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Character analysis of creon in antigone
Creon and antigone essay
Character analysis of creon in antigone
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Both Creon and Antigone Display Heteronomous Moral reasoning
Heteronomous reasoning is apparent in both Creon and Antigone in the beginning of the tragedy. Though the set of laws they are following is different, both Creon and Antigone treat the law as an external force. They uphold their laws with little regard to the negative consequences to themselves and other individuals. For Antigone her absolute law emanates from the gods. For Creon it is the head of state. He believes that “the man the city places in authority, his orders must be obeyed, large and small, write and wrong” (Sophocles 48-50). Once his law has been set down it is an entity of its own. Its interpretation would be literal and its punishment absolute.
Though some may argue
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against Creon's heteronomy. They would do so because Creon creates the laws of his kingdom. They would instead label Creon as autonomous because he a lots himself the privilege of creating law. This would however be an erroneous assumption. The distinction between heteronomous morality and autonomous morality isn’t as simple as that. Though he created the laws, he is not approaching the laws with autonomy. He does not accept the true purpose of law. The true purpose according to Ronald Duska and Mariellen Whelan is to regulate social interactions for the best interest of the members of a society (11). Those who would uphold laws that did not work to the best interest of the society have not internalized morality nor are they operating with autonomy. Creon is ruthless with his upholding of the law. Once he has created his law it isn’t open to further interpretation or amendment. Because using heteronomous moral reasoning law derives from authority, Creon uses his authority to defend the blind upholding of the law. He attempts to use a more externalized rational, when his argument of state authority is resisted by his son Haemon. He bases a more complex argument on loyalty and ones duty to his family and people at large. It is Creon’s contention that no “wound cuts deeper than a loved one turned against you” (Sophocles 727-28). He tells Haemon that by breaking the law Antigone was in “naked rebellion [and a] traitor” (731). He is contemplating the notion of family loyalty in relation to law but he does not follow this reasoning logically. He does not consider Antigone’s family loyalty to her brother or any of her possible motivations for breaking his law. He also does not consider that Antigone was not acting to be disloyal to him as her uncle nor to be disloyal to her country. Her transgression was only to break an arbitrary law that she believed to be invalid and against her own heteronomous moral code. In Antigone’s reasoning, the law she follows trumps the law of her king\uncle. She does so because her uncle and King, Creon, to her is a lesser authority than the gods. Autonomy Autonomy is the opposite of heteronomy. Where someone employing heteronomous reasoning would see law as binding and externalized, a person employing the autonomy in his moral judgments would understand that law and moral judgment is objective and therefore requires careful deep consideration. His understanding of law would be internalized (Sieckmann). This person would realize that only social convention gives laws authority. He would attribute the ability to amend laws and consider each transgression against the law individually. He would analyze the intention of the person who committed the transgression and whether the law itself is reasonable. The type of punishment that this person would prescribe would not be excessive and would consider the motivation behind the crime (Sieckmann). In modern law autonomy is at work when there are distinctions made between murder, manslaughter, and self-defense. Though there is an external law dictating that inflicting death upon another person is illegal, each individual transgression is considered separately and a proper punishment is prescribed. Self-defense may carry no punishment, manslaughter may carry a sentence of only a few months, but murder may carry 20 years to a death sentence depending on the motivation, method, and amount of premeditation involved (“Title 18”). This type of autonomous interpretation of law is synonymous with a democratic law process. Autonomy bestows the ability for the citizens to be tried by their fellow citizens as well as the ability to amend laws. Heteronomy law is seen in principalities and dictatorships. Ismene and Haemon display Autonomy In the beginning of this play only two characters display a significant amount of autonomy in their moral judgment.
These two characters are Antigone’s sister Ismene and her cousin\fiancé Haemon. Ismene displays autonomy because she assess the situation. She weighs the risks of breaking Creon’s law for both herself and her sister. She asks Antigone “ What’s the risk?”(Sophocles 51). Her asking of this question wasn’t cowardice, but rather the ability to consider the positive and negative consequences of the action (Kirkpatrick 402). She does so because she is not only looking out for her own welfare but the welfare of her sister. She says she is “so afraid for [Antigone]” (96). Ismene acknowledges that the law was arbitrary and unjustified. She agrees with Antigone and believes that if Antigone breaks the law she is justified. For Ismene her reluctance is based on the possible outcomes to her sister. In Ismene’s mind her sister's life is more valuable than making a statement against the law of Creon. She recognizes that how her uncle upholds the law and feels that it would be wrong to encourage her sister in an endeavor that could cost her and her sister’s life. In doing so Ismene is displaying internalization and autonomy, because she is considering the consequences to her sister and comes to the conclusion that it is a greater injustice for Antigone to die arbitrarily when for her brother. Ismene when Antigone cannot be dissuaded from her quest cautions her to be …show more content…
discreet. Her moral judge Antigone although she claims she is breaking the law because she believes her brother’s spirit would walk the earth without proper burial, seems to be displaying less internalization than Ismene because she doesn’t consider the consequences of enlisting her sister's help. She asks Ismene if Ismene “[likes] dishonoring the laws the gods hold in honor” (90-91). She does not consider that her sister may be put endanger. She is therefore still displaying heteronomous reasoning. She is going against Creon primarily to uphold divine law for its own sake. She does not consider that if she is captured her brother, she, and her sister all may share the same fate of rotting in the sun unburied. Haemon like Ismene does not only consider law alone, but seeks to employ reason.
