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movie, “Do the Right Thing” is one of the all-time pieces of art with great depiction of how race and class have dominated the society. The setting takes place in New York City, a location that is mostly populated by African Americans. The setting is full of paintings, which reveal the obsession of the blacks against the racial segregation that they face. The African Americans are stereotyped as hoodlums and whenever a crime occurs, the police go on a shooting mission and end up killing them for alleged lawbreaking (Lee & Lisa 12). The population gets infuriated and the theme of violence heightens. “Do the Right Thing” aims to teach about the application of violence in solving social issues, and the need for people to consider better ways to bring upon peace.
To begin with, the events of the movie mirror the type of rage that is elicited by the differences in class and race. It is a perfect illustration of racism at institutional and individual levels. It was done at a time when ethnic resentment appeared to rule every aspect of the American society. The blacks were not allowed to rule the political sphere and their attempt to do so was seen as a
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reversal of the norm. For example, the movie gives a scene where Dinkins David wins the battle for a mayor’s office and the idea of him becoming the first black American to be in the position does not augur well with the white community. It is, therefore, an account of modern racism and endeavors to expose how class difference propagates discrimination (Lee & Lisa 17). The element of institutional form of discrimination is illustrated through an Italian couple whom which are portrayed as having strong hatred against the black community. The family owns a pizzeria, but it becomes unfortunate that most of their clients are African Americans. The rift in ideologies between these two communities becomes a major source of tension. The foremost instance of violence ensues when the customers ask the store owner, Mr. Sal, his reason for hanging the images of people from his race only and none for blacks. The question enrages Mr. Sal and as his yelling gets out of control, they are forced out of the shop premises. In an interview about the film, Spike Lee stated that his aim for this scene was to prompt viewers to think of the peace that could have prevailed in an event that Mr. Sal changed the pictures to entice the clients instead of sending them out (Lee & Lisa 22). Another tension is displayed when Radio Raheem gets to the store while playing a freedom song in his stereo. The idea offends the store owner but he declines to reduce the volume. He acts in such a manner to prove to Mr. Sal that they are actually not afraid of his influence among the wealthy community. It is a form of payback as they have not been able to receive the form of treatment they deserve as humans. The simple disagreement ultimately intensifies and leads to the whole locality working in unison to burn the shop. However, even though the neighborhood feels that they have performed justice, the truth of the matter is that there is no any gain because they have only paved way for continued fight (Lee & Lisa 12). In moral sense, the community is obliged to experience feelings of shame. Further, the track that continues to play from the beginning to the end of the movie gives emphasis to the point that power cannot be obtained through war.
The song is harmonious with the theme of the film and it becomes sad that even Radio Rahim could not heed to the message of the song. He is portrayed as the perpetrator of the fire that burnt down Sal’s shop. With its ironical message of fighting for power, the song is important especially at this moment when major conflicts are caused by racial bitterness. During the year of the filming, the track used to play frequently when instances of war would arise (Wodak and Martin 576). The idea that the boom box also went down in the fire was significant as it points out to the fact that war only leads to loses, hence the need for civilized ways to solving
problems. Similarly, there are multiple cases of individual prejudice. Such instances are common among people or smaller groups of individuals. For example, the film presents situations where members of the different races frequently disagree and talk harshly to one another on the basis of their origins. Such encounters are noticeable whenever a member of a particular race meets another. The key question about the film is whether morality is justified by the desire for equality or revenge. To respond to this, it is of essence when one ponders Martin Luther ‘s ideology of diplomacy. He was an advocate of peaceful ways to attaining ceasefire. In addition, Malcolm X encouraged disharmony and war if it was the only resort to justice (Wodak and Martin 576). As for the case of Lee’s film, there was no need for violence because the community was still premature for disunion. The other principal issue of the film is the social depression of the black lives. Raheem’s case is a reflection of the present day phenomenon where war is reacted to by severest forms of hostility. Lee uses the character, Raheem, as a depiction of an individual who relentlessly wants to reveal that the blacks should not be frightened by the whites. The actor appears to be above his friends in terms of everything and all his actions are directed against the white dominance. At first, he seems not to be interested in any form of violence and he is even seen practicing for a performance on moral matters with the theme that friendship overrides animosity. Nevertheless, this changes immediately he realizes that Mr. Sal holds hatred for his African American race. As a result, Raheem poses as an embodiment of justice, but in the wrong way (Lee & Lisa 15). His actions are not guided by knowledge of morality that he alleges to envoy. The various characters in the film are either connected or differentiated by the virtue of race. A sense of an artistic society is manifested in the movie through the hip-hop culture but the existence of oppressive politics seems to hinder every attempt by the individuals to express themselves. They cannot engage in practices that reveal their artistic ability because their cultures are characterized with criminality. The portrayal limits their ideals and they see this as a form of social injustice. The movie is coupled with images of the black community being murdered, a concern that spurs panic from the entire neighborhood. The events are direct allusions to what happens in today’s society when people attempt to