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History of film directing
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I didn't always want to be a filmmaker. But I've always wanted to be a creative. My gravitation toward film as my primary medium was a gradual process, the result of my lifelong fascination with storytelling and a steady diet of movie-watching throughout my adolescence. There was a time that I was intimidated by the narrow percentage of people that appear to achieve notable success in the film industry. I thought that being a movie director was one of the dream jobs that many aspired to but few ever achieved. However, as I've learned more about the business of film, I've discovered that there are greater opportunities available in this field than ever before. Like many others, filmmaking is a profession that rewards in proportion to how much time and devotion is put into it. More than any other participant except arguably the writer, film directors are responsible for guiding the creative direction of a movie. In many cases, the director is the film's writer, or at least works closely with them. Directors are responsible for organizing the filming of a motion picture or other video production; determining how shots will be set up, giving actors instructions on how to perform their roles, and piecing together the various shots into a full movie. Much of a director's job is delegation and collaboration: they work with actors, cinematographers, editors, composers and hundreds of other talented individuals, bringing their contributions together into a finished production. In many ways, filmmakers are most akin to managers, albeit in a specialized field. Directors can come from a wide variety of educational backgrounds. There are a multitude of dedicated film schools operating in the US today, and most colleges and universitie... ... middle of paper ... ... projects every few years. As long as I can work with talented actors and film professionals to tell interesting visual stories, I'll be satisfied. Works Cited: Levy, Frederick. Hollywood 101: The Film Industry. Los Angeles: Renaissance Books, 2000. Print. Rodriguez, Robert. Rebel Without a Crew: Or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player. New York: Penguin Group, 1996. Print. Jarecki, Nicholas. Breaking In: How 20 Film Directors Got Their Start. New York: Broadway House, 2001. Print. Edgar, Tom and Karin Kelly. Film School Confidential: The Insider's Guide to Film Schools. Revised Ed. New York: Penguin Group, 2007. Print. “Actors, Producers and Directors.” Occupational Outlook Handbook, 2010-11 Edition. 17 Dec. 2009. Bureau of Labor Statistics, U.S. Department of Labor. 6 Mar. 2010 .
In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.
A new edition to the course lineup, this week's film classic, Sunset Boulevard. This film will focus on the culture and environment of the Hollywood studio system that produces the kind of motion pictures that the whole world recognizes as "Hollywood movies." There have been many movies from the silent era to the present that either glamorize or vilify the culture of Hollywood, typically focusing on the celebrities (both in front of and behind the camera) who populate the "dream factories" of Hollywood. But we cannot completely understand the culture of Hollywood unless we recognize that motion pictures are big business as well as entertainment, and that Hollywood necessarily includes both creative and commercial
Film making has gone through quite the substantial change since it’s initial coining just before the turn of the 19th century, and one would tend argue that the largest amount of this change has come quite recently or more so in the latter part of film’s history as a whole. One of the more prominent changes having taken place being the role of women in film. Once upon a time having a very set role in the industry, such as editing for example. To mention briefly the likes of Dede Allen, Verna Fields, Thelma Schoonmaker and so forth. Our female counterparts now occupy virtually every aspect of the film making industry that males do; and in many instances excel past us. Quite clearly this change has taken place behind the lens, but has it taken
Lisa Cholodenko grew up in Los Angeles and she began her film careers working as an assistant editor; however, she then moved to New York and earned an MFA in screenwriting and direction at the Columbia University School of arts. At Columbia University School of Arts, Cholodenko filmed her first short movie Dinner Party. Besides being a director, Lisa Cholodenko also was a film professor at Columbia University, an advisor and is currently on the Board of Governs of Academy of Motion Pictures Arts and Science. It was surprising to be able to find out how active Cholodenko is in the film industry and in the university she attended. This portrays how committed Cholodenko is to creating successful movies and to be a part of others film victory.
Festivals, Interviews and the Art of Filmmaking." Can Social Media Help "Indie" Filmmakers Make It Big. N.p., n.d. Web. 27 Apr. 2014.
Beginning roughly with the release of Stanley Kubrick’s Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the “Sixties” era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesse’s hyperactive pace, to Kubrick’s slow methodical pace, there were many uniform contributions made by some of the era’s seminal directors. In particular, the “Sixties” saw the return of the auteur, as people like Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick, Coppola and Allen each experimented with characterization, narrative and editing techniques. By examining the major works of these important directors, their contributions become more apparent.
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
The director of The Last of the Mohicans is Michael Mann. By taking a look at Mann's filmography, you will see that he mainly specializes in the action genera. This makes him a perfect fit for this film. A director is the individual that is responsible for overseeing all the elements of a film such as lighting, rehearsals.etc. The film director takes the script and turns it into his vision. The director also has the responsibility of working closely with all of his crew to ensure that everyone is on the same page at all times. Once the film is in editing stage, the director works hand in hand with the film editors to ensure that the work stays true to his vision. The director manages all aspects which is why if a movie fails the directors is held responsible.
A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line producers. They all do very different things. Some are the producers are responsible for raising the funds for the movie while others are responsible for the production that goes on during the filming of the movie and still other producers are in charge of what physically goes on the set. Then it is time for the director. The director is in charge of the actors. The director works with the actors to visually bring to life what was written on the screenplay (Fortunato, Who Does What on a Film). Now the idea needs to come together. The idea of writing, “what you know” is not always true and writing, “what you come to know” is in fact a more accurate way to write. Other good ways to formulate ideas are to use existing plays, novels, short stories, life stories, new articles, or even past TV shows and film. When using existing work a person needs to make sure that one secures the copyrights before starting write. Securing the copyrights does not mean one is finished yet. Now a person needs...
Schatz, Thomas. Hollywood Genres: Formulas, Filmmaking, and the Studio System. Philadelphia: Temple University Press, 1981.
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
While growing up, Aronofsky had the great pleasure of seeing the greatest movies being released for the first time in theatres. Spielberg’s Jaws and George Lucas’ Star Wars were great successes that triggered a further liking of film for Aronofsky. Coming from a strong household and educated with an MFA in Directing, Aronofsky’s great successes were becoming f...
Dmytryk, Edward (1984). On Film Editing: An Introduction to the Art of Film Construction. Focal Press, Boston.
Filmmaking is an art like no other. It brings people together to create magnificent stories that people can view either on their television or on the big screen. The creators of film could not have imagined how far filmmaking would go and how much it would impact the world of entertainment. The invention of filmmaking has evolved over a long period of time and will continue to impact the world of entertainment.
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.