Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Greek and modern theatre
Greek and modern theatre
Commalities with anicet greek theatre and today
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Greek and modern theatre
Introduction
Greek theatre begun from worshiping their beloved god. Dionysus is a god who was worshiped with a festival called “city Dionysian”. During the festival, in Athens, men used to perform songs to welcome Dionysus and plays were only performed at city Dionysian festival. Athens was basically where the Greek theatre has started then has spread out through Greece. During the early Greek theatres the actors, directors, and dramatists were all the same person. Sometime later only three actors were allowed on stage in each play. Later on there were a few non speaking roles that were able to perform on stage.
Dionysian festival
This picture shows how they celebrated the Dionysus festival and how she was worshipped in 600ce. Although the
…show more content…
Tragedy and comedy were shown as a complete opposite parts of the theatrical form. Satyr distributes with the mythology content in comic manner.
Tragedy plays
Thespis is an idea as to be the first Greek actor (director) and originator of tragedy, which meant “goat song” or comparing goats sacrifice to Dionysus before performances. His importance was realised and Thespis was sometimes listed as late as the 1600s in the chronological order of Greek tragedians.
Aristotle’s poems contained the earliest known of Greek theatre. he said that tragedy grew away from wildly speeches and sung songs in praise at the Dionysia to Dionysus each year.
Comedy plays
Comedy is also plays an important part of ancient Greek theatre. Comedy plays were a result from imitation although there are no traces of its origin. Aristophanes wrote most of the comedy plays and out of the 11 plays, survived- Lysistrata which was a humorous tale about a strong woman who leads a female coalition to end was in Greece. This play is a classic and is now being sold as comics which is good source for children in the nowadays.
The Greek
…show more content…
The skene is a rectangular building that had been placed behind the orchestra and used as a backstage. The actors and actresses would be able to change their costumes and masks. Earlier before backstage were huts of tents but later became a permanent stone structure.
3. The audience sat on a rising circle from the orchestra. The theatres were built on a very large gauge to lodge the large number of people in the audience and could be up to fourteen thousand people attending. Greek theatres
This image demonstrates how the ancient Greek theatres looked like and how they were displayed or used and the large scale it was put on to fit large amounts of people like the whole town.
*Internet encyclopedia. ©, Greek theatre. 14/11,2015, http://www.daviddarling.info/encyclopedia_of_history/G/Greek_theatre.html
Acting
Casts of Greek plays were all men because they used to be classified as the higher class resident. The casts of the Greek plays were not professionals and the plays were encompassed of unprofessional men.
The Greek actors had to gesture magnificently so the entire audience could see their story as to a more detailed story(our actions speak louder than our words). Although most Greek theatres were constructed to convey even the smallest sound to and seat amongst the
The stage was in proscenium form so it allowed most audience members to have the same amount of viewing as others throughout the theater. Due to the theatre space being so small and intimate, it created the relevant atmosphere of everything on stage happening to be small.
Dionysos, also known as Dionysus, is an Olympian god of many things such as festivity, pleasure, wine, and vegetation. Dionysos is the god of wilderness and one of his attributes are large cats, helping me recognize the statue of him wearing clothes made of animal skin. According to Metropolitan Museum, it stated that, Dionysos wore panther skin over his skirt like clothes and animal head shaped like a huge cat on his high sandals that look like boots” (MET). Also, despite being a male figure, Dionysos has a petite face and is often attractive or even beautiful because he represents youth. Looking at the statue, another attribute that I recognized was that his face looked pretty and had long hair, making him look very young and feminine while having a masculine body.
...ty since "things could happen in the real life of Athens which were virtually unthinkable in tragedy, and vice versa." Perhaps the safest assessment of Dionysus is that while not a direct opponent of the traditional ways, his presence, and especially his effect on other characters, serves to highlight many social norms. According to Bernad Knox, "From start to finish, Euripides was 'attempting to show citizens bred in the traditional views...that such conceptions of the gods should offend them.'" Perhaps we as readers will never fully understand the Dionysus that appears in this play, but a closing look at a remark of the Chorus may bring us a step closer to this understanding:
While visiting the Museum of Fine Arts Houston, I came across The Indian Triumph of Dionysus. Originating in Rome, it was created by a wealthy follower of Dionysus’s mystery cult in the late second century A.D. This worshiper evidently wanted to construct a sarcophagus in tribute of Dionysus’s accomplishments. Furthermore, Dionysus is surrounded by characters that are within the mystery cult because the creator wants the viewers to know with whom he is associated. With these two things combined, the patron hoped to shed light on a piece of history that they believed to be prominent during his life.
In a modern day production of Lysistrata, a director’s role would involve the overseeing of the whole play making course and ensuring that all the cast members realize the vision of the production. This role covers all the steps of production from the interpretation of the script to the final performance. This means that the director has a say over a range of disciplines and has to have artistic vision. Lysistrata was produced in 411 B.C., at a time when Athens and Sparta had just concluded a two-decade long war and the general population was in despair. Comedies such as these were used then to communicate instructions to the people (mbc.edu). This essay will focus on the scene where Lysistrata has gathered all the women to convinces the to withhold sex from their husbands until they sign a peace treaty.
Aside from all the prodigious number of Greek tragedies in history, stands a collection of Greek comedies which serve as humorous relief from the powerful overtone of the tragedy. These comedies were meant to ease the severity and seriousness sometimes associated with the Greek society. The ideas portrayed in the comedies, compared to the tragedies, were ridiculously far-fetched; however, although abnormal, these views are certainly worthy of attention. Throughout his comedy, The Clouds, Aristophanes, along with his frequent use of toilet humor, ridicules aspects of Greek culture when he destroys tradition by denouncing the importance of the gods' influence on the actions of mortals, and he unknowingly parallels Greek society with today's. Aristophanes also defiantly misrepresents an icon like Socrates as comical, atheistic, and consumed by ideas of self interest, which is contradictory to the Socrates seen in Plato's Apology or Phaedo.
arrangement, the importance of drama and religion, setting, location. and architectural features of the building. In ancient Greece, festivals were mainly held at the Great Dionysia. This was the oldest theatre in Greece and many plays were performed. here, for example, the first performance of Antigone.
of the family. This fact not only holds true for The Odyssey but in the ancient Greek way of life, too. For example, women did not have such a meaningful role in Greek drama as the men did. The parts of women would be played by men in the majority of the plays. The reason this took place was because all of the playwrights were men. There were cases in which women were used in plays but they were used solely as models. Nonetheless, all of the types of women that lived in ancient Greece were depicted in all of the playwrights. The women in these plays were depicted by the role of a sinner, saint, poetess, coward, heroine, and
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
The Globe Theater is widely known as the world’s greatest amphitheatre of its time, bringing in crowds of thousands of people. The Globe was also where most of the famous playwright, William Shakespeare, performed his plays. With its unique design, the audience was able to enjoy the plays. Inside of this round and globe-like structure, the people from all around the area packed into the seats to watch Shakespeare and his actors. Despite the Globe Theater’s success, the theater had gone through many shut downs and rebuilding projects. Finally, the Globe was demolished for the last time. It was not until years later that the theater was discovered. Now, people from around the world are learning about this amphitheater and its role in the Renaissance time period. The Globe Theater is known for its structure, audience and actors, and history.
Ancient Greek theatre flourished between 550 BC and 220 BC (Hall, Sean, Alan, & Laura, 2015). Dionysus, the son of the Greek god Zeus and mortal Semele, was the god of wine, fertility and divine ecstasy (Dionysus, 1997-2015). He became a significant god to the Greek society due to his association with concepts such as rebirth after death (as he was dismembered by the Titans and then returned to life), and the perception that under the influence of wine, a mortal possessed a great power (Dionysus, 1997-2015). Unlike 21st century physical theatre, Greek theatre focused on honouring the god, Dionysus, who was a patron of the arts. Many Greek plays were written to be performed at festivals that were held in the city of Athens. However, as these festivals began to be celebrated across Greece, the religious aspects diminished and theatrical elements expanded. Despite this, Greek theatre resembled Greece’s cultural identity and focused on expressing and celebrating stories about their gods.
Theater was an important part of Ancient Greek Civilization. History of Greek theatre began with religious festivals which aim to honor Dionysus, a god. During the festivals some citizens sing songs and perform improvisation plays and other participants of festivals judges this performances to decide which one of them was the best. These plays form the foundation of the Greek Theatre. Because of the competition between performers to create best performances, plays gained an aesthetic perspective and became a form of art. So, theatre as a part of religious rituals took attention of people and gained an importance in Ancient Greek Society.
The fifth-century skene was not a permanent building, but a temporary construction of wood, placed across the rear of the orchestral circle for the dramatic performances at each year's festival. Nevertheless its invention brought about a massive change in theatrical practice and in the semiotics of space. The interior of this flat-roofed building was the 'backstage' area, but in visual terms it was not so much 'behind' as 'within', an enclosed space which, like a real house, was the dominion of female characters. As a rule, actors could and did step out of the skene and join the chorus in the orchestra, but the chorus did not enter the skene.
Aristotle. "Poetics: Comedy and Epic Tragedy." Trans. Gerald F. Else. The Bedford Introduction to Drama. By Lee A. Jacobus. Boston: Bedford/St. Martin's, 2009. 95-101. Print.
Over the 200 years from Thespis’ first accomplishments to the death of Sophocles, Greek Theater thrived. However, all good things eventually come to an end. The golden age was ending as Athenian culture was overrun in 404 BC by the Spartans. Theater, of course, evolved over time and is now a school subject, hobby and profession. Today, it wouldn’t hurt to look back over some historically recorded plays and appreciate what the ancient Greeks created for us.