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Sexual orientation, social identity, etc
Sexual orientation and gender identity in society
Sexuality and identity
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Recommended: Sexual orientation, social identity, etc
Do We Live in a Confessional Culture? How the Act of Confession Shapes Identity
The prevalence of confessional culture is a contentious aspect of tabloidization in the media. It has been condemned by many cultural critics because of its degrading nature. This essay addresses the circumstance of confessional culture by seeking to show that the practice of public confession forms identity, rather than reveals it. Taking the coming out story as a primary example, I hope to demonstrate that the act of coming out interpellates an individual through a socially acceptable model of confession, counseling, and acceptance. Two examples from popular media, Ellen and Bad Girls, will be discussed as a way to demonstrate the theorectical basis surrounding
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Presupposing the presence of a secret creates a formula in which the secret must be concealed in order to free and reveal it. This is a self-regenerative movel in which a secret is required in order to reveal that which is secret. Such a structure creates a social situation that requires otherness and deviance in order to declare and continually reinstate its own normativity. As it has been suggested, “In the rush to redress the historial prejudice against gay people, we’re missing a key opportunity as a society tocritically address our uneasy relationship with sexual diversity as a whole” (Bering, 2013: xvii). In modern society, the culture of confession is carried out in ritualistic displays which has become widespread and set in within plots of everyday life. This trope is entrenched in relationships concerning the family, the church, work and policing. In each case, the confessional model is employed as the focus point that allows the expression of authority over the individual. However, the confession concerns not simply confessing an act, but includes a confession to all the notions, enthusiasms, impressions and desires that supplement the act. The enormous act of confession is supplemented by an equally enormous effort to record that which is …show more content…
The study of confessional culture brings up the question of identity in general. After all, confessional culture forms the basis for cultural exclusions. In relation to cultural identity, confessional culture is important because it shows how a common confessional culture adapts to cultural norms. In the case of Foucault’s work, confessional culture adapts to the process of standardization. However, confessional culture lacks an analysis of specific authoritative forces, which causes individuals to feel certain strong attachments to particular lifestyles. Thus, human emotions and imaginations have to be considered in the construction of confessional culture by taking gender variations into account. As Foucault has shown, power structures acknowledge that while some individuals are in the privileged position of being able to acknowledge their identity, others are not. The way an individual imagines the ways of the world and the existence of others are central to the creation of identity, which in turn forms the basis for confession. Confession is a deeply embedded western cultural ritual on which the truth depends. It is a completely closed process that acheives resolution through absolution and regulation. This means that a confession tries to
In this paper. I will discuss how in the case study " Shame and Making truth". The author M. Cameron Hay tries to solve the conflict between high and low context culture and high low uncertainty avoidance in his new family in Indonesia. I will discuss the problems the author faced by using examples from the case, my personal experienced and an article called culture and conflicts by Michael LeBaron.
In Barre Toelken’s essay “Seeing with a Native Eye: How Many Sheep Will It Hold?”, the ways in which one culture perceives another and the criteria used to make judgements are explored. Toelken states “I think I can say something about how differently we see things, envision things, look at things, how dissimilarly different cultures try to process the world of reality” (10-11). In essence, Toelken is alluding to how different cultures will interpret their experiences and rituals according to their own set of beliefs and practices. This complicates situations in which the experiences or rituals are not comparable across cultural lines; someone will always be missing an aspect or a significant purpose if they do not try to “see it as much as possible with the ‘native eye’” (12). In other words, one must immerse themselves in the culture they are analyzing, while not comparing it to their own cultural experiences. One must consider all the cultural implications of that specific culture when wondering why things are done a certain way. Toelken provides
...ng Confessions: Speaking Guilt in Law and Literature. Chicago: The University of Chicago Press, 2000. Print.
More broadly, it is possible to see the opposition between "guilt" and "shame" as representative of a larger tension in early modern thought between Christian and p...
