Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Early life of Diane Arbus
History of photographer Diane Arbus
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Early life of Diane Arbus
"Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child" (Lubow). However, unfortunate to some and lucky to others, a camera was always in the hands of Diane Arbus, even when she was stark nude. What she brought to the photography world was something no one had ever seen before and it appalled many people. Shocking images stare back at the viewer from her photographs; a man’s face entirely covered in hair, faces of identical twins so similar you can’t tell them apart, a transvestite’s face with large curlers in his hair, and a face completely covered in tattoos. These are only a few of subjects Diane Arbus photographed during her career. The following will discuss Diane’s childhood and upbringing, how she got her start in the photography world, her very interesting choice of subjects, the relationships and sense of community she developed with these “freaks”, and her severe battle with depression that led to her suicide at the age of 48. (Bosworth)
Diane Arbus was born on March 14, 1923 in New York City. She was the second child to Gertrude Russeks Nemerov and David Nemerov, both of Jewish decent. Her parents met when David started working for Gertrude’s successful family business that sold furs on Fifth Avenue. After they married, David took on the family business, Russeks, and expanded it to clothing and fur, making it twice the success it already was. When Diane was born, her parents were already very wealthy and living in an upscale part of New York City. For the majority of her early years, she and her older brother Howard were raised by nannies, which they became very attached to. In the book, Diane Arbus: A Biography, by Patricia Bosworth, Diane remembers her father as being a very busy man ...
... middle of paper ...
...ited
Bosworth, Patricia. Diane Arbus: a biography. New York: W.W. Norton, 2005. Print.
"Diane Arbus - American Photographer - Photo Quotes." Great Photography Quotes - Best Photographers Quotations . N.p., n.d. Web. 13 Mar. 2011. .
Lubow, Arthur. "Arbus Reconsidered - New York Times." The New York Times - Breaking News, World News & Multimedia. N.p., n.d. Web. 13 Mar. 2011. .
Oppenheimer, Daniel. "Diane Arbus." Jewish Virtual Library - Homepage. N.p., n.d. Web. 12 Mar. 2011. .
PhotographyMasters. "YouTube - Masters of Photography Diane Arbus Part 1." YouTube - Broadcast Yourself. . N.p., n.d. Web. 12 Mar. 2011. .
It was not until a trip to Japan with her mother after her sophomore year of studying painting at the San Francisco Art Institute that Annie Leibovitz discovered her interest in taking photographs. In 1970 Leibovitz went to the founding editor of Rolling Stone, Jann Wenner, who was impressed by Leibovitz’s work. Leibovitz’s first assignment from Wenner was to shoot John Lennon. Leibovitz’s black-and-white portrait of Lennon was the cover of the January 21, 1971 issue. Ironically, Leibovitz would be the last person to capture her first celebrity subject. Two years later she made history by being named Rolling Stone’s first female chief photographer. Leibovitz’s intimate photographs of celebrities had a big part in defining the Rolling Stone look. In 1983 Leibovitz joined Vanity Fair and was made the magazine’s first contributing photographer. At Vanity Fair she became known for her intensely lit, staged, and alluring portraits of celebrities. With a broader range of subjects available at Vanity Fair, Leibovitz’s photographs for Vanity Fair ranged from presidents to literary icons to t...
She was born to the Canadian parents, Stephen Brownstein and Veronica Brownstein. She has a sister named Elizabeth Brownstein. She grew up with her sister. She has not revealed the exact information about her birth date and birthplace. There is no any information about her childhood life and early education. She is a niece of well-known Montreal personality, Bill Brownstein, who is a writer for the 'Montreal Gazette'.
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
Shirley Temple was born on April 23, 1928, in Santa Monica, California at 9:00 p.m - a time significant to her because it told her she would always have a bit of catching up to do if she wanted to be on time for dinner (Black 5). As the youngest child and only girl in her family of five, she was her mother’s pride and joy. She had two supportive parents, Gertrude and George, and two older brothers, Jack and George Junior. Gertrude Temple was a stay-at-home mom while George went to work as a bank teller, which played in Shirley’s favor when she needed someone to manage her money later in life (Blashfield 55). Gertrude Temple has been called the first stage mother (Blashfield 22) for good reason. Shirley Temple was acting before she could read, so her mother helped her memorize her lines. Temple’s mother served as her private costume designer, and never failed to make the young star’s performance her best yet, by encouraging her to “Sparkle, Shirley Sparkle!” (David 2).
Williams’ begins the article “Here I Am Taking My Own Picture” with a description of a young female college student who is taking her own photo for her social media page. She tries out several poses in her pictures. Instead of taking the photos in front a mirror the woman takes the photos in front of a webcam. Williams leads out of the
Being a silent third party to a father screaming at his seven-year-old daughter for putting the inner tube in the wrong place. People watching has for a long time been one of my favorite activities as a third party you are able to see people for what they are, unbiased by already having known the person. Eugene Richards’s book has made me look at my hobby from an artistic vantage point. He’s made me start to think that one day I would like to be one behind a telephoto lens, capturing those moments that people don’t think anyone else saw. Richards photographs have made me realise that photography is more than a point a shoot process.
