s status depended on her “location” within various social institutions’ (167). This meant that women had different privileges and opportunities depending on their economic, social, or political background. Wealthier noble women would likely have access to an education and may have even been able to wield certain political power (167). Nevertheless, women relinquished this power within the family hierarchy to their fathers, husbands, and sons. Despite her own elevated social status, Ban Zhao still considered herself an “unworthy writer”, “unsophisticated”, “unenlightened’, “unintelligent”, and a frequent disgrace to her and her husband’s family (Zhao). Social custom was not, however, the only driving force behind Zhao’s desire to guide women towards proper behavior.
Most outcasts of history had a particular, exclusive life; full of struggles against the society ever since birth and grew up with a heart made out of steel from the harsh criticism they have endured. They differ from the community within their beginning to their end, and many of their stories end up becoming legends and gaps of the past that nobody will be able to reincarnate. China’s first and last female emperor, Wu Zetian, was one of these exclusives. Ever since birth, her history of tactics to the people around her; in order to ascend the throne, juxtaposed towards society’s attitudes of women at the time; through her breakdown of gender stereotypes and quick knowledge, and offered a new perspective to the world of just how cruel and beautiful women can be. She successfully destructed all accumulated views of women in the Tang Dynasty, and created her future in the way she wanted it – on top of every man in her country. She was an outcast – somebody who juxtaposed against the demands of her. She was history.
elder and does this violate the qualification of being “the husband of one wife.”? Several views will be taken into consideration, married widowers, unmarried men and divorced men, as well as interpretation of “the husband of one wife.”
At the center of Japanese and Chinese politics and gender roles lies the teachings of Confucius. The five relationships (五倫) of Confucius permeated the lives of all within the Heian and Tang societies.4 However, the focus here will be on the lives of the courtesans. The Genji Monogatari provides us with an unrivalled look into the inner-workings of Confucianism and court life in the Heian period. Song Geng, in his discourse on power and masculinity in Ch...
The topic of homosexuality has always been one approached with caution due to its taboo nature derived from its deviation from the heterosexual norm. Traditionally, and across several cultures, homosexuality has been successfully discussed through normalizing the behaviour through heterosexual representation. Gender reversal or amplification of feminine qualities of male characters have often been means by which authors are able to subtly introduce the foreign idea of homosexuality and equate it to its more formal and accepted counterpart, heterosexuality. The works of Shakespeare and Li Yu have assisted in exposing homosexual relationships while still maintaining them under the heterosexual norm, whether it be through direct or metaphorical representations.
Halperin, David. "Is There a History of Sexuality?." The Lesbian and Gay Studies Reader. Ed. Henry
1 Yin and yang represent balance. One is not complete without the other, but nothing is completely yin or completely yang. Yin stands for a feminine aspect, dark, negative, cold, soft, while yang stands for male, positive, hard, hot, light. The concept of yin and yang is that they interchange throughout time such as hot and cold or day and night. Together they create a whole that describes every little thing on earth and sepreat they cannot exist.
The Chinese culture is based on Confucius, whose teachings are more practical and ethical than religious. Confucius’ virtues include righteousness, propriety, integrity, and filial piety toward parents, living and dead. His teachings also emphasize obedience to the father figure, to the husband, and to the eldest son after the passing of the husband. Thus, the role of women is one of subordination to men. In a family the male figure maintains an absolute power over his familial matters. Whereas in America, gender does not have the same bearing on the cultural trad...
Patricia Ebrey has mentioned to the audience that in the very early times in China Society, the roles of men has been pointed as a patriarchy in a family. Women in early times in Chinese seemed to be a trouble in men’s eyes. The author also said that a basis of a family begins from a birth of son, and not the birth of a daughter. She also points out an interesting view that women are yin and men is yang. Throughout Ebrey explanation that yin will never control yang. In my thought, it will be soon a time for the old family structure to be disappeared in modern society as in today. The precursors to whom a Shang or Zhou tradition lord made penances were his patrilineal predecessors, that is, his predecessors connected only through men such as
This is a fascinating book both for its insider’s view of communist China as well as its female perspective on said regime. Similarly, it offers an intriguing commentary on human nature. It is also intelligent and well-written account of a personal history. Whether you read it for class or to educate yourself, you are sure to be moved by the time you read the final pages. I recommend it to anyone interested in the history of China as well as those with an interest in women’s studies or political science history.
The purpose of this study is to answer the question: To what extent did Chinese leaders display their power through the controlling of sex in the Chinese Cultural Revolution? This can give historians a better understanding of the extent to which the Chinese leaders controlled every aspect of the Chinese people's life. This is a fairly new subject because, as I will discuss later in the project, sex was silenced in the Cultural Revolution.
When it comes to traditions, customs and beliefs, one of the most mysterious civilizations in the world is considered to be ancient China. Through their values and cultural lifestyle they have succeeded for many years to make us wonder and want us to know more about their beliefs and traditions in their lives. Many of the traditions of this culture are not fully understood even today. In ancient China, women lived in the shadow of the men such as: their father, husband and even their son. Traditionally, the women in China were expected to obey. There were expected to obey blindly the male presence in their lives.
Today, modern day China is plagued with gender imbalance that threatens societal stability in the Chinese government’s eyes. Currently there is about 20 million more men than women of marrying age throughout China. In looking at the issues that surround women in China, it is clear to see that the problems prevail on social, political, and economic fronts. Women face pressure from their peers, family, and the government to mold to the standards of society no matter what it costs them. In the book Leftover Women: The Resurgence of Gender Inequality in China by Leta Hong Fincher, an argument is made that educated women over the age of 27 are pressured by the government to resist becoming a “leftover” woman and marry early to promote a harmonious
This essay will explore how Classical Chinese literature written during the Ming Dynasty illustrates the social role that women played in the traditional Chinese marriage. Issues and traditions that greatly affected women`s roles in the family and society included lineage, male dominance, families position in society, grounds and repercussions for divorce. In the vernacular short story ``The Shrew: Sharp Tongued Ts`ui-lien``, anonymous is a story in the collection Vernacular Short Stories from the Clear and Peaceful Studio (Qingping shantung heaven) which was writing during the Ming dynasty, the main character Ts`uilien, exemplifies a woman in this time period, subject to its rules and societal norms, who rebels against tradition and is forced to deal with the repercussions of doing so. The other hua pen and vernacular short stories that deal with women and marriage during the Imperial time period and were studied in this course are: ``The Tragedy of Pu Fei-Yen``, ``The Oil Peddler Courts the Courtesan``, ``The Jest that Leads to Disaster``. The main character of ``The Shrew: Sharp Tongued Ts`uilien`` exemplified the atypical version of a young female during the Ming dynasty. Her behaviour conflicted with the norms of society in that time period, which will be examined and analysed in this essay.
After many years, the daughter-in-law manages to achieve wu wei. This is because she has realized that in order to be happy and find peace, she must live a simple life; She has let go of her anxieties and worries, and as a result is now ‘free’.