Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
What social class was shakespeare
Much ado about nothing shakespeare story
Social status and shakesphere
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Much Ado About Nothing is a comedy by Shakespeare about a certain line of events with a certain line of people. These people are all acquaintances, the people in question being the prince Don Pedro, his bastard brother Don John, the count Claudio, his friend Benedick, the king Leonato, his daughter Hero, Leonato’s brother Antonio, his daughter Beatrice, and many more. In this play, the characters Don John and Don Pedro are foils of each other because of their social status, goals and personalities.
My first reason stated was the difference in their social status, which should be a very obvious difference between the two characters. Due to his status as the prince, Don Pedro is loving and social with all; meanwhile, Don John is cold and shunned away from everyone because he is the bastard of the family. These two are practically polar opposites, one being sunshine and rainbows while the other is as cold as ice. “I thank you. I am not of many words, but I thank you,”(Shakespeare, 15). Don John is outgoing with his thanks to Leonato for welcoming him because he, being a bastard, would be treated more poorly and would not be used to proper etiquette. Don Pedro on the other hand would see this as a regular thing to happen, not reacting in such a way as Don John did.
…show more content…
The second reason used would be the differences in the two’s goals.
“If thou dost love fair Hero, cherish it,”(Shakespeare, 25). Don Pedro wants to help everyone fall in love, coming up with plans to help Claudio with Hero and Benedick with Beatrice. Don John’s schemes fall on the complete opposite spectrum, him wanting to tear apart everyone, eventually causing Claudio to publicly shame Hero for supposedly cheating on him the night before their marriage. Don Pedro’s goals are with good intent, hoping to improve the lives of his friends. Don John, however, decides to do the opposite, ruining the lives of those around
him. The third and final reason used is the personalities of the brothers. Don John is a more selfish person, him being used to being alone and fending for himself. Don Pedro is more used to being social and selfless, helping his friends and staying loyal to them throughout the play. “...your brother John is ta’en flight,”(Shakespeare, 197). Don John at the end of the play has ran away from the authorities so as to not be punished for his crimes, swiftly leaving his only followers Conrad and Borachio to pick up the slack. This highlights Don Pedro’s loyalty to his friends, sticking with Claudio throughout the whole of the play, helping him shame Hero, although wrongfully. The play Much Ado About Nothing by Shakespeare is a comedy rich with characters. Two of these characters, Don John and Don Pedro, are what we would call foils of each other. These two are different with their social status, goals throughout the play, and general personalities. The two are on completely different planets when it comes to their overall character, one being a prince, social and loved, the other a bastard, alone and hated. The two being on whole opposite ends of the spectrum is interesting to look at, and makes you think: Do I have a character foil in real life?
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
In today's society, true love can be described as someone buying a sparkly present for the significant other, celebrating their special anniversary with a beautiful getaway from their hectic life, or even risking anything in the world for that one person. These are all real examples of true love but these are also the things that Claudio didn’t do to show his affection and love towards Hero. Instead, he chose to humiliate her on their wedding day, he didn’t trust her to stay faithful until marriage, and even “killed” her. In the play, Much Ado About Nothing by William Shakespeare, the main characters, Hero, and Claudio, are not truly in love and their actions display that.
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
“Love goes by haps; Some Cupid kills with arrows, some with traps” (Shakespeare pg. 45). One of Shakespeare’s most famous plays is Much Ado About Nothing and it specifically shows the tragic flaws of each and every character throughout the story. One character that will be mainly focused on that’s the most tragically flawed, is Claudio because he’s passionate about his love for Hero and how he’s easily manipulated.
Shakespeare, William. Much Ado about Nothing. Ed. Paul Werstine, Barbara A. Mowat, and Gail Kern. Paster. New York: Simon &ump; Schuster Paperbacks, 1995. Print.
In Much Ado About Nothing Shakespeare depicts different kinds of loving relationships - romantic love, family support and loyal friendship - and shows how various characters react to love and marriage. By exploring the effects of this powerful emotion Shakespeare highlights its universal relevance, a relevance that transcends time.
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
"Much Ado About Nothing: Entire Play." Much Ado About Nothing: Entire Play. N.p., n.d. Web. 29 Mar. 2014. .
The modernization of nearly outdated and cliché settings typically used for Shakespearian plays such as Much Ado helps enforce Whedon's attempt to make the film and play familiar, as well as creates accessibility for the audience regardless of how well they may understand Shakespeare's language. Both the ensemble and individual cast members assist in achieving Whedon's vision by creating an atmosphere that seems familiar if only that it could be our own family and friends throwing that same banter back and forth between each other. Their playful and occasionally raw performances combine with a spectacular setting to help make Whedon's Much Ado About Nothing a stellar film that is a nearly perfect modern translation of a classic, centuries old
The beginning of the play shows Claudio, on numerous occasions, as gullible and paranoid that everyone is against him. When Don John tells Claudio that Don Pedro has wooed Hero for himself he responds by saying, ““But hear these ill news with the ears of Claudio. Tis’ certain so. The Prince woos for himself” (Shakespeare 24.) This quote shows that Claudio often puts his trust in the wrong people. He takes the word of an enemy, who he has already defeated in battle, over someone who fought along side him and is supposedly his best friend. It also shows how naïve Claudio can be and how easily he will take what others say as the truth without using his better judgment. In this quote, Claudio proves how fast he can turn against someone, even one of his best friends, when he hears they have wronged him. When Don John accuses Hero of being unfaithful to Claudio he says, “If I see anything tonight w...
Rossiter, A.P. "Much Ado About Nothing." William Shakespeare Comedies & Romances. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986.
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
With its entangled plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses, both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery that carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play, we are quickly introduced to the sharp tongued Beatrice as she verbally annihilates her unseen co-star Benedick.... ... middle of paper ... ...
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
Don John is the illegitimate half brother of Don Pedro in the play. Don Pedro is the Prince of Aragon and is highly respected throughout the play, whereas Don John is treated with cautious attention and indifference. In Act one scene three, Leonato greets Don Pedro rather enthusiastically and respectfully,