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Pablo Picasso most influential
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Humans are forming the world like an artist forms a piece of clay: into what we think we want it to be, but adjusting to the flaws along the way. Artists are a major key in how society and humanity morphs throughout time. Some of the most influential people in the civilization of humankind are significant early artists like Michelangelo, di Vinci, and Picasso. Art, like the world, is anything created. It is used by artists to record and commemorate our history, and to put ideas into tangible forms. The universal psyche of our species is developed by monumental, and oftentimes biblical, pieces of work.
One of the most talented and critical artists of all time was Donatello. Born in 1386 in Florence, Italy, Donatello made use of natural talent and high-priced education to start making a living off of commissions at a young age. His first great work was the life-sized sculpture, “David.” He sculpted it out of marble in 1408, and later was commissioned to do another copy of it in bronze. Becoming one of his most famous pieces, this piece not only represented the biblical battle of David and Goliath, but also became a symbol for the city of Padua, to them representing their triumph over the enemy, a rival city. “Standing a little over five feet tall, David represents an allegory of civic virtue triumphing over brutality and irrationality.” (“Donatello’s David”) Despite controversy of some of his pieces of work, like a warrior and horse piece made when equestrian works were supposedly only intended for kings or rulers, Donatello spent most of his life on commissions that occasionally became prototypes for another piece, like the copy of “David”.
Donatello left a large footprint in the development of sculpting as a form of art, mainly b...
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...were impossible to miss. His life-sized, three-dimensional, 360-degree works were inspiring, innovative, and pervasive through time. For a man who lived around 700 years ago, Donatello was a pretty impacting figure on the art world.
Donatello has influenced pop culture today by bringing art to life, taking it off of the piece of paper and making it live, large, and so close to being human. This has to have had a butterfly effect leading to skyscrapers, computer graphics that are so realistic it’s hard to tell them apart from reality, and even robots. Now it’s easy to make cartoons, movies, and video games about giant talking turtles who fight for the greater cause. Donatello made growth tangible. Larger-than-life now doesn’t seem so intimidating, and life is now given to inanimate objects. Donatello truly was one of the most influential artists on life as we know it.
A little over 6 feet of marble, Donatello’s first version of David was one of his earliest known commisions that mark the beginning of his artistic career. He was commissioned by the Operai of the cathedral of Florence to create a David statue to decorate one of the buttresses. The statue ended up looking too small when placed high up, so it was taken down and later requested to be displayed in Palazzo Vecchio, the town hall. Many historians dismiss his first version of David, calling this piece unoriginal and nothing to praise.
Polykleitos’s focus on proportion was mathematical in its exactness and thus created a manikin–like form in its sharp separations between appendages (obvious in the exaggerated indentation between the upper thighs, groin and waste region). This unnatural yet understandably idealistic (perfect abdominals, wide chest region, etc.) rectangular presence leaves Doryphorus appearing rigid and fixed in space. Some say Polykleitos designed his work with a “charm beyond [the] truth” by exceeding/flouting the limits of possible physical form. However, by placing a high degree of artificiality within his work, it lacks the narrative that comes forth when presenting an alternate to the ideal (Polykleitos). Donatello utterly embodies narrative sculpture through his less rigid, more youthful and effeminate rendering of
In my examination of the works, I came across a particular sculpture that portrayed both beauty and craftsmanship. A 15th century sculpture (1490), made in Venice, Italy by Tullio Lombardo, shows a life-size figure of Adam. Titled Adam, the work is the most prominent in the gallery mostly because of its 6-foot standing. It immediately caught my attention and gave me a very realistic impression. One beige color and made of marble, Adam is depicted simply, yet the statue has intense emotions. His meaningful glance is seen in the upward and tilted head position. Adam has almost lifeless looking eyes and seems to be staring into the distance. With these sagging eyes, parted lips, and lacking posture I feel Adam’s guilt is displayed in this figure.
Ultimately, it can be seen that all artists are influenced or incorporate issues and events of their time in their works, whether this is from the desire to portray Greek perfection to that of religious beliefs and the creation of the camera. To become renowned like Polykleitos, Michelangelo and Pablo Picasso, this statement must be followed.
