Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sophocles intent in oedipus the king
Interpretation of oedipus the king
Summary of sophocles king oedipus
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Oedipus The King and His Fate
Oedipus The King, by Sophocles, is a play about how Oedipus lives up his fate that he will kill his father and marry his mother, both of which are extremely bad in the Greek society, even though he thinks he is getting away from it. Despite the Greek notions of supreme power of the gods and fate, Oedipus' downfall is primarily the result of King Laius' and his own actions and attempts to defy the gods, consequently Sophocles says that prophecies from the gods of someone's fate should not be ignored. Prophecies from the Oracle of Delphi are told to King Laius and Queen Jocasta, and to Oedipus.
Sophocles says that prophecies from the gods of someone's fate should not be ignored when King Laius went to the Oracle of Delphi and received a prophecy that his child, Oedipus, was going to kill him and marry his wife, Jacosta.
" Shepherd - No! No! I said it before--I gave him the child...It was the son of Laius, so I was told. But the lady inside, your wife, she is the one to tell you.
Oedipus - Did she give it to you?
Shepherd - Yes, my lord, she did...To destroy it...She was afraid of dreadful prophecies...The child would kill its parents, that was the story.
Oedipus - Then why did you give it to this old man here?
Shepherd - In pity master. I thought he would take it away to a foreign country-- to the place he came from. If you are the man he says you are, you were born the most unfortunate of men." (86-89)
When King Laius heard this prophecy and returned to Thebes to tell of this prophecy to his wife, they planned to kill their child, but neither had the guts to do it. They had a servant shepherd bring their child to Mt. Cithaeron to kill it, but the servant felt pity for the child and gave him to a fellow Shepherd from Corinth in hopes he could take it to a foreign country to take care of it.
Sophocles says that prophecies from the gods of someone's fate should not be ignored when he tells that when Oedipus was in the care of his foster parents, Polybus and Merope, he took a journey to The Oracle of Delphi without them knowing.
was indeed his own, true father, Laius, that he has killed at the crossroads at
King Laios the ruler of Thebes, has a son with his wife Queen Iocoste. His name is Oedipus. The soothsayer Teiresias, a loyal servant to the King and Queen tells them some disturbing news. Teiresias tells King Laios and Queen Iocoste that their son, Oedipus will kill his father and marry his mother. The king and queen make a decision to take the baby boy up to a mountain far away from the town. King Laios gives the baby to a servant and instructs him to bind the babies ankles and leave him on the mountain side to perish. The servant follows his instructions but instead of leaving the boy on the mountain side he gives him to a shepherd and makes him promise to take the boy to a far away place.
What is a prophecy you ask? Well a prophecy is a foretelling of something that is to come. For example how your life will journey to, and how it will end. In the play of Oedipus the king, Oedipus at Colonus and Antigone, Oedipus’ life is told by an old blind prophet. Oedipus goes to the prophet to find a cure for the city, since city has a plague. This old blind prophet, Tiresis, refuses to tell Oedipus about the cure. At some point I think that the prophet would tell Oedipus how to save the city, which he would. But the prophet doesn’t. The king becomes angered, causing Tiresias to state that he, Oedipus, will be the one to pollute the city and he is the murderer of Laius. Tiresias, the prophet, is accused of being in cahoots with Creon to attempt to usurp his throne. So he kills his father and married his mother. I think that Oedipus should have realized that Creon was just trying to replace him, in the end Creon gets what he deserves.
Sophocles’s dramatic play Oedipus the King takes place in ancient Greece. It focuses on Oedipus, the king of Thebes. As the plot unfolds, Sophocles reveals that Oedipus, Jacosta his wife/mother, and his father Laius have tried to change the course of events that have been foretold to them. The oracles make it clear to Laius, and later to Oedipus, that he will kill his father and marry his mother. Regardless of their attempts to alter the future, the foretold events develop outside of their control. These events lead to an unhappy ending for each of them. Mythical creatures, oracles, prophets, and gods all have a hand in shaping Oedipus’s life. Although the prophecies of Apollo’s oracles set key events into motion, it is Oedipus’s tragic flaw of excessive pride that leads to the eventual fulfillment of the prophecies.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
The Greek tragedy Oedipus the King, by Sophocles, was written to show the common people of Greece how powerful the gods are and that your fate is pre-determined and nothing you do can change that. He does this by showing how people in this story try to escape their fate and how it is no use because in the end, what the oracles predict comes true. In the story there are many occasions in which people try to escape their fate.
