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Wolfgang Amadeus Mozart analysis
Wolfgang Amadeus Mozart analysis
Wolfgang Amadeus Mozart analysis
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Don Giovanni is an eighteenth century opera written and composed by Wolfgang Amadeus Mozart. The narrative follows the affairs of a young, immoral, and promiscuous nobleman by the name of Don Giovanni. The opera begins with his attempts to sleep with Donna Anna, the fiancé to another noble named Don Ottavio. Before accusations can be made against Don Giovanni, however, his subsequent actions are viewed as he continues to attempt to seduce more women. One of the more prominent characters to appear later within the opera is a woman by the name of Donna Elvira: a past lover and of Don Giovanni himself. Donna Elvira is shown to be a neurotic character, as she constantly obsesses over her past affairs with Don Giovanni and allows her negativity …show more content…
Lipking focuses mostly on Mozart’s Don Giovanni, making the occasional reference to other literary works for the sake of comparison. Lipking begins by giving a general discourse on who precisely Donna Elvira is in the context of Don Giovanni. Put simply, Donna Elvira is a woman who fell victim to the treachery of Don Giovanni. Don Giovanni entered her life quite suddenly and proceeded to romance her and propagate some sense of love between them. Soon after Don Giovanni took it upon himself to abandon Donna Elvira suddenly, leaving her in a state of despair and madness. As tragic as the scenario appears, it is not particularly unique to Don Giovanni’s Donna Elvira. Lipking notes that “So many women in literature have shared [Donna Elvira’s] grievances...” (Lipking, 36). This suggests that this type of female character was a recurring element of stories at this time. This in turn suggests that this was an archetype, even if it may have not necessarily been established as such at the time. Lipking goes on to state that “... [Donna Elvira’s] case is far from unique,” explaining that “The majority of great heroines and prima donnas, in Western tradition, have been abandoned women.” (Lipking, 37). Lipking then goes on to cite a number of literary and artistic works contemporary with the time of Don Giovanni also involving major female
Giovanni & Lusanna-by Gene Brucker In the story Giovanni and Lusanna , written and researched by Gene Brucker, there is a woman who has taken her alleged husband to court, because he has married another woman. The story is a factual account of what transpired during this court case and the remainder of Giovanni¹s life. There are several similarities between their world and ours, but for the most part we live in a totally different environment. Our standards of living have greatly improved, but more than that our society has grown more tolerant toward the people who deviate from everyday standards.
The Great Depression of the 1930’s caused widespread poverty, but the popular culture of the time did not reflect this. People wanted to escape from this harsh time so movies, dancing and sports became very popular. Radios broadcasted boxing matches and boxers became stars. The heavyweight champion James J. Braddock aka “Cinderella Man,” gained popularity. James Braddock gained fame by winning many fights and proving everyone wrong when they said he was too old and couldn’t win.
James Baldwin’s novel Giovanni’s Room is titled such for the purpose of accentuating the symbolism of Giovanni’s room. Within the novel Giovanni’s room is portrayed with such characteristics as being Giovanni’s prison, symbolic of Giovanni’s life, holding the relationship between Giovanni and David, being a metaphor of homosexuality for David and being a tomb underwater. These different portrayals of Giovanni’s room are combined within the novel to create an overall negative metaphor of homosexuality as perpetuated by society. These different portrayals of Giovanni’s room are dirty, suffocating and restricting; Baldwin is showing the reader that homosexuality can be understood as all of these things, detrimental as they are. The novel is a reflection upon the common belief in society that homosexuality is unnatural and wrong, causing homosexual men to turn societal negativity into self hatred.
Effect of Diets with Different Nutrition Levels on Oxygen Consumption Rate and Reproduction of Artemia Franciscana
The three male characters of the story are all sinful and corrupt in some way. Giovanni likes to meddle with things and his curiosity leads him to be involved in things he shouldn’t be. Baglioni is very egocentric and critical as he belittles Rappaccini. Rappaccini is a detached and secretive man who is hungry for knowledge and obsessed with science. These qualities contrast to the female character, Beatrice, who is just a result of her father’s overpowering fixation of science.
William Shakespeare said: “Women may fall when there's no strength in men” (Romeo and Juliet). Throughout history gender role have been a big, whether someone is a feminist or someone believes there is no equality between males and females; everyone has different opinions when it comes to the matter of gender roles. The same thing can be said about William Shakespeare who was a feminist (Shakespeare of Stratford). This ideology can be seen in his play Much Ado about Nothing. In this comedy Shakespeare focuses on two pairs of lovers named Claudio and Hero who are set to be married in a week but before their marriage day, they plan to conspire with Don Pedro, the prince of Aragon to trick their friends Beatrice and Benedick to admit their love for each other. Don John, the brother of Don Pedro, meanwhile plots to prevent marriage of Claudio and Hero by accusing Hero of being unfaithful. Don John initially succeeds in his plan as Hero is accused and ashamed at the marriage ceremony, but at the end Claudio and Hero are united and marry each other. Also, Beatrice and Benedick finally declare their love for each and dance at the end of the play. Shakespeare uses a lot of sources for this comedy and one of them is “Orlando Furioso” written in 1591, which gave Shakespeare the idea of Hero and Claudio’s marriage and Don John’s plot to prevent it. Another source Shakespeare used to write the play is the courtier written in 1588, which gave him the idea of the romance between Beatrice and Benedick. And also “La Prima de la Novelle” written in 1554 by Matteo Bandello gave Shakespeare the idea of putting the setting in Messina, Italy (Shakespeare in quarto). Because Shakespeare was a feminist, some of the women appear as supporting and central...