fight for their civil rights. It leads to the proposition that the nation has not been successful in its mission to develop in terms of cultural tolerance because ethnicity is still at the center of every affair (Lee & Lisa 21). Lee’s film awakens viewers to the fact that the law enforcement units in the U.S. have equally participated in intensifying the element of racial prejudice. It reminds people that the military has played a role in hindering the currently needed interventions to salvage the people of color from suffering. In another interview, Lee noted that if the movie were to be re-acted today, there would be very narrow differences between the sequels because not so many changes have taken place since the time of its original filming (Wodak and Martin 576). In other words, the horror of the old racial intolerance and the police involvement is still an event of the current society (Wodak and Martin 576). Conclusively, the film “Do the Right Thing” not only points out the racial dissimilarities as the cause of intolerance, it also presents class as the other principal cause of violence. It gives emphasis to Martin Luther’s idea that people fail to solve peace harmoniously because they believe in mitigating problems by the use of force. Lee had two reasons for the production. First, he wanted to show how the wealthy people who relate with the less fortunate neighborhoods have a great feeling of hatred for these neighbors and this leads to intensified disharmony. Secondly, he purposed to show that any attempt to curb problems through war only results to further chaos hence the essence of amicable means to peace.
Do The Right Thing was Spike Lee’s first landmark film. Do The Right Thing is a movie that brings awareness to the racial tensions when people in a Brooklyn neighborhood of different racial and cultural backgrounds coexist, which ends in a tragedy. The film was a great success receiving many of awards and earned two Academy Award nominations for Best Original Screenplay and Best Supporti...
The film starts with an uprising after a white storeowner kills a black teenager. This incident Highlights Prejudices. The teenager was labeled a thief because of the color of his skin and the unjustifiable murder causes racial tensions that exist as a result of the integration of the high schools.
Before we get into the movie specifically, we should first talk about representation and how race is represented in the media in general. Representation is defined as the assigning of meaning through language and in culture. (CITE) Representation isn't reality, but rather a mere construction of reality and the meaning behind it. (CITE) Through representation we are able to shape how people are seen by others. Race is an aspect of people which is often represented in the media in different ways. Race itself is not a category of nature, but rather...
This week’s readings of the reviews of Spike Lee’s ‘Do the Right Thing’ and Marilyn Fabe’s “Political Cinema: Spike Lee’s ‘Do the Right Thing’, raised a number of questions regarding not only the moral issues the film addresses but also the intention of the artist. This dialectical opposition, which Pamela Reynolds suggests “challenges the audience to choose” (Reynolds, p.138) between the narrativized hostility shown between that of the hero and villain. More specifically Lee’s portrayal of violence vs passive opposition. This can be perceived through Lee’s technical employment of contradictory quotes from Martin Luther King, Jr and Malcom X at the conclusion of the film, which not only highlights this concern but also deluges further into themes of political opposition. Marylin Fabe discusses this where she states that Spike Lee’s film carries a “disturbing political message” (Fabe, p.191). Arguably, ‘Do the Right Thing’ acmes themes of racism (Black vs White); with underlining motifs of imperialism (colonisers’ vs colonised), psychoanalytic (power vs powerlessness) and even Marxist theory (ownership vs public space/consumption), with Clarence Page stating that Lee provides a “public service… (not trying) to provide all the answers, but raising the questions.” (Reid, P.144). In saying this we explore this concept of the role of the artist, with Georgopulos stating that the role of the artist is to create a consciousness within the audience by revealing a fraught set of truths about the human condition. Thusly, the reactions and responses to the films reveal Lee to be successful in conveying his intentions, which back in its zenith, explored this issue of racism in a way that had rarely been seen, and presented the ways in which t...
Racial tension and cultural barriers has been a constant within our county and the rest of the world for as long as time has been around. Being segregation, to racial riots and sometimes even worse events can occur which has been proven by history in the past. Director Spike Lee’s 1989 film “Do the Right Thing” is a movie set in New York City neighborhood that is filled with many different cultures and ethnic groups being an Italian pizza shop, an Asian general store, an African American housing and residents. Sociology places a main role within the film in which we see how every person goes about their day. Peace and conflict are at an ever increasing war with each other. Above this the film takes place on only one day which happens to be the hottest day of the summer. The observation that we the audience make out is the highest tension is between the Italians and the African Americans. Granted, there are some that get along but for the most part the conflict is there. Whereas the Asian family in the film is the side group in which they are not shown in many scenes throughout the film. Spike Lee does a phenomenal job in portraying the races the way he see it from his perspective. The neighborhood
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
The 1989 film Do the Right Thing explored the conflict of racial tension and unique camera elements. Directed and produced by Spike Lee, Do the Right Thing combined a series of low and high-angle shots while also incorporating close ups and slow motion. Through the use of panning, the audience was able to get a break from the action and reflect on the events of the film. Spike Lee’s collaboration of film components added humor and realistic emotions to the story. While the controversy of whether Mookie “did the right thing” will always be in favor of the viewer. Depending on how an audience member connects with the film will spark a variety of different emotions for that person. Do the Right Thing is a film that reflects both controversial ideals and unique film elements.
