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Women in greek myths
Women in greek myths
Women in greek mythology
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The tragedy started at the City Dionysia, in the sixth century B.C.E. In the Greek theater, Dionysus is thought to be the son of Zeus. His mother was the powerful goddess, Semele, a mortal. However, Zeus wife, who was also his sister, Hera, was very jealous. She played a trick that ended up killing Semele. We have studied how this was accomplished in prior chapters, so These details of how Hera accomplished the killing of Semele, I won’t cover it in this week’s homework.
What Hera did want was to kill Dionysus. She had some of the Titans rip him to pieces. However, with the help of Rhea, Zeus was able to save him. Because Zeus know that Dionysus was going to be in continued danger, he sent him to live with Hermes. From there, we read that
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2.) Discuss the similarities and differences between tragic and epic heroes. What heroic qualities do they share? In what different ways does each accept enormous challenges, descend to the Underworld, and return bearing new insights? Using examples from your readings, explain in what sense each appears to achieve success or failure.
From what I have read and considered to be an Epic hero’s qualities are those men who demonstrate nobility in and with their strong mind and body. They also seem to be mortal and can die. Their fears are real and with them, and yet they are helped by the gods. These heroes are steady to keep going and never give up their battles or journey until it is complete. Both the tragic heroes and the epic heroes have gifts that can get them into trouble, at times. Like epic heroes as we read on page 514, they encompass extraordinary traits. A tragic hero’s qualities encompass, one of nobility and royalty. They are not seen as perfect like the other heroes. They do have flaws, but it sue to their free will of choice. Along their journeys they encounter challenging circumstances and must face adversity. These heroes except their fate and will always learn a lesson through each journey no matter the
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How does Aeschylus present her side of the issue? Why does Aegisthus want to seek revenge on Agamemnon?
Clytemnestra’s hatred of her husband is because she says he is evil. Agamemnon had his daughter Iphigenia sacrificed on the way to Troy, just to get the goddess Artemis to send their fleet some advantageous winds. Clytemnestra felt that he should die because her husband, Agamemnon, killed in a sacrifice and she hated him so much. She wanted him dead as he had killed her daughter so she had wanted him to die by the same way Iphigenia died. Clytemnestra plotted and looked for accomplishes to join her in the quest to hurt and seek revenge against her husband. She was successful in this and murdered her husband.
She is portrayed to feel that she was justified in killing him because she feels this would avenge his crime. She also was angry because he was having an affair with
...ty since "things could happen in the real life of Athens which were virtually unthinkable in tragedy, and vice versa." Perhaps the safest assessment of Dionysus is that while not a direct opponent of the traditional ways, his presence, and especially his effect on other characters, serves to highlight many social norms. According to Bernad Knox, "From start to finish, Euripides was 'attempting to show citizens bred in the traditional views...that such conceptions of the gods should offend them.'" Perhaps we as readers will never fully understand the Dionysus that appears in this play, but a closing look at a remark of the Chorus may bring us a step closer to this understanding:
He is ripped apart by his own mother. Poor Pentheus is toyed and tinkered with until his very last breath by none other than his own cousin, Dionysus. His choice, as king of Thebes, to repress the all-powerful god not only lost him his kingdom but ultimately his life. The Bacchae of Euripides is a battle between the strength of a king and the power of a god, but it also reveals the great lengths that family rivalries can go to. Dionysus sought revenge, and revenge he obtained.
The difference in Agamemnon’s and Odysseus’s approach of their homeland is a reason for their differing fates. Agamemnon, the king of Argos, returns from Troy after a safe journey. Once he lands on the shores of his native earth, his false sense of security renders him unsuspecting of the possible danger that lurks in his own home. His naiveté leads him to approach his home directly to show his people that he has returned. Since his subjects were no longer loyal to him, his exposure leads to his demise. Their disloyalty is revealed when Aegisthus, the man who plots to kill Agamemnon, gathers the town’s best soldiers to ambush the king. Agamemnon meets Aegisthus, who organized a banquet where the king and his company are mercilessly slaughtered. Because he fails to assess the danger that exists in his homeland, Agamemnon meets his end soon after his return.
Clytemnestra has the ten years of the Trojan War to plan her revenge on Agamemnon. Upon his return Clytemnestra shows him some love. That love she showed quickly changes to rage and hatred when Clytemnestra she’s Agamemnon with his mistress Cassandra.
Aeschylus begins by portraying Clytemnestra as Agamemnon’s faithful wife brought only to a murderous rampage by the news of her daughter’s murder, but indeed she was stricken with the curse of jealousy and had a yearning so strong to maintain power she killed the father of her
The dominant factor in an epic is the heroic main character. This character often is the son of a god or goddess and is favored by the gods. Heroic characters are also always hounded by constant tragedy which drives them to fulfill their fates. Most heroic characters are high in social status and share close contacts with the gods. All of these qualities of heroic characters show up in the characters of Aeneas from The Aeneid and Gilgamesh from the Epic of Gilgamesh.
Dionysus, son of Zues and Semele and Apollo, son of Zues and Leto, both were born under strange conditions. Dionysus was born from the thigh of Zues after being fully grown, and Apollo's mother, Leto, was in labor for nine days with him because Hera did not want him to be born and would not give Leto a safe place for the child to be delivered. Both these Gods have the need for power and a very creative drive. They spent their youth recruiting new worshipers for their respective cults in which they started, each cult showing their divinity. They are both associated with the phenomenon of ecstasy, meaning to stand outside oneself. In one such case, Apollo's priestess Pythia was overcome by his spirit and began speaking in tongues. Also when possessed by Dionysus, his followers similarly changed there normal actions, breaking into wild dances and "experienced a rapturous sense of union with their God." This shows how they made contact with humans, but in very different ways.
The deeds enacted by Agamemnon and Orestes were the same by definition, but different by motive. Agamemnon's motives were impure in his decision between his daughter and his war. He chose to conquer Troy at Iphigenia's expense. For such a ruthless act, consequences are inevitable, and Agamemnon met his punishment at the hands of his vengeful wife, Clytemnestra. Orestes was able to escape such a fate due in part to his faith in the gods, his reluctant desire to kill, and one goddess' (Athena's) mercy. The matricide committed by Orestes was padded by vengeance, and validated by retributive justice. Athena identified with Orestes during his trial on the basis that neither she nor Orestes had a true mother, and thus cast the final stone in favor of Orestes.
The love she had for him was in their child and when he slaughtered Iphigeneia, he caused her become mad. She confirms that she is content with her actions and decides to “endure all things as they stand now, hard it be” (1535-1536). It will be hard to live with the fact that her family has perished due to the actions of her husband but this is what she has to cope with to avenge her daughter who is nothing but the unconditional love of a
...trated this by betraying the trust that people had in men and the gods with his foolish and reckless action against Cadmus and his family. Dionysus refuted rational thinking by letting his emotions for revenge stand in the way of his contemplating how a god should behave. In doing all the things Dionysus has destroyed the ideal way one would expect a god to conduct their self. Euripides portrays a Dionysus that single handily destroys all the cultural values of Hellenic Greece; however, Euripides is able to capture the changing values of his audience and pave the way for the culture of Hellenistic Greece to begin to dominate societal thought.
The next scene brings Pentheus and Dionysus face to face. Pentheus starts the conversation thinking he has the upper hand because he has more power over the situation. 'Untie his hands. Now I have him in my net, no amount of agile tricks can help him slip away' (25). However, it is clear to the audience that Dionysus is in control. He is provoking Pentheus by responding with quick, saucy remarks. 'Those who look for filth, can find at the height of noon' (28). Pentheus becomes frustrated. He needs to feel in control so he begins to hurl threats at Dionysus, 'I'll throw you in my dungeon.' Throughout this scene, Dionysus drops numerous hints that he is indeed the son of Zeus, 'He (Dionysus) is here now. He sees what is being done to me' (29). He for...
In conclusion, Odysseus’ intelligence, loyalty, and strength are all key aspects which make Odysseus an epic hero. Besides having those characteristics, he has passed impossible tasks and could be compared to many American superheroes such as Batman. Both have relatively the same characteristics: strength, loyalty, intelligence, courage, and pride, but what makes them an epic hero is not entirely what they have been through. It is actually their ability to portray what their civilization finds most heroic in a person that makes them an epic hero.
Greek tragedies began at a festival in honor of Dionysius, who was the god of wine. At the early festivals, drinking, quarrels, and sexual activity occurred frequently. Later on, tragedies gained much more respect and were taken very seriously. The plays dealt with man's relationship with god(s). These plays also dealt with a specific instance of life. The chorus wore goat-skins and served a great purpose in the tragedies, themselves. Thespis, the father of the tragedy, created an actor who talked with the leader of the chorus to further make the importance of the chorus seen.
After Agamemnon’s death, Aegisthus is next in line to become king and Clytemnestra is his queen. Her desire for power is hidden by her claims of justification. She challenges anyone to take her power. “[H]e who conquers me in fair fight shall rule me” (45). She threatens the Chorus to a fight for power. She knows she has all the power now the king was dead and she is his queen. Clytemnestra is aware she killed him for his power, but her arrogance makes her put the deed on the curse of the House of Atreus and vengeance for
Agamemnon was a bad person. He took war prizes, disrespected people’s property, and elevated himself to the level of a god. Clytemnestra was good person. Taking her gender out of the equation, she was a good ruler, spouse and parental figure. Clytemnestra recognized her flaw of womanhood, Agamemnon never realized his selfishness, not even in death. In conclusion, Clytemnestra was the tragic hero, not her better half.