Haemon knows his father is not being reasonable. Though he disagrees with him he tells him that he is loyal and that his advice is sound (Sophocles 710-712). He however only does this to get his father to lower his guard so he can be persuaded. Haemon tells his father that “only the gods endow a man with reason” (764). He tries to persuade his father by making him away that the other people of the kingdom disagree with his law and his severity. Haemon is thinking using the concept that the law is made for the welfare of the people. He also lists motivations for Antigone’s actions. The case he makes to his father is based on autonomous morality. Creon does not heed his advice, but rather dismisses Haemon as a boy who doesn’t know anything and doesn’t have any authority. He is still reasoning in his heteronomous
ways. The Transition of Creon from Heteronomous Reasoning to Autonomy To understand Creon’s transition from autonomous reasoning to Autonomous reasoning it is important to understand the six Kohlberg stages which are contained in the three levels of preconventional, conventional, and postconventional. The first two stages are rudimentary and deal only with rewards and punishments in respect to oneself. Others are not factored into the equation. Stage three is contained in the conventional level. It is the following of rules for the sake of acceptance and approval rather than the avoidance of punishment. The next stage, stage four is a stage where laws are to be followed stringently because of their own merit not the punishments or rewards they may produce (Duska and Whelan 43-47). All four of these stages operate under a version of heteronomy, as the welfare of others and consideration of others motivations and beliefs is taken into account. Both Antigone and Creon are stuck at this stage. Antigone solely for the fact that she did not consider her sister's welfare and the possible consequences that may befall her. She falls into between stages for and stage five. It is at the postconventional level, stages five and six that true autonomy comes into existence (Duska and Whelan 47). This stage is called “the social contract legalistic orientation” (Duska and Whelan 47) stage. When making her moral assessment Antigone considers “natural law” (Robinson), but also her loyalty to her brother (Sophocles). She professes this when she is faced with the reality of her imminent death. If Antigone had broken Creon’s law solely to save her brother’s body and had not made divine law her largest concern, she would have transcended to the fifth level. Creon transcends to the fifth level. He only does so when he is faced with the death of his son. Some would think that he made this transition sooner, when he decides to free Antigone. This however is not the case. After he has decided to free Antigone he exclaims that “ it’s best to keep the established laws to the very day we die” (Sophocles 1238-39). He hasn’t at this moment transitioned into the next stage. He doesn’t transition until both Antigone and Haemon are dead. His change of heart is seen when he exclaims that his crimes were “so senseless, so insane” (1395). This is when he realizes that his adherence to law without reason was a crime unto itself. By leaving Creon's epiphany until the end of the tragedy, It is Sophocles' intention to show the importance of autonomous moral reasoning. He is showing the consequences of blind heteronomous reasoning. The messenger articulates this when he exclaims that " Creon shoes the world that of all ills afflicting men the worst is lack of judgment" ( 1373-4). Conclusion By using the Tragedy Antigone to display the consequences of unyielding heteronomous moral judgment, Sophocles is to instill in his viewer the importance of autonomy. This autonomy is the ability to reason beyond law authority. He wants his viewers to see that being unyielding and giving laws an absolute power is dangerous. He shows that heteronomous morality brings
In the play Antigone by Sophocles, the differences in Creon’s and Antigone’s passions and responsibilities helped illustrate both characters central flaws. By doing so, the play was also able to imply that in order to achieve a sense of inner peace and political stability; one has to be able to balance the two powers equally. Antigone and Creon are both very determined, zealous characters who were unable to achieve the stability because they were both unwilling to compromise. Often times, personal events or emotions can cause people to overlook moral or civil laws.
