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Symbolism in Holes movie
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What is destiny? Do you know yours? Well, not many people can answer this question right off the bat. In fact, it is almost impossible to predict such a thing. Many people feel as if they have control over their own destiny because they hold themselves accountable for their choices. In Andrew Davis’, Holes (2003), he uses transitions to show the intertextual connection between the past and present events and how the characters have finally fulfilled their own destinies.
Holes is a movie about a young boy named Stanley Yelnats (Shia Labeouf) who is wrongfully accused of stealing the famous, Clyde Livingston’s (Rick Fox) shoes which were donated to a local homeless shelter. After Stanley is convicted of stealing, he is given two options: jail or Camp Green Lake. Not knowing what Camp Green Lake is all about, Stanley chooses to go to Camp Green Lake, where he is forced to dig holes in the desert everyday by the Warden (Sigourney Weaver), and her two sidekicks, who are referred to as Mr. Sir (Jon Voight) and Dr. Pendanski (Tim Blake Nelson). This movie displays a theme of fate having an impact on major events, because in the end, one’s fate and destiny are later determined by the events that took place in the past that tie the whole movie together. The order of each event in the movie gives the viewer a better understanding of why the events happened the way they did.
The literary devices that directors use in movies give the viewer a better understanding of the themes and a full cinematic experience that the viewer can be more engaged in. One literary device that plays an important role in relation to the theme is transitions. Each transition that was used throughout the movie had a purpose and was relevant to the main theme of fat...
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...ecifically used to show flashbacks which add depth and give the viewer a better understanding of the theme. Davis gives a perfect example of how the theme of fate determines destiny in the scene showing Elya Yelnats, riding on a train going back to America after he was rejected by the girl of his dreams. The director uses another dissolve transition to show the fortune teller, Madame Zeroni (Eartha Kitt), saying that if Elya does not come back for her to carry her up the mountain so that she can get strong too, his family will be cursed for forever and eternity. The dissolve transition used in this scene gave a confirming understanding why the Yelnat’s family is cursed with bad luck in the first place, and that in order to undo the curse, someone in the family is going to have to complete an action that will reverse the wrongdoings of Stanley’s great-grandfather.
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
In this section the importance of destiny is again reminded to us. In this story the idea of God chooses your destiny and some of us become kings and some become slaves. It doesn’t matter what you do because you can’t change your destiny God has picked out for you.
Some people may not believe that destiny is something that truthfully exists in the world. These people doubt that there is anything that is actually meant to be, or supposed to happen, thinking that there is always a way around troubling predicaments, knowing that it is not necessary to turn out just one certain way. They trust that whatever occurs in their lives comes as a result of the decisions that they make with their own free will. Others believe that whatever happens during the course of their lives is inevitable and every event is laid out before them like a road map to life, in other words, fate. William Shakespeare's play, Romeo and Juliet has fate as an exceptionally crucial element which makes fate as important as any character in the production. The events leading up to and during the party were definitely caused by fate. The moment that Romeo and Juliet meet is the exact incident that leads to their death, however unaware these "star-crossed lovers" are to that fact. Thus, fate is undoubtedly the most responsible influence for the couple's tragedy.
The choices people make lead them to where they end up, which may be interpreted as the opposite of fate. However, when some people believe something is meant to be, they are determined not to stray from where they think they should end up, even if it means throwing away their principles and values in the process. Through Shakespeare's Tragedy of Macbeth, Macbeth’s original character and values are destroyed because of the influence from the witches' prophecies, Lady Macbeth's greed, and his own hidden ambition.
From a structural perspective, movies and novels appear as polar opposites. A film uses actors, scripts, and a set in order to create a visual that can grab and keep the attention of their viewers. However, an author strives to incorporate deeper meaning into their books. Despite these differences in media, 1984 and The Hunger Games present unique, yet similar ideas.
John Gibbs and Douglas Pye (2005) Style and meaning : studies in the detailed analysis of film. Engalnd: Manchester University Press, pp 42-52.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
In society, people have varying opinions on fate. Many question whether life’s events are pre-determined by fate or whether people have a destiny to serve a greater purpose. Fate versus free will is an archaic topic among philosophers that is ultimately up for interpretation.The question on whether or not something else is controlling life’s events or if they are simply a coincidence faces us in some point of our lives. In Shakespeare’s Romeo and Juliet, Shakespeare plays with the idea of fate and its control on the events in the play. He forces us to realize the destiny between Romeo and Juliet involves the fate between the two opposing households as well. Shakespeare blurs the line between fate and free will in his play Romeo and Juliet to show that the outstanding cause of Romeo and Juliet’s tragedy was not something decided- it was fate. It is evident by the events in Shakespeare’s Romeo and Juliet that fate was the main cause of the tragedy in the play, and that Romeo and Juliet held the destiny to finally end the feud between the Capulets and the Montagues.
Fate can be defined in many different ways. Webster's Dictionary defines fate as a power that supposedly predetermines events. Fate is synonymous with the word destiny, which suggests that events are unavoidable and unchangeable. Whatever happens in life is meant to be and cannot be changed by mankind. In Shakespeare's Macbeth, fate plays an important role in the lives of Macbeth, Lady Macbeth and Banquo.
...that fate. Events that lead to other events will eventually lead one to their fate. “Oedipus the King” is a great play that sets an example of what fate is. Oedipus chooses to flee from home, in attempt to avoid the god’s statement of his fate from coming true. However, Oedipus’s decision for fleeing is what was necessary to make his fate come true. Undoubtedly, this is what was meant to happen because Oedipus allowed it to. Perhaps if Oedipus ignored the god and never did a thing then perhaps the outcome could have been different for Oedipus. However it did not turn out that way and the choices that Oedipus made is what led him to his doom.
Destiny & Character - Discuss in relation to the stories of Gilamesh. Oedipus the King, and The Tragedy of Sohrab and Rostam. Destiny can be defined as a predetermined course of events that is beyond human power or control. It is considered a force which creates, shapes, guides, rewards, and afflicts human life.
The outcome of things depends on both the power of the individual and destiny because they tie in with each other. Things do not just happen, randomly, they happen for a reason only to be seen at the end of things. For example, Jim was raised by his parents in Virginia until they died, upon which his relatives shipped him west to his grandparents. This is part of his journey through life which was predetermined. Jim, as an adult writing, realizes that Destiny makes our decisions and nothing need be worried about because he "did not say my prayers that night [the first night on the farm in Nebraska]: here, I felt, what would be would be." (7) The next big chance Jim takes where his is unsure of what will happen is going to college. Over there he befriends Gaston Cleric, a Classics Instructor. Later on Cleric gets a job at Harvard that "he would like to take me East with him. To my astonishment, gran...
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..