They mention the transition of “the closet,” as being a place in which people could not see you, to becoming a metaphor over the last two decades of the twentieth century used for queers who face a lack of sexual identity. Shneer and Aviv bring together two conflicting ideas of the American view of queerness: the ideas of the past, and the present. They state as queerness became more visible, people finally had the choice of living multiple lives, or integrating one’s lives and spaces (Shneer and Aviv 2006: 245). They highlight another change in the past twenty years as the clash between being queer and studying queerness (Shneer and Aviv 2006: 246-7). They argue that the active and visible contests over power among American queers show that queers now occupy an important place in our culture. They expand on the fact that queerness, real, and performed, is everywhere (Shneer and Aviv 2006: 248). This source shows the transformation in American culture of the acceptance of queerness. It makes an extremely critical resource by providing evidence of the changes in culture throughout the last two decades. Having the information that queerness is becoming more accepted in culture links to a higher percentage of LGBTQ youths becoming comfortable with their sexual identity. However, compared to the other sources, this
homosexual liberation. Some have demonstrated their anger and concerns about prejudice against homosexuals in both riots and artistic forms. Therefore, these people seek to prove to the heterosexual world that homosexual ‘deviancy’ was a myth.
Andrew Sullivan, author of, What is a Homosexual, portrays his experience growing up; trapped in his own identity. He paints a detailed portrait of the hardships caused by being homosexual. He explains the struggle of self-concealment, and how doing so is vital for social acceptation. The ability to hide one’s true feelings make it easier to be “invisible” as Sullivan puts it. “The experience of growing up profoundly different in emotional and psychological makeup inevitably alters a person’s self-perception.”(Sullivan)This statement marks one of the many reasons for this concealment. The main idea of this passage is to reflect on those hardships, and too understand true self-conscious difference. Being different can cause identity problems, especially in adolescents.
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
Throughout this reflective address, the relevance in our modern society of this issue explored in the novel will be analyzed and evaluated in regards to the representations of concepts, identities, times and places; ideas, attitudes and values; and the perspectives of both the past and present societies. It is asked that any questions and/or comments be saved until the end.
Experiencing a society of multi-cultures is beneficial through a variety of concepts to epitomize each individual identity. A person may vary in the degree to which he or she identifies with, morals, or...
Throughout the book, he constantly desires to confess, even when visiting the police station. "I'll go in, fall on my knees, and confess everything" (p.84), he thought; later, he considered if it was "better to cast off the burden without thinking" (p.93).
One particular human emotion can cripple humans mentally and physically. It can cause people to do things they do not want to do. It can lead them to twist the truth and lie not only to themselves, but people around them as well. It is something that they cannot hide. It is more like a disease, however, it is better known as guilt. Along with guilt, comes dishonesty, shamefulness, peculiar behavior, and even suicidal thoughts. Guilt is a recurring theme in both Robertson Davies’ Fifth Business and William Shakespeare’s Hamlet. Every individual will experience guilt sometime in their life, but it is how they cope and handle it that defines who they are. Humans must face the feeling of guilt, accept
“The unprecedented growth of the gay community in recent history has transformed our culture and consciousness, creating radically new possibilities for people to ‘come out’ and live more openly as homosexuals”(Herdt 2). Before the 1969 Stonewall riot in New York, homosexuality was a taboo subject. Research concerning homosexuality emphasized the etiology, treatment, and psychological adjustment of homosexuals. Times have changed since 1969. Homosexuals have gained great attention in arts, entertainment, media, and politics. Yesterday’s research on homosexuality has expanded to include trying to understand the different experiences and situations of homosexuals (Ben-Ari 89-90).
An issue that has, in recent years, begun to increase in arguments, is the acceptability of homosexuality in society. Until recently, homosexuality was considered strictly taboo. If an individual was homosexual, it was considered a secret to be kept from all family, friends, and society. However, it seems that society has begun to accept this lifestyle by allowing same sex couples. The idea of coming out of the closet has moved to the head of homosexual individuals when it used to be the exception.
These issues are also raised in "Death and the King's Horseman", but more with showing how important and determinant our culture is for our personal identity. Thus, living in an era where this one is changing, because of the rough imposition of a new one, can torn one's personality, making them doubt all of their beliefs.