Japan has many unique cultural symbols, traditions, festivals, and of course,
incredible artwork. Japanese culture is a mish-mash of old and new, ranging
from the famous "The Great Wave off of Kanagawa" picture, all the to manga and anime,
all being distinct art forms unique only to Japan. Two cultural symbols are Hashiguchi
Goyo's （橋口五葉）symbolic ukiyoe picture from the 1920s depicting a woman combing her hair,
with the other being far more recent -- as recent as the 1970s, still continuing on
today -- called "Doraemon" （ドラえもん）, a robotic cat who regressed from the future to assist a boy
named Nobita（のび太）with his future. Doraemon would take Nobita and his friends on many adventures:
to the future, to the other side of the world, to space,
and even to the distant past, with Nobita and his friends playing a role Japanese history, as is seen in the new "Nobita and the Birth of Japan"（のび太の日本誕生）movie, which came out on March the 5th, 2016, and is currently the number 1 movie in Japan, as it resonates quite a bit with the hearts of Japanese, and people from other Asian countries. As Doraemon puts on a stupefying display of Japanese culture, morals, ideals, and history -- much like how Hashiguchi Goyo's work of a woman combing her hair shows of Japanese culture, much like the Mona Lisa does for westerners. Mixing the two together would make for quite a good piece of work, exhibiting the Japanese culture of old and new.
Much of what is considered modern Japan has been fundamentally shaped by its involvement in various wars throughout history. In particular, the events of World War II led to radical changes in Japanese society, both politically and socially. While much focus has been placed on the broad, overarching impacts of war on Japan, it is through careful inspection of literature and art that we can understand war’s impact on the lives of everyday people. The Go Masters, the first collaborative film between China and Japan post-WWII, and “Turtleback Tombs,” a short story by Okinawan author Oshiro Tatsuhiro, both give insight to how war can fundamentally change how a place is perceived, on both an abstract and concrete level.
In The Samurai’s Garden by Gail Tsukiyama, a young man is thrown from his established world, left in a new, confusing realm that holds more than meets the eye. In the midst of a violent and ferocious war between the Chinese and Japanese in mid 1937, this young man, Stephen, contracts tuberculosis, and is sent to his family’s summer house in Japan. There he meets the house’s caretaker, Matsu, a simple and reserved man who holds back all but the most necessary speech. This meeting will come to define many of Stephen’s interactions with others throughout the novel: reserved and limited. In this odd land filled with subtle secrets and unspoken uncomfortability, Stephen is prepared for a very quiet and restful period, marked with healing and growth.
-Nara’s Buddhist temples were another result of cultural diffusion, Buddhist began in India in 500s B.C.E. about 1,000 years later, it came to Japan from China by way of Korea.
Japantown, in San Francisco, is an ethnic enclave to the Japanese who migrated to the US and it is a space created by themselves for themselves to practice their old traditions and remind them of home. The Kinokuniya building in Japantown is home to many generations of Japanese and they would often celebrate traditional festivals and more than often there are many subculture groups within the Japanese here in San Francisco. One subculture that is evident is the Ikebana group located in Japancenter where they display flower arrangements called Ikebana. Being an outsider, the need to observe and research is very important to understand this art form flourishing in San Francisco. The empirical evidences I have gathered allowed me to dwell deeper into the history of Ikebana and the Ikebana group as well as the importance of this group to its fellow members.
Western influence played a significant role in the downfall of the Shogunate. The arrival of Commodore Matthew Perry in 1853 and the signing of the ‘unequal treaties’ lead to further discontent in Japan’s Feudal Structure and rebellions against the government. Although in the lead up to the arrival of Perry, there were already problems within the Feudal structure of Japan, it was the response of the Shogunate to Western influence that ultimately lead to an alliance, which sped up the downfall of the Shogunate.
Starting in the Post-Civil War period, The Great Wave brings to light a cultural schism and pivot to the, at the time, unknown East. As Commodore Perry’s ships pried open Japan to the outside world, out with it came the cultural interactions that make up most of these stories. These make up a cultural wave, much like the title implies, of which all characters seem to be riding upon in one way or another. In a way it can be viewed as two separate waves. First, the surge of the Japanese characters who newly exposed to modernity, seek to process, learn and move forward with these foreign interactions and experiences. Then there is the American wave, an unguided movement of sorts driven by disillusionment with the industrial west, which finds hope and solace in old Japanese culture. The intersections of these two waves is what makes up the two-hundred some pages of Benfey’s book but ultimately it is the unspoken single wave, on the forward path to modernity, that encompasses them both and is the true backbone of the stories.
In 1954, Japan debuted the world’s first radioactive “king of all monsters”, Gojira. Gojira director, Ishiro Honda, sets the first scene with a destructive power emerging from the sea that would ignite a burning panic throughout Japan and force catastrophe in its wake—much like the atomic bomb it was birthed from. Gojira had a single purpose, to rampage across Japan and decimate everything in its path. As much as they tried to stop the monster, Japan’s defenses fell victim to Gojira’s indestructibility. As Japan’s last resort, they found hope in Dr. Serizawa’s emergence of new science and technology to dismantle Gojira. In the end, the bittersweet success of defeating Gojira with Dr. Serizawa’s Oxygen Destroyer was not dared to be forgotten or thought of lightly. Because if placed in the wrong hands, nuclear weapons testing may continue and another monster might appear again.