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
Haemon’s words, actions, and ideas contrast with Creon’s character of differing greatly and leading him to the death of his son at fault. “They say all women here, she least deserves the worst deaths for her most glorious act. When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds.”(Lines 788-791) Haemon starts to reveal that he believes that Antigone, his fiance, deserves to not be killed over an act that she has not committed whether or not Creon think is was right. However, Antigone was following the law of the Gods, while Creon was abiding by the law of man. “A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then we can all see their emptiness inside.”(Lines 803-806) However, when Haemon started to attempt to inform his father, Creon, whose refusal was so high to even consider not killing Antigone that he was only thinking of himself and that one death would lead to another. “Then she’ll die and in her death kill someone else.”(Lines 859) Creon then, only thought of his son as a woman slave. “You woman’s slave, don’t try and win over me.”(Lines 845-855) At first, Haemon looked up to his father, but now after his unsuitable behavior he has chosen not to follow his stubborn
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
Jodi Picoult once said “Some lessons can’t be taught. They simply have to be learned.”; in life what defines a person is what they become after they go through a series of trials and tribulations. Oedipus The King tells the story of a king who tries to outrun his fate and in the end self-banishes himself out of guilt leaving the kingdom of Thebes to Creon. The play starts with King Laius, who appoints Creon to rule in his kingdom while he consults the oracle at Delphi. Enraged by the death of King Laius, the gods cast a plague upon Thebes, which is the Sphinx, who starts to destroy the city. Terrified by the destruction of the kingdom, Creon states that anyone who might solve this riddle,
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
If we must accept defeat, let it be from a man; we must not let people say that a woman beat us" (187). While, in light of the moral standards within Greek society, his rationale may have been justified, Creon's actions largely derived from a personal vendetta against Antigone as opposed to a genuine endeavor to establish civil law. To clarify, civil law expresses similar qualities to justice in the regard that civil law generally captures a moral agreement among the civilians; however, civil law, as an interpretation or product of fallible human judgment, remains subject to bias and corruption. Conversely, while the definition of justice varies on an individual basis, justice as a whole remains constant and impartial to prejudice. Therefore, while Creon’s condemnation of Antigone may capture the common reaction towards a woman's defiance, to a large extent his actions do not necessarily correlate with justice as his decrees are tainted by his paternalistic obsession for dominance. While Creon characterized a weak leader as one who yields to fear, limiting him from ruling with his best judgment, Creon capitulates to the societal pressure of establishing paternalistic authority in fear of rejection from his people. Instead of following Haemon's advice, he constantly belittles his son as a "woman's slave"(191), ignoring the fact that "a man who thinks that he alone is right,[that] he is himself, unique, such men, when opened up, are seen to be quite empty" (189). Ironically, once Creon's fears come into fruition at the play's conclusion, the words of the chorus reverberate the previous warnings from Haemon and Teiresias, portraying how Creon's obsession with power ultimately blinds his judgment. Even after accusing Teiresias of malicious intent, Creon finally agrees to follow the advice given to him: bury Polyneices and rescue Antigone. However, even in his final moments of submission,
He anxiously awaits the day when he can call Antigone his wife, but because she defies King Creon, she deprives him of that opportunity. At first, Haemon tries to be loyal to his father. He tells Creon that he supports his decision to execute Antigone. However, as the conversation continues, he reveals that the community members are starting to renounce Creon’s decision. As the pain of potentially losing his fiancé becomes too much, he also renounces his father’s decision, arguing that the Gods would not condone it. In an act against his father, Haemon hurries to the cave Antigone was exiled to, in hopes to save her, but instead finds her hanging from the veil she was supposed to wear on her wedding day. Instantly overwhelmed with grief, Haemon, “[bewails] the loss of his bride” (Sophocles 152). Similarly, to Ismene’s case, Haemon cannot picture himself living on Earth without Antigone by his side, and commits suicide. In Antigone’s desire to appease the Gods, she abandons her loved ones, and causes them great suffering. This could have been avoided has she not pursued her desire to bury
Creon in the play of Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
One major theme in Antigone is the abuse of power. Creon and Antigone cause doom to their lives as they display resistance to power. The two characters attempt to override divine law with the law of the states, which leads to ruin. Creon, displaying a resistance to moral law, denies Antigone the opportunity and rightfulness to bury her brother, Polynices. This is due to Polynices’ rebellion against Creon, the King of Thebes. Antigone serves as a threat to the status quo. She gives up her life out of her commitment to principles above human law—moral law. Creon believes that the laws created by the King must be obeyed no matter how big or small they are. Creon argues that the law created by the King is the platform for justice. On the other hand, Antigone feels that there are unjust laws, despite who made them. She believes she has a moral obligation t...
/ And even if I die in the act, that death will be a glory” (85-86). This act and Antigone's loyalty to her brother forms the main plot of the play that helps enhance the play. Antigone shows her true bravery, because she is willing to die to honor her brother, that even death does not scare her from doing the proper thing. Ismene on the other hand, shows her true cowardice by denying Antigone’s request to help her with the burial and is scared to disobey Creon’s law “I’d do them no dishonor . . . / but defy the city? I have no strength for that” (92-93). Ismene admits that she doesn’t have the strength like Antigone to disobey the law that is set forth, therefore it shows her inaction to make a change. Antigone responds by saying “You have your excuses. I am on my way, / I’ll raise a mound for him, for my dear brother” (94-95). Antigone believes that Ismene is just making excuses, because she is too scared to break the law and is just trying to find a way to get Antigone’s approval so that she doesn’t feel like a coward letting down her