Where one is a bronze statue with a singular figure, the other is a painting with a central figure, from which the story is built. However, their contrasts go beyond what they are made of, to their different subjects and their complexity. Donatello’s David shows youthful beauty and strength, which he confidently exudes through his body language. Standing with one foot atop Goliath’s severed head while turning his body to balance his weight to the other leg, this statue is a clear example of Contrapposto, which the Greeks invented and introduced into their sculptures. Donatello’s statue of David stands triumphant and proudly atop his trophy, while telling the audience I am the conqueror of Giants. His expression is stern to match his
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
The inscriptions and signatures on his works are among the earliest examples of classical Roman lettering. He had a more detailed range of knowledge of ancient sculpture than any other artist of his time. His work was inspired by ancient visual examples which he often transformed, he was really viewed as a realist but later research showed he was much more. Donatello was the son of Niccolo di Betto Bardi, a Florentine wool carder. It is not known how he started his career but probably learned stone carving from one of the sculptors working for the cathedral of Florence about 1400.
In Donatello’s lifetime he had many accomplishments weather it was sculpting or just huge achievements. Donatello sent a while on his famous sculptor, Saint George, which was sculpted from 1416 to about 1420(ward par 2, 3, 4). 1428 was when the town put up a ancient Roman Pillar in the market place and that they asked him to make a statue because they believed he was the best sculptor(Morley 13,18). One of the monuments he created was Padua and he created that between 1443 and 1453. A well know sculptor of his was the statue Zuccone which people say showed the effective use of realism(Ward par 2,3,4).
About eighty years after Divine Comedy was written, a surge of architecture and sculpture had risen. Three prominent artists in the later Middle Ages were famed for their original designs that held Roman, Greek, and Christian influences within their work. Donatello and Brunelleschi contributed to an era that perpetually changed Western art and it was due to
Leonardo Da Vinci could be argued as one of the most famous persons in the Renaissance Era and one of the greatest painters to ever live. Leonardo is talented and has made many contribution throught his life. He did so many things such as painting, anatomy , mechanics, and architecture. And he is one of the reasons why the Renaissance era could be regarded at one of the greatest time periods in history.
Bernini’s “David” is 5 foot, 7 inches tall and was made in the year 1623. It is from the Baroque period, a time of discovery, exploration and increased trade. Bernini’s “David” is a three-dimensional sculpture that gives the viewer the ability to relate the image with one’s body and not only in one’s mind. Bernini wanted to show the intensity and dramatic tension in the hero David as he prepares to cast the stone from the sling. In contrast to the intensity of Bernini’s David, Michelangelo’s “David” looks much more contemplative, statuesque and less “life-like” than Bernini’s. This marble sculpture, unlike Michelang...
By going out and having himself “happen” to the world, Leonardo became one of the most influential artists, inventors, and scientists of all time.
Michelangelo Buonarroti is arguably one of the most inspired creators in the history of art and the most potent force in the Italian High Renaissance. As a sculptor, architect, painter, and poet, he exerted a tremendous influence on his contemporaries and on subsequent Western art in general.
One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting
“In barely twenty-five years, from shortly before 1500 to about 1520, some of the most celebrated works of Western art were produced" (Getlin 372). Two well-known artists were from this period; Leonardo da Vinci and Michelangelo. Leonardo is often known as a “Renaissance man” as he was good at many things. Study of Human Proportions is a well-known investigation of his, in which he related the human body to a square and circle to establish ideal proportions of the body. (Getlin 372) In Living With Art it states “Leonardo’s interest in mathematics is also evident from his careful rendering of perspective.” Michelangelo first had a reputation of being a sculptor. He was commissioned to sculpt the biblical hero David in which it shows his debt to classical sculptures, but it was not a simple restatement of Greek art, for it shows Renaissance characteristics. (Getlin 373) “The Greeks knew how bodies looked on the outside. Michelangelo knew how they looked on the inside, how they worked, because he had studied human anatomy and had dissected corpses. He translated this knowledge into a figure that seems made of muscle and flesh and bone, through all in marble” (Getlin 373). Another characteristic is the sculpture has tension and energy; David is not so much standing in repose as standing in readiness. (Getlin 373) “Classical Greek statues tended to have calm and even vacant expressions. But David is young and vibrant- and angry,