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Analise court scene in merchant of venice
Character analysis merchant of venice
Character analysis merchant of venice
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Recommended: Analise court scene in merchant of venice
Directing William Shakespeare's The Merchant of Venice
I am going to set my theatrical production of "Merchant of Venice" act
1 scene 3 in a building in a street in Venice. The building in which
this scene is set should be lit by candle light creating a slightly
dark, gloomy atmosphere to give the audience a sense of mischief and
wrong doing on Shylock's part. Costume wise I would make a clear
distinction between the clothes of Shylock and the Venetians. Shylock
will wear old dirty looking, dull coloured clothes whilst the
Venetians wear colourful, more elegant looking clothes to portray
their higher stature and importance. This will show that at the time
the play was written Shylock, because of his religion, is regarded as
being less important and has a low economic status. I will make
Shylock around 30 years old with typical Jewish features including
uncut facial hair and skullcap. He should generally approach his
speeches with a slightly spiteful and mocking tone of voice. Antonio
will also be around 30 years old and taller than Shylock wearing more
elegant and colourful clothing to show his dominance. He should
approach his speeches putting over to the audience an attitude of
hatred for Shylock and his religion. Bassanio will be slightly younger
than Shylock and Antonio, about 25 years old. His clothes should be
more fashionable with a smart appearance. Bassanio should be slightly
skinny and smaller than the other two characters in the scene so that
he stands out as being younger and fashionable. Bassanio should
generally approach his speeches with a desperate voice, which turns to
anger towards Shylock when he starts taking his...
... middle of paper ...
... bond and so is happy that Shylock is lending them
the money. Antonio should jokily say the phrase,
"The Hebrew will turn Christian, he grows kind."
To slightly mock Shylock and make Bassanio feel more confident about
the bond. Antonio should make often eye contact with Shylock to
display to the audience that he has hatred for him.
My presentation of act1 scene 3 will prepare the audience for later
developments in the play because it introduces Shylock who is a very
important character in the play. It also gives the audience a better
understanding of Bassanio and Antonio's personality and there hatred,
especially Antonio, 4 the Jews. This scene is also very important
because it sets out the bond, and the condition of the bond which
later in the play result in Shylock being ready to cut the flesh from
Antonio.
The play is set in three scenes. The entire play is set in the dining
The three-dimensional camera work of Zeffirelli in Hamlet emphasizes the surveillance methods and intrigues carried out by the forces of good and of evil.
Four key film extracts will be discussed. The introduction of Mina, starting of with a medium long shot of her in the Westenra house, which allows the audience to pay more attention to what is happening in the background, the mise-en-scene being a large decorated room of the Victorian era, including plants, chairs. The setting of the whole room is surrounded by glass, which has the ability to allow natural light.
Risk is the exposure to danger. Taking risks are necessary because risk reveals experience to an individual. Hazard has both malevolent and benevolent outcomes, which can affect the overall atmosphere in a play. The content of William Shakespeare’s The Merchant of Venice includes many scenarios of risk-taking among the relationships between characters. The Merchant of Venice consists of four different plots: the bond plot, casket plot, love plot, and ring plot; in which characters are exposed to danger. Risk serves a major responsibility as it divulges many elements of dramatic significance throughout the play. Shakespeare manifests hazard through rival arguments, lovers’ commitments, and father and child agreements.
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
Imagine you are a director. Direct the actor playing Macbeth in Act 2 Scene 2. Shakespeare's Macbeth has been a play out of the ordinary. It was written to upset, and show life at its most cynical and brutal. It is among his darker pieces of work along with Othello, King Lear and Hamlet.
Act 1 Scene 1 as an Effective Opening to Othello. The play begins in a dark street in Venice and the audience is thrown into a heated debate between Iago, a soldier, and Roderigo, a wealthy. Venetian. The.
say, “If I can catch once upon the hip I will feed fat the ancient
Venice is a busy place where all the characters are constantly worried about their income, they give loans and they borrow money to maintain their business. Here we see the first clash of love and money. Bassanio needs to impress a rich heiress from Belmont, but unfortunately, he does not have the money to win a lady from a rich family as a wife, “O my Antonio, had I but the means to hold ...
The Merchant of Venice is a play set in a very male and Christian dominated society where other religions and women rights weren’t very well accepted by the community. However Portia, a rich woman who had previously been controlled by men, triumphs as she manipulates tricks and saves the lives of the men.
Mann, Thomas, and Clayton Koelb. Death in Venice: a new translation, backgrounds and contexts, criticism. New York: W.W. Norton, 1994. Print.
Anti-Semitism and the desecration of the Jewish population have been in existence for nearly five thousand years. In the Elizabethan era, a question of anti-Semitism invariably arises. In William Shakespeare's The Merchant of Venice, we find that one of the characters is the embodiment and expression of anti-Semitic attitude that is pervasive in Elizabethan society. "Anti-Semitism was an intricate part in Shakespeare's years. Jews were considered vile and scorned upon. Shakespeare presents Judaism as an 'unchangeable trait'" (Bloom 37). Shakespeare's age based their anti-Semitism on religious grounds because the Elizabethans inherited the fiction, fabricated by the early Church, that the Jews murdered Christ and were therefore in league with the devil and were actively working to subvert spread of Christianity. The religious grounds of this anti-Semitism means that if a Jew converted to Christianity, as Shylock is forced to do in The Merchant of Venice, then all will be forgiven as the repentant Jew is embraced by the arms of the all merciful Christian God of love. In fact, some Christian believed--as do some fundamentalist sects today--that the coming of the Kingdom of God was aided by converting the Jews to Christianity. Anti-Semitism in Shakespeare's time is portrayed in his masterpiece The Merchant of Venice.
The real villain in The Merchant of Venice, by William Shakespeare, is not a person, however an entire religion. In the city of Venice, Christianity was the dominant, main religion. Despite being a Christian, the people were corrupt, greedy, and selfish, where the needs of themselves were much more important than the needs of another human being, such as the Jews. Prejudice against Jews existed greatly in the society of Venice, however it existed way before the time period also. The Merchant of Venice was written within a time period (Around 1597) and culture in which prejudice against the Jews were common and pervasive. In The Merchant of Venice, by William Shakespeare, the real villain portrayed is the entire religion of Christianity where Christians present an evil background as prejudice against the Jews go back to the earliest days of Christianity, also where prejudice against the Jews existed in The Merchant of Venice, and where the Christians lived a corrupt life and society which went against their Christian values.
“I am a jew?”-Shylock the merchant. The Merchant of venice is a play from William Shakespeare, in which a merchant called Antonio gets a loan from Shylock to pay for Bassanio's trip. Through a string of unfortunate events lead to a angry Shylock nearly killing Antonio, but that is narrowly averted. Shylock in the play “The Merchant of Venice” can be seen as a victim due to the hostile prejudice towards his kind, unfair treatment of him, and the random events that cause him misery.
In William Shakespeare’s Twelfth Night, the art of music appears in the opening of the speech as the unhappy and lovesick Orsino tells his musicians, “If music be the food of love, play on” (I.i.1) In the speech that follows, Orsino asks the musicians to give him so much musical love i.e. food that will “surfeit” and cease to yearn for love any longer. Shakespeare uses music in opening line of play and at the end by Feste singing his song. It reveals that Shakespeare has presented on stage a romantic comedy which is not detached from our everyday reality. Thus songs are used by Shakespeare with surfeiting desire not only for the purpose of entertaining the audience but also closely linked to the play’s theme.