Both Naoe and Kieko resent each other because Naoe is unable to leave behind her Japanese traditions and culture, where as Keiko refuses to remain trapped in a state of confusion between two cultures. Consequently, Keiko actively works to diminish this polarity that exists between her Japanese “self” and Canadian “self” by refuting one of her “selves.” Keiko does this by avoiding Japanese food, the Japanese language, and Naoe. Keiko’s disdain for traditional Japanese food does not help close the distance between her and Naoe, specifically because Naoe’s fixation and obsession with Japanese food is evident throughout Chorus of Mushrooms. For example, the scenes in which Naoe is relishing food that her brother Shige, and his wife have sent her,
Over the course of Japanese history, arguably, no artist is more famous for their works than Katsushika Hokusai. During his 88 years of life, he produced over 30,000 pieces of artwork, and heavily influenced Western styles of art. His most famous piece was created around 1831, a Japanese styled piece titled, The Great Wave off Kanagawa. This piece has stood as a defining piece of artwork in the Japanese culture for over 180 years, analyzed by students and authors for the interpretations filling the paper. The relationship between Hokusai’s painting has directly affected the Western point of view of Japanese style. The English author, Herbert Read’s novel interprets the painting distinctly differently from a Japanese point, American poet,
The Great Wave off Kanagawa was created by Katsushika Hokusai; it is a polychrome woodblock print using ink and colours on paper. It is part of a series titled ‘Thirty-six views of Mount Fuji’ which were made between 1829-1832. Hokusai was born in 1760 in Edo, Japan and died on the 10th May, 1849 in Edo, Japan. He lived during the ukiyo-e period. The Great Wave off Kanagawa is 25.4x35.5 centimetres (10x14 inches). Hokusai has exaggerated the size of the wave to make it look intimidating, raging and menacing to those in the boats below. Although there is so much anger and tension in the front of the print, Mount Fuji is in the background to bring contrast to the print. Mount Fuji is very serene and brings peace
Did you know that most of the cartoon shows that are on television come from Japan? Japanese popular culture has made a huge hit all over the world. There are many forms of popular art in Japan. Some know forms are anime, music, and manga. These are the most notable ones and are also what makes up most of their fan base for pop culture. Some other forms include cosplaying, contemporary art, and fashion. Cosplaying is short for “costume play” and it means to dress up as a character from sources like anime, manga, film, and games. There are a few places in Japan where people usually cosplay, including Akihabara, Harajuku and Shibuya. In present day, it is almost impossible to not see some form of Japanese pop culture in our country. There are even festivals and conventions held just for it which happens in many places over the world every year. Most people who attend these events will often cosplay as a character from something most people would know. Japanese pop culture is also one of the biggest exports of Japan. Japanese popular culture is the most attractive part of Japan, which has created a big impact around the world.
Sonzai is constructed from 2 words; son and zai. Son means subjective self-subsistence or sustain over time. Zai means that the subject stays in the same places in which the word “places” refers to social places which consist of human relations, such as home, hotel, inn, etc. By putting these two words together, we get sonzai (human existence) which literally means self-sustenance of human relations. Although sonzai looks similar to ningen, they are quite different. Ningen refers to capability of being an individual and at the same time also being a member of a society. To sum up, ningen is mostly explaining about a person as an individual. Sonzai emphasizes the dynamic structure of human being, such as human relations which concerns about the relationship between one individual to others. However, sonzai can be said as the interconnection of the acts of ningen as sonzai describes what a person (ningen) does to others. According to Watsuji Tetsuo, we can combine both ningen and sonzai becomes “ningen sonzai” which refers to the subject, who is at once individual and social, and to society, who are at once singular and composite (Kalmanson, 2010).
There was a multitude of causes of the disaster in Japan. The first cause was a 9.0 magnitude earthquake that occurred off the coast of Japan. Japan is located in “The Ring of Fire,” an area in the Pacific Ocean that has multiple faults and earthquakes (Pedersen 13). Tectonic plates shifted off the North Pacific coast of Japan and created a massive earthquake. The next cause was a thirty-three foot wall of water that swept over cities and farmland in Japan (Branigan 2). Martin Fackler, a journalist, stated, “The quake churned up a devastating tsunami” (Fackler 3). The tsunami reached speeds of 497 miles per hour while approaching Japan (Fackler 3). The third and final reason of the disaster was that the cooling systems at multiple nuclear power plants failed. At Fukushima, a nuclear power plant in Sendai, Japan, the radioactive rods began to overheat due to the absence of water, which cools it. Explosions occurred at three of the reactors, which spewed radiation into the air (“Comparing nuclear power plant crises”). In conclusion, the earthquake, tsunami, and nuclear power plant issues were the causes of the disaster in Japan, but they also had a myriad of effects.
An examination of Japanese culture, and where it stands on Kluckholn and Strodbeck’s Value Orientation, Hall’s cultural dimensions, and what America needs to know in order to communicate properly with Japan.
Most Japanese traditions involve every aspect of Japanese life. These traditions have also evolved over a period of thousands of years. One common tradition that may seem very visible to outsiders is the traditional Japanese dress of the kimono. A kimono is a woven cotton undergarment. This dress was the basic dress for the Japanese until more recently where it is customary to wear the kimono just for important celebrations. These celebrations make up the many traditions within Japanese culture that aren’t as visible as the kimono. It is within this part of the paper, we would like to look at the many traditions celebrated in Japan.