Alisa Rosenbaum (her original name) was born and raised in Russian Empire in the beginning of 20th century. She was from a well-to-do family. Her father was a successful entrepreneur who run his own pharmacy and her mother was an aristocratic woman who took care of their three daughters.
Lena Horne was born on June 30, 1917 in Brooklyn, New York. Her parents were Teddy and Edna Scottron Horne. After her father left her at the age of two in order to pursue his gambling career; her mother leaving soon after that to pursue her acting career; she went to live with her grandparents. Through her grandparents influence she became involved with organizations like the NAACP, at an early age.
Alice Neel's most talked about painting, a Self-Portrait of herself, shocked the world when she painted herself in the nude at the age of 80-years-old. Neel, a 20th Century American Portrait Artist, painted models for over 50 years before turning the attention to herself (Tamara Garb). Neel wasn't a pinup girl and had depicted herself as the complete opposite (Jeremy Lewison). Unlike Neel, women avoided self-portraits of themselves, and nude self-portraits barely made it to canvas (Tamara Garb). Because of these reasons alone, Neel's Self-Portrait attracted scrutiny (Jeremy Lewison). Though Neel declared the painting to be frightful and indecent (Ibid), it still directed its focus on femininity, and the challenges women had to endure in our
She focuses on snapshots of a person’s daily life. hooks discusses the significance of these snapshots in the time of post-segregation; when negative stereotypes of African-Americans were rampant. For black people, these snapshots allowed others to see that in reality, black and white people were not all that different. Snapshots allow people to “look at ourselves with new eyes…create oppositional standards of evaluation” and now “[black people] saw [themselves] represented in these images not as caricatures, cartoon like figures; [they] were there in full diversity of body, being, and expression, multidimensional” (hooks, 61). hooks believed that the snapshots broke down the mental barriers between black people and white people in the minds of white people. What the whites learned through the images was that although they believed that the blacks were almost subhuman, in reality, they were no different from them. They both did normal, human activities such as playing games, loving their family, or celebrating. Tsarnaev’s selfie classifies as a snapshot, which is unusual for a magazine cover. Most magazine covers are professionally done photos that are edited and photoshopped to look flawless however the image of Tsarnaev is raw and taken with a cellphone camera. A selfie is more raw and candid than a
Castro, Katie. "Photography and Its Limits on Perspective." By Katie Castro., 11 Aug. 2007. Web. 15 Apr. 2014.
Photography and portraiture is a powerful medium for art. Through photography and portraiture we are able to capture the essence and being of individuals and moments. Many artists that primarily work within these genres do so for that very reason. Famous photographer Robert Mapplethorpe was no different, using his photographs to capture portraits of the various characters that made up the fabric of his social existence as a gay white male living in New York City. Robert Mapplethorpe, as a member of a fringe lifestyle and culture within America, wanted to utilize his work to bring to the public conscious, recognition and appreciation of these fringe groups and cultures, even if it required shocking depictions and imagery.
No other artist has ever made as extended or complex career of presenting herself to the camera as has Cindy Sherman. Yet, while all of her photographs are taken of Cindy Sherman, it is impossible to class call her works self-portraits. She has transformed and staged herself into as unnamed actresses in undefined B movies, make-believe television characters, pretend porn stars, undifferentiated young women in ambivalent emotional states, fashion mannequins, monsters form fairly tales and those which she has created, bodies with deformities, and numbers of grotesqueries. Her work as been praised and embraced by both feminist political groups and apolitical mainstream art. Essentially, Sherman’s photography is part of the culture and investigation of sexual and racial identity within the visual arts since the 1970’s. It has been said that, “The bulk of her work…has been constructed as a theater of femininity as it is formed and informed by mass culture…(her) pictures insist on the aporia of feminine identity tout court, represented in her pictures as a potentially limitless range of masquerades, roles, projections” (Sobieszek 229).
Marrs, Suzanne. Eudora Welty(tm)s Photography: Images into Fiction. Critical Essays on Eudora Welty. W. Craig Turner and Lee Emling Harding. Boston, MA: G.K. Hall, 1989. 288-289.
“Imperfection is beauty, madness is genius and it’s better to be absolutely ridiculous than absolutely boring.” This quote made by Marilyn Monroe describes her impeccably. Marilyn lived a very fast-paced life that was anything, but dull. Still, today she is known as one of the biggest sex symbols of all time, but she had not always been in the spotlight. Marilyn had many struggles in her upbringing, but it made her into the icon she is.