What generates the magnificence of every individual’s self-image and outer-image is the multiplicity of choice, right to opinion, and an inimitable desired path in life. What is it that defines right or immoral choices in an individual’s life? Is there reason to condemn someone of doing wrong or deem unworthy because his or her lifestyle doesn’t correspond with the onlooker? In Alice Walker’s “Everyday Use” the principal character, Dee, is viewed by her narrating mother as leading a controversial and distasteful life; however, Dee is not an unpleasant and naïve young woman as her character is portrayed from her mother’s cross perspective. Dee is seeking an altered life versus the way her mother anticipated when raising on her a farm in rural Georgia and seemingly has been doing so since a young age. Dee longs for an existence full of culture, sophistication, luxury, and edification that her sister and mother are unaccustomed with. Dee’s philosophies and self-image are scorned almost as if she is an foreigner encroaching on her mother’s and Maggie’s simple farm life. In some respects, it almost seems as if the character, Dee, is a bit of a representation of Walker’s own young self-perception and perhaps what Walker thought of her own family’s judgment of her when visiting home in rural Georgia. When describing Dee’s upbringing, her mother, after satirically recalling Dees reaction to their first household burning down and raising money to send her to school, states, “She used to read to us without pit; forcing words, lies, other folks’ habits, whole lives upon us two, sitting trapped and ignorant underneath her voice. She washed us in a river of make-believe, burned us with a lot of knowledge we didn’t necessarily need to know” (... ... middle of paper ... ...er and Maggie and wanting so much more than a simple, rural farm life. Perhaps it is because of the time and setting of the story, but many parents would be proud of their children creating a future and life for themselves when coming from a background of so little. It is because of her mother’s feelings that a negative tone is set to the audience in regards to Dee, not because she actually is a corrupt person or deserves to be less appreciated than Maggie. Even when Dee tries to take her iconic familial heritage of quilting with her and integrate the quilts into her new life, her mother does not oblige seemingly out of resent for her daughter’s choices. Works Cited Walker, Alice. “Everyday Use.” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. Dana Gioia and X.J. Kennedy. New York: Longman, 2010. 69-76. Print.
Susan Farrell in her, “Fight vs. Flight: A Re-evaluation of Dee in Alice Walker’s ‘Everyday Use’” writes in response to Alice Walker’s short story Everyday Use. Farrell’s article is published by Newbury College in spring of 1998 in Studies in Short Fiction (179). Farrell in her article writes to argue that although Dee is inconsiderate and egotistical—supporting what she is arguing against— to a certain degree, she offers a way for a modern African American to manage with the harsh society that is, in a few ways more substantial than that described by Mother and Maggie— which is her thesis (179). Most people who have read Walker’s short story Everyday Use are prone to agree that the character Dee is ‘shallow,’ ‘condescending,’ and ‘manipulative,’;
...sents some discrepancies in how people value their family history. To some, family does not mean much at all but others are very much aware of their ancestors and the traits that they share in common. Some people use this self-awareness to better themselves while others find ways of exploiting it to satisfy their superficial needs. Dee is the type of individual that misuses her heritage. She is using it to fit in and attract the new religious group with which she has begun to associate. Maggie just seems oblivious, although the story does not allow the reader to know what she is thinking. The truth is that Maggie and her mother are living their heritage. This is the lesson that Dee's mother is trying to teach her; to accept and embrace who she is rather than continuously search for something she is not. She could search for her entire life and never be fulfilled.
Walker, Alice. “Everyday Use.” Literature: Reading, Reacting, Writing, Compact. Ed. Laurie G. Kirszner., and Stephen R. Mandell
Dee is unappreciative and disrespectful to her own mother and eventually, as with nearly everything; enough is enough and Mama stood up for herself, completely transforming herself as a character. It is necessary in life to treat others the way that you would like to be treated. This seems to be a saying that Mama lived by, but her daughter didn’t reciprocate back to her. “Everyday Use” teaches the reader many lessons of the importance of a family and how easily individuals could be shaped by the world around
Self-confidence comes from within. In “Everyday Use” Alice Walker shows how being self-confident and self-love will revile itself when you least expect it. “Everyday Use” is about a mother wanting on the arrival of her oldest daughter Dee, who comes home for the first time in years. During Dee visit she brings her boyfriend and a new attitude for her African heritage. While visiting Dee want to take the butter churn and two of her grandmother handmade quilts. Her mother refuses to give her the quilts because she promises them to Maggie. In the story, Dee and Maggie have different points of view on life and what is important to them. There is a nonexistent relationship between Dee and Maggie, because of their differences in confidence, self-esteem, values and love for each other.