One of the most interesting challenges in operatic composition , is composing for all the specific characters. A composer has to distinguish between characters through his music. Jan can’t sound like Fran , and Dan can’t sound like Stan. Each character must have his or her own traits. Mozart’s opera , Don Giovanni , provides us with many different characters to compare and contrast. One scene in particular lends itself to the comparison of Don Giovanni , Leporello , and The Commendator. Scene fifteen of Act two, places all three characters in close interaction with each other , making it easy to compare and find out how Mozart and his Librettist Lorenzo da Ponte brought them all to life.
I support Cusick's argument that Caccini was a proto-feminist who, through her works for the Medici court, supported the rights of women, specifically, through her first and most recognized opera, La liberazione di Ruggiero dall’isola d’Alcina. In this opera, which is recognized as the first opera composed by a woman, Caccini illustrates a feminist approach to her composition, and makes musical statements about gender that support and reflect the joint reign of Christine and her daughter-in-law, Archduchess Maria Magdalena of Austria. Not only are the characters in the opera portraying strong and capable women, but also the music composed for the characters demonstrates the differences between men and women through musical elements, such as the usage of sharps and flats. Because of works such as these, Caccini plays a major role for the female gender in the early seventeenth century.
In addition, this relationship illustrates the "cuckold" fear that is very pertinent during Shakespeare's time. Claudio is easily wooed into believing Don John's fabrication about Hero's infidelity. Since women were considered possessions, this infidelity is the ultimate betrayal and a mortal wound to Claudio's self esteem. In reality, Hero had remained the chaste and virtuous model of the Elizabethan woman. Source: Hays, Janice. "Those "soft and delicate desires": Much Ado and the Distrust of Women". Lenz, Carolyn Ruth Swift, Greene, Gayle, and Neely, Carol Thomas Ed., The Woman's Part: Feminist Criticism of Shakespeare. University of Illinois Press: Chicago, 1980.
Randolfo Carlo III is the only one in his family to graduate. He has been through the worst and the best times of life. He was born in NY and lived in almost every borough in NY. He has moved over 28 times in his life. “You will always have struggles, but you need to overcome adversity to be where you want to be”.
At the beginning of the story, Giovanni is a normal person. However, he is inadvertently tempted by the beauty and sweetness of Beatrice and becomes poisonous. His own dark side is awakened by the encounter with the Rappaccinis and no one is left unscathed. Like all people, he is not completely good or bad, but a combination of the two. Some people are mostly good, some are mostly bad, but no one is only good or evil.
In the beginning of the story, Baglioni begins to create drama between Giovanni, his pupil and the anti-hero of the tale, and Dr. Rappaccini. Baglioni explains to the young man that Rappaccini’s “patients are interesting to him only as subjects for some new experiment” (Hawthorne4), and Giovanni, as a medical student, is outraged by this. Giovanni becomes determined to rescue his beloved Beatrice from the horrendous life that her father has cursed her with, and he does it all because of Baglioni. Later on, Baglioni confronts Giovanni and claims that the doctor has made the young man into one of his victims of experimentation. This makes Giovanni even more frustrated and determined to beat this seemingly horrid man.
Jacopo Tintoretto (1518-1594) Tintoretto became unpopular with other artist from his time because he was perfidious in accruing commissions and ready to chicanery on his competitors. Even though dishonest his tactics served his purpose, to become well known as a painter. Jacopo Tintoretto (September 29, 1518 - May 31, 1594). For his prodigious vivacity in his paintings he was termed II Furioso, his dramatic use of perspective space and special lighting effects made him to be the greatest vanquisher of Mannerism, as well as one of the last great painters of the Renaissance.
Wolfgang Amadeus Mozart was born on January 27, 1756, in Salzburg, Germany. Born to Leopold Mozart, a violinist and a minor composer, learning music was a must for Amadeus. He was the youngest of seven children, even though most of his brothers and sisters died in early childhood. His eldest sister, Maria “Nannerl” Anna, began keyboard lessons at the age of seven with her father, while three-year-old Amadeus watched and listened. This acted as the first footstep for young Mozart’s long musical journey.
The Romantic Era began in the late 18th century. It was a period of literature and arts.