Many years later, Oedipus is grown and is told about the prophecy, but still thinks that the King and Queen of Corinth are his true parents. He vows never to return ...
In Gilgamesh, he fights Humbaba with Enkidu, his best friend. Humbaba is the guardian of the Cedar Forest who was assigned by the god Enlil. Gilgamesh doesn't fight for the world, but he has his own reasons. In the text, it states, “Even if I fail I will have made a lasting name for myself’’ (181). In other words, Gilgamesh's motivation to slaughter Humbaba is not just to get rid of evil but to let his people remember him. Gilgamesh is being selfish because if he's dead, Uruk won't have a ruler, which means Uruk will be out of control. The choice Gilgamesh makes causes him not to care about Uruk but only himself. However, the encounter of Enkidu's death has turned Gilgamesh into another person. He couldn't confront the truth that Enkidu has died. Enkidu was more than a best friend to him, he was a brother whom he loved. Because of his love for Enkidu, Gilgamesh builds a statue so everyone in Uruk will remember him. This demonstrates Gilgamesh changing from selfish to selfless. This change is part of Gilgamesh's transformations towards becoming a hero. Gilgamesh changes as a result of Enkidu's death. According to the text, it states, “Gilgamesh interferes in the lives of his subjects beyond his right as king”(175). This proves that Gilgamesh was bothering and annoying the people of Uruk. Gilgamesh is going to become king soon and he shouldn’t disregard or interfere with his subject’s private life.
Since there is a human element to prophecies, these foresights cannot be seen as coming directly from God. However, through looking at the chorus over time in Oedipus the King, we can see how Sophocles’ effectively defends the prophet. Opposed to Oedipus, whose beliefs about religion are stagnant through the play, the chorus originally believes in God. But, once Tiresias condemns Oedipus, the chorus not only abandons their respect for the divine but also tries fruitlessly to find something or someone that solidifies its belief in Oedipus’ innocence. However, when trying to convince Oedipus (and itself) that he would be acquitted of murder in the morning, the chorus calls upon the power of prophets and says that, “…if I am a true prophet / if I can grasp the truth…at the full moon of tomorrow, Mount Cithaeron / you will know how / Oedipus glories in you— / you, his birthplace, nurse, his mountain-mother!” (1195-1199). However subconsciously it makes this comment, the chorus is saying that it would only trust a prophet to tell Oedipus when he will discover the story of his birth. By saying that prophets will provide Oedipus accurate information, the chorus not only recognizes the inescapable power of the Gods but also correctly predicts that these Gods will indeed tell Oedipus’ true story—even though it is likely not what the chorus wants to hear. In other words, while trying to avoid the religion that it once so fervently proclaimed faith in, the chorus is forced to go back to using prophecies in order to gain information—information that ends up being true. The inescapable nature of religion in Oedipus the King shown through the chorus’ forced return to faith allows Sophocles to successfully defend the Gods. This defense and support for the power of the Gods is what allows the reader to realize that the
Oedipus the King is about the effect of blindness on a person’s fate. In this play by Sophocles, a man, Oedipus, is given power over Thebes after answering a simple riddle. The Oracle of Delphi tells Oedipus he is “fated to couple with your mother” and “kill your father,” (Sophocles 873-5). Oedipus, the adoptive son of King Polybus and Queen Merope of Corinth, pooled all of his effort together to reverse this prophecy, but by this time, he had already fulfilled it. In the eyes of the ancient Greeks, free will was unattainable because they believed in the truth of the gods and the prophets. Oedipus’ metaphorical blindness made him disregard his prophecy, and although he tried to use free will to change his fate, the gods had already set it and that was that.
Oedipus was born with a terrible Prophecy. From the start it was foreseen that he would kill his father and sleep with his mother. His parents, Laius
In Oedipus The King, Sophocles presents a view of life fixed by fate. This fate, predetermined by the gods, is the sole factor in deciding human destiny. Tiresias expresses his understanding of the unchangeable fate of Oedipus, laid out by the gods, as he argues with the King about revealing the truth of all the Theban troubles. When Oedipus, frustrated by the lack of cooperation, insults Tiresias, he responds "I pity you, flinging at me the very insults / each man here will fling at you so soon."(322) Even more telling of the fated existence of Sophocles' characters is Jocasta's revelation of prophecies given before Oedipus' birth which foretold all that the gods had in store, which had indeed come to pass (332).
In the play Oedipus the King, Sophocles affirms that the gods ultimately have the final say to control one’s destiny; however, an individual is solely responsible for the decisions he makes. