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Similarities in greek and roman art
Greek and roman art
Greek and roman art
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We are fortunate to have recovered many ancient artworks that give us a glance into the everyday lives of ancient civilizations. It’s hardly believable that two works of art from different regions and time periods would have anything in common. While the “Virgin and Child” and “Dionysus and Pan” sculptures have different artistic styles, as “Virgin and Child” is in the mannered style of the late gothic era, while “Dionysus and Pan” sculpture is influenced by Greek art with elements of Roman verism, they are also similar as they both show intimate and loving interactions between the subjects and share similar composition.
In “Virgin and Child” made in early 14th century in Normandy, the Virgin Mary and Jesus are represented. The statue is made
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Both sculptures include two figures, sharing intimate moments in time. The subjects are interacting with each other in a loving, tender way. The virgin holds her child at her waist, head tilted, and locking eyes with her small son as looks into her face lovingly. Dionysus has his arm around Pan looking down into the mythical creatures eyes. One figure is larger in scale than the other, and are balanced asymmetrically. Both sculptures are made up of smooth, organic lines and the subjects are proportional and realistic. The sculptures are both freestanding and are remarkably intact for their age, which shows the level of craftsmanship and ingenuity the artists had. Both sculptures have artists that are …show more content…
Dionysus is portrayed in perfect form, muscular, lean and youthful. His hair is adorned with a wreath of grapes and vines, and he carries a staff decorated with ribbons and a pine cone. He appears radiant, strong and relaxed. His loyal follower, Pan is also represented. I think the artist included Pan in the piece to show just how much Dionysus is loved and worshipped, and that is why Pan is gazing at him with such intensity. Elite Romans loved to decorate their homes as they wanted to showcase their wealth, taste, and education to visitors. It is possible this sculpture was used as decoration in the home of a wealthy
The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare these to other scenes and styles of the same and other painters. Finally, one can then hypothesize where, why, and how this piece was used.
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
Both sculptures represent Mary holding the dead body of Jesus. According to our textbook, “This figure group represented a challenge for sculptors, because the body of the adult Christ had to be positioned across his mother’s lap,” (139). Both of the sculptures were created through carving. This is a “subtractive process in which a block of material is cut away to reveal the desired form,” (Carving).
It is understandable that Vout took on a discursive tone when attempting to explain her point of view regarding the depictions of the youths in the Hellenistic age. The subject’s content is far too broad to be encompassed within a small range of thinking. This observation is evident in Vout’s temporary straying from the main points to wider subjects; however, she always brings her tangents back to the principal objectives. The primary ideas that she focuses on concern the rendering of children in art forms during Hellenistic times. This idea is then divided into differen...
Dionysos, also known as Dionysus, is an Olympian god of many things such as festivity, pleasure, wine, and vegetation. Dionysos is the god of wilderness and one of his attributes are large cats, helping me recognize the statue of him wearing clothes made of animal skin. According to Metropolitan Museum, it stated that, Dionysos wore panther skin over his skirt like clothes and animal head shaped like a huge cat on his high sandals that look like boots” (MET). Also, despite being a male figure, Dionysos has a petite face and is often attractive or even beautiful because he represents youth. Looking at the statue, another attribute that I recognized was that his face looked pretty and had long hair, making him look very young and feminine while having a masculine body.
The layout of the museum makes it very easy to find works of art from different time periods. Since I have always been fascinated with ancient Greece and Rome, I knew exactly where to start my search. The Indian Triumph of Dionysus is on display directly at the top of the staircase leading up to the second floor. It is surrounded by many other artifacts from ancient Greece and Rome. As your eyes move across the room, catching a glint of gold here and pearly white marble there, it’s very easy to become overwhelmed for a moment. As I reached the top of the stairs, it was evident that the staging of this magnificent piece was carefully planned. The staff of the museum undoubtedly wants this piece seen by each and every visitor. The exhibit itself is well done. If you stand directly in front of The Indian Triumph of Dionysus, everything around you seems to fade away and tunnel vision sets in. As I stood in front of The Indian Triumph of Dionysus, diligently taking notes since photos are not allowed, I experienced an extreme spiritual connection to the past. I tried to put myself into the shoes of the author. What was his purpose? What d...
In my examination of the works, I came across a particular sculpture that portrayed both beauty and craftsmanship. A 15th century sculpture (1490), made in Venice, Italy by Tullio Lombardo, shows a life-size figure of Adam. Titled Adam, the work is the most prominent in the gallery mostly because of its 6-foot standing. It immediately caught my attention and gave me a very realistic impression. One beige color and made of marble, Adam is depicted simply, yet the statue has intense emotions. His meaningful glance is seen in the upward and tilted head position. Adam has almost lifeless looking eyes and seems to be staring into the distance. With these sagging eyes, parted lips, and lacking posture I feel Adam’s guilt is displayed in this figure.
This sculpture is quite spectacular. According to the display plaque, the sculpture shows four events happening all at once. On the far left is St. Peter who has just cut off the ear of Malchus (the servant of the high priest and seated in front of St. Peter) is "sheathing" his sword. He seems to be very content with what he has just done, but then if you look closely at the right side of Malchus' head, you can see a hand holding his ear. That seems to be Ch...
I decided to analyze the similarities and differences between the two gods: Zeus and his son Dionysus. Even though Dionysus is of the same lineage of Zeus, this does not mean they share all of the same characteristics of one another. They differ greatly in attitude, appearance and morals. Zeus is considered the king of all gods, and he proudly uses his powers for his own amusement and pleasure, often at the expense of others lives. Whereas, Dionysus is the god of wine and fertility and he uses his powers to bring both pleasure and an escape from the grief that plagues ones mind but this can come at a cost leading the consumer to become unpredictable and easily influenced through overindulgence and addiction.
The works of art from the Archaic Period, Classical Period, and Hellenic Period developed physically and mentally, and the study of their aesthetic differences from period to period allow for a decided contrast and comparability. This interpretation has had a profound effect on the art world and that continues even in today’s world. The importance of Greek sculptures is evident in the storytelling of the gods, the people, and the culture. We use these sculptures as a tool to go back into the past of the Greek people, letting us admire how far mankind has truly come, whether it is in art or intelligence. Generation after generation has been and will continue to be able to see for themselves the society, culture and uniqueness of these periods through the wonderful sculptures that came out of ancient
Both of these pieces of art have much in common. Their functions are almost identical. Both were used to mark burial sites and to honor the deceased buried there. The body language of both the pieces’ figures are similar, with one seated and several others standing around them. Neither has color, but unlike the grave stele, the funerary banquet does show some degree of emotion. The figures in the banquet scene have slight smiles. These pieces played an important role in their times, honoring those who had passed on to the afterlife. For both of these people, it was important to memorialize them very similar to our practices today.
The sculpture of the nude man holding the lionesses shows how the revival of Greek trade brought influences of Near Eastern cultures to Greek civilization. The amphora that has the artwork of two separate artist’s shows how wine is an important trade good in Greek culture as well as the use of hoplite armies to obtain more land. The drinking cup also uses its imagery and color patterns to show how during the Archaic Age two Greek city-states battling over land was common, along with their use of well-equipped hoplite soldiers. From these Ancient Greek pieces, it is evident that the values of a culture are entwined with the type of art, which the artist of that culture
Fig. 31. Pan and Bacchus/ Dionysus, 1497; freakishly presents Pan as a shy little no-body. An immense amount of statues dedicated to Dionysus survives today.
Master of the Virgin inter Virgines. The Entombment of Christ. 1490. St. Louis Art Museum