The entire film is based on significantly different racial opinions, opinions of different writing styles and stereotyping of different people in general. Race is a huge issue in the film and many stereotypes are made.
Spike Lee is brand name when it comes to the film industry. When you try to ask any group of people their opinion about this man, you will probably receive numerous positive responses from the film community as well as the African American community. Do the Right Thing (Spike Lee, 1989) is a film that illustrates how racial conflict can become a reality while showing the repercussions that come with racial segregation. Spike Lee uses a number of tools to write and produce the film in order to ensure the message reaches his intended audience in the best way possible. The use of location, soundtrack, and dialogue is abundant in this film. Therefore, this film analysis paper is for Spike Lee’s Do the Right Thing (1989). It is a film in which racial segregation ignites riots in a neighborhood dominated by the black population. The heightened scene of this film analysis is where Spike Lee throws a trash can and it is from this that hell breaks loose and riots begin.
It's just a film, and some would say that it's not meant to solve the America's issues with racism and classism. While this is true, it is dangerous for such a prevalent film like Crash, which won three Academy Awards including Best Picture in 2005 in addition to a slew of other accolades, to perpetuate that elusive, intangible type of oppression that we all live in, but some still deny. As Langston writes in Tired of Playing Monopoly?
If this movie were to be summarized in one sentence, one may say that no matter who you are, everybody holds preconceptions and stereotypes against other people. For example, in this movie, an upper-class white woman sees two black men so she clings to her husband, showing she is scared of them. Even though this woman had no idea who they were, she still jumped to a conclusion that they were going to harm her because of the color of their skin.
There are two main issues in the movie the “The Color of Fear” that I will discuss. These two issues include grouping people of color on the basis of the way one looks, and the attitudes of different races towards one another. Including also the idea that the white “do-gooder” feels that subconsciously racism is being taken care of, when in all reality it isn’t. The eight men in The Color of Fear candidly discussed racism not only as "whites oppressing blacks," but also the less addressed sides of racial trouble in America. A white man earnestly stating that he had never oppressed anyone in his entire life, and a Hispanic man talking about being afraid of driving in front of pickup trucks with gun racks, shows how there needs to be more progress towards ending these feelings in America. Stereotypes were openly declared, from Asians as "the model minority" to blacks as "lazy, violent, and dangerous."
... supremacist gang, to rioting in an Asian owned grocery store, to finally brutally murdering someone. We observe as family ties become increasingly strained in every way, the viewer can easily conclude that Derek’s racism as well as his eventual influence on his younger brother ultimately contributed to their own downfall. As controversial as this movie maybe for the offensive language and brutal violence, it is a movie that deserves to be seen, and even discussed. It really provides insight into some factors within society that cannot be contained by the law or even deterred by even the harshest punishments. Even though American society is becoming more modernized as time goes by in terms of tolerance, racism will unfortunately always be prevalent in society and inevitably it will also lead some individuals to violently express their distorted mentalities.
Many times in Hollywood, a movie that intends to portray a novel can leave out key scenes that alter the novel’s message. Leaving out scenes from the novel is mainly do to time limits, however doing so can distort the author’s true purpose of the story. In history, Movies were directed to intentionally leave out scenes that could alter the public’s opinion. This frequently let novel 's main points be swept under the rug. There were times of this at the beginning of the Civil Rights Movement, where white Americans were the only ones making movies. Not many African Americans had the opportunity to be involved in the process of major productions. Because racism in To Kill a Mockingbird, written by Harper Lee, is underplayed in the film, it shows
This movie was called “Dear White People” and the film focuses on African-American students and their perspectives under the light of escalating racial issues in prestigious colleges in the United States. A. O. Scott the author of Advanced Course in Diversity an article in the New York Times writes, “We are all stereotypes in one another’s eyes and complicated, unique individuals in our own minds”. When we look at someone else we often see only the stereotypes not the human underneath him or her. It is only until we peal back our own judgments; we can truly get to know someone. The movie has a wide range of characters with intersecting lives that cannot work together because of the hegemonic forces at work on the