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Hamlet and Fifth Business: The Theme of Guilt One particular human emotion can cripple humans mentally and physically. It can cause people to do things they do not want to do. It can lead them to twist the truth and lie not only to themselves, but people around them as well. It is something that they cannot hide. It is more like a disease, however, it is better known as guilt. Along with guilt, comes dishonesty, shamefulness, peculiar behavior, and even suicidal thoughts. Guilt is a recurring theme in both Robertson Davies’ Fifth Business and William Shakespeare’s Hamlet. Every individual will experience guilt sometime in their life, but it is how they cope and handle it that defines who they are. Humans must face the feeling of guilt, accept …show more content…
This again, reflects the fact that he is guilty for not avenging his father’s death. Like Dunstable, Hamlet lets his guilt take over his life, as he is invariably thinking about revenge. He pretends to be mad, so Claudius would not raise suspicion of him. He allows this sense of guilt and urgency to take revenge to take over his life, and be the reason for his actions. For example Hamlet befriends Rosencrantz and Guildenstern and eventually causes their deaths, as he makes changes to the letter. In a series of events, Hamlet kills Polonius and feels no remorse for it. This shows how destructive and evil minded he has become. Hamlet feels no guilt for Polonius’ murder, and this is why karma hits him back. By killing Polonius, he causes Ophelia to go mad and that is eventually the reason for her demise. Hamlet returns to Denmark and discovers that Ophelia has died, and this is when the reader realizes Hamlet’s true feelings towards Ophelia. He says “I lov’d Ophelia: forty thousand brothers could not, with all their quantity of love, make up my sum…” (5.1.270-73) Hamlet feels guilty because he has not expressed his love lately for Ophelia due to his “fake madness.” He feels guilty for not loving Ophelia and realizes it is his fault that she has died. Seemingly, both Dunstable and Ramsay are very similar characters as they both do not try to cope with their guilt, but instead, they let the …show more content…
Both Percy Boyd Staunton and Claudius are very similar. They are both power hungry and will do anything to make it to the top. Boy shows his dedication to succeed by saying “if you don’t hurry up and let life know what you want, life will damned soon show you what you’ll get.” (Davies 120-21) This quote explains how if one does not take action, fate will take determine what you get. Different from Claudius, Boy captures his power and status legally, without hurting anyone, but through determination and hard work. However they both feel guilt and they both try to conceal their guilt, by not thinking about it and ignoring it, but eventually they cannot hide it any longer. In the end Dunstan confronts Boy about the snowball but Boy denies it, he says “I threw the snowball-at least you say so, and for argument’s sake let that go-and you dodged it. It precipitated into something which was probably going to happen anyhow. The difference between us is that you’ve brooded over it and I’ve forgotten it.” This quote shows how Boy tries to forget about the incident, and it shows how he makes excuses that it would have happened anyway. This is a way for Boy to mask his guilt. However, the confrontation with Boy and Eisengrim has made him realize the truth, the truth
Guilt is the inevitable consequence that comes along after committing a crime and is a feeling that can paralyze and tear one’s soul away. However, it is evident that an individual’s feelings of guilt are linked to what they believe is right or wrong. In Robertson Davies Fifth Business, guilt is a principal theme in the novel and its effects have a major toll on the lives and mental state of many characters. Throughout the novel, it is apparent that the values and morals instilled within childhood shape an individual’s personality, as exhibited by the different ways the characters within the novel respond when faced with feelings of guilt. The literary elements Davies utilizes in the passage, from pages fifteen to sixteen, introduce the theme of guilt and display the contrast in how
First there is the killing of Polonius. When he kills Polonius, the father of his girlfriend, he shows no sign of regret. No guilt. He is so caught up in his own little world of revenge, he doesn't even think of the fact that he just killed an innocent old man and the father of Ophelia. In fact, there is no point in the entire text in which he even mentions Ophelia. This just goes to show that he doesn’t truly care about Ophelia, which as state is the necessary component of love. The second deciding scene is that of Ophelia’s funeral. Hamlet has gone the whole text since the play in act three scene two without a word about Ophelia. Then *bang* Ophelia is dead and he's seeing her funeral. He observes as a distraught Laertes, Ophelia’s brother, throws himself into her grave in grief. Hamlet’s response to this is not a of shared sorrow but of competition. He starts by saying to Laertes “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (5.1.284-287). Rather than just grieve for her, he fights with her grieving brother about who loved her more. While this may seem like a loving gesture, there has been no other proof of his love for her throughout the play which make this seem a bit strange. It is as if he wants to have loved her so that he can have emotions that are more important than everyone else’s. Hamlet even accuses Laertes of just trying “to outface” him “with leaping in her grave” (5.1.295). Hamlet would actually be grieve the lose of Ophelia and not fighting over whose emotions matter more if he had truly loved
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
People sense that they are guilty when they feel that they have done something wrong and they regret their actions. This would be considered “true guilt.” False guilt is when one feels guilty for an action that they are not responsible for. Both types of guilt have a destructive impact. However, false guilt has, if not more of a destructive (damaging?) impact upon a person. In the play Hamlet, by William Shakespeare and the book Fifth Business, by Robert Davies, the main characters both have a sense of false guilt and it causes them to go into solitude. Hamlet takes on getting the revenge of his father's death because of guilt which leads him to isolation. Dunstan also takes on the guilt
There is one human emotion that can paralyse us, lead us to lie both to ourselves and others, to take action that we don't like, and to cripple any rational thought processes. It is self perpetuating if allowed to get out of control. Its side effects are either anger, aggressiveness or fear and reclusiveness. Its symptoms are irrational behaviour, lying, anguish, lack of self-esteem, and in extreme cases, thoughts of suicide. It is guilt. In The Fifth Business, by Robertson Davies, guilt is a reoccurring theme throughout the novel and is a major force in one’s life. Davies demonstrates this by having one character feeling guilt while another who does not.
In (Doc D) Hamlet begins to go after Ophelia to make his old friends that are spying on him believe that he is love sick and that they shouldn’t worry about him trying to kill Claudis. Doc D Hamlet is yelling and screaming at her and this is how Hamlet’s actions aren’t justified. Ophelia is also mad at Hamlet for killing her father and because of that she ends up killing herself by drowning. So Hamlet instead of just killing his father, he kills Ophelia and Polonius.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
Hamlet provides his own self-torture and does fall victim to melancholia and grief - his madness is feigned. They each share a common connection: the loss of a parental figure. Hamlet loses his father as a result of a horrible murder, as does Ophelia. Her situation is more severe because it is her lover who murders her father and all of her hopes for her future as well. Ultimately, it is also more detrimental to her character and causes her melancholy and grief to quickly turn to irretrievable madness.
Ophelia is a perfect example of how the poison of revenge of the kingdom of Elsinore does not only affect the person committing these acts, and as the victim, but the innocent bystanders as well. Originally Ophelia had nothing to do with King Hamlet’s unjust death, but her relationship and involvement with Hamlet, her father, and Claudius and Gertrude is enough to make her a lunatic and at last her deplorable death. Shakespeare shows Ophelia’s heartbreaking downfall in her speeches after her father’s passing “There’s/ rue for you, and here’s some for me.../Oh, you must wear your rue with a difference.—There’s a daisy. I would/ give you some violets, but they withered all when/ my father died. They say he made a good end” (Hamlet: IV.v.51). It is clear that the corruption in the kingdom causes Ophelia to become insane. She cannot cope with or overcome her father’s unfortunate death because it was committed by her love, Hamlet. As Ophelia becomes insane due to her father’s death, she is also affected by Hamlet’s treatment of her. Ophelia wants to trust Hamlet and does not understand his antic disposition, but still tries to be loyal to him. However, the way Hamlet treats Ophelias contributes to her insanity and is arguably the most recognizable cause of her misfortune “Get thee to a nunnery,/...Or, if thou wilt needs marry,/ marry a fool,
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
Throughout Shakespeare’s play Hamlet, the revelation of Claudius’ betrayal of the late King Hamlet becomes the causation of a slippery slope of events that revolve around a revenge on Claudius for his betrayal against the late King. Consequently, this key act of betrayal forms the plays overall theme of revenge while also showing the connection between power and corruption and the idea that ‘”what goes around, comes around.”
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
He shows his brotherly love for Ophelia when he says “For Hamlet, and the trifling of his favor,/Hold it a fashion and a toy in blood,/A violet in the youth of primy nature,/Forward, not permanent, sweet, not lasting,/The perfume and suppliance of a minute,/No more” (Shakespeare 1.3.6-11). Meanwhile, Hamlet embarks on a mission of revenge in which he does not seek revenge on behalf of himself but rather, for someone else. Hamlet’s revenge mission begins when he is visited by his father’s ghost who commands “Revenge his foul and most unnatural murder” (Shakespeare 1.5.31) after his father recounts the cause of his murder. From this point on, Hamlet begins to act mad in order to put his revenge mission into action.
Hamlet’s obsession with taking revenge destroys the relationships in his life. His furiousness with his mother’s marriage causes him to lose respect for her and wish for no more marriages in Denmark (III. i. 144-152). Hamlet’s loss of respect for women affects his relationship with his girlfriend, Ophelia. He slowly begins to drive her away. Hamlet becomes impetuous and consequently kills Ophelia’s father, which permanently destroys their relationship. Another instance of obsession to revenge is Laertes. He becomes so bent upon avenging his family, that he does not think clearly. Claudius deceives Laertes by persuading him into killing Hamlet so that he remains out of harm’s way. However, their obsession to revenge becomes the foundation of their