Everyday Use ends with Dee leaving, not with the quilts, thus making room for the new bond between Mama and Maggie. Dee may believe that she has won in some way because she is the educated sister who appreciates her heritage, but the reader sees it is in fact Maggie who has become victorious by having her way of life validated by Mama’s support and Dee’s envy. Maggie’s system of values is redeemed by creating a new relationship, with herself, in which she is no longer silenced and can truly appreciate the beauty of her home even in its everyday use. While there is little growth seen from the experience on Dee’s side, we know that Maggie is forever changed, giving her more power than she ever had. There is still and will always be a struggle between her and her sister, but Maggie now knows she does not need redemption from Dee, nor anyone else, because it is she who carries the importance of the past into the future.
Kennedy, X.J. and Dana Gioia, eds. Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 4th ed. NewJersey: Pearson, 2012. Print.
DiYanni, , Robert . Walker, Alice. “Everyday Use.” Literature: Reading Fiction, Poetry, Drama, and the Essay. 4th. New York: McGraw Hill, 1998. 408-413. Print.
While reading this there were some animosity toward Dee because of what type of character she was. The animosity was caused by the numerous comments and actions that occurred in the story. She was very selfish, uneducated, and very unappreciative of where she came from. Dee carried herself in a very ridiculous way. Among Dee’s family she is the object of jealousy, awe, and agitation, meanwhile she searches for her purpose and sense of self. Dee and her judgmental nature has an effect on Mama and Maggie, her younger sister. Although she across as being arrogant and insensitive, Mama sees he strive to know more and do more. Dee also portray as being a condensing type person because no matter where Mama and Maggie lived she still kept her commitment to come and visit. When Dee comes to visit she tells Maggie and Mama that she has changed her because Dee had died when she left for college. Dee changed her name to Wangoero, which come across as being an attention seeking ploy who still keeps the selfishness of Dee. With Dee changing her name to Wangoero she wants to reclaim her heritage and honor
From a young age, Dee felt a detachment from her heritage. After her old house, and her sister Maggie, who she stoically watched burn from a fire. Mama even suspects that Dee burned their house and Maggie too, “She had hated the house that much” (Walker 25). Dee agrees when Mama sent her to Augusta to school. She wants to be a college student because she considers herself superior to those around her—she deserved a higher level of life, “She was determined to stare down any disaster in her efforts. Her eyelids would not flicker for minutes at a time” (Walker 25-26). Upon Dee’s return to visit Mama and Maggie, Mama
Dee thinks highly of herself because she is academically educated while her mother and sister are not. She flaunts her fortune at her own mother who, along with the church, saves enough money to send Dee to school. She does not even appreciate the sacrifices her mother makes for her on a daily basis. Dee, through a letter, commits to visit Mama and Maggie no matter the rickety accommodations they decide to dwell in (Walker 72). One day when Dee visits her family, Mama and Maggie are shocked to see a stranger exit the vehicle; she is wearing a dress long down to her feet, extravagant gold earrings, and bracelets that makes noise when her arm moves. Her hair is done in an afro with two pigtails wrapped behind her ears (Walker 72). The person they know to be Dee changes her appearance significantly; she even speaks and interacts differently.
Walker, Alice. “Everyday Use.” Robert DiYanni, ed. Literature: Reading Fiction, Poetry, and Drama. 6th ed. Boston: McGraw-Hill, 2007.
Dee is shallow and manipulative. Not only does her education separate her from her family identity and heritage, it prevents her from bonding with her mother and sister. If Dee could only push her arrogance aside, she would be able to develop a deep connection with her family. While connecting with her family, Dee would also develop a deeper understanding of her heritage. Maggie and Mama did not give in to the “whim of an outside world that doesn’t really have much to do with them” (Farrell par.1). In the attempt to “fit” in, Dee has become self-centered, and demanding with her very own family; to the extent of intimidation, and
The mother describes her younger daughter, Maggie, as ."..not bright. Like good looks and money, quickness passed her by," and ."..perhaps a dog run over by some careless person rich enough to own a car, sidle up to someone who is ignorant enough to be kind to him...That's the way my Maggie walks." The reader already feels the older daughter Dee, although ."..stylish...with nicer hair and a fuller figure...and full of knowledge" is more like the careless person rich enough to own a car. Although Maggie and her mother make attempts to improve the appearance of themselves and their home for Dee's arrival and seem eager to see her, having no relation to Dee the reader is given no reason to like her. Already Walker is placing value on "slow, self-conscious," Maggie, who plans on marrying and staying close to home, and casting, Dee, who is attractive and cosmopolitan, and could conceivably bring greater resources to her sister and mother, in a negative light.
Kennedy, X. J., and Dana Gioia. Backpack literature: an introduction to fiction, poetry, drama, and writing. Fourth ed. Upper Saddle River: Prentice Hall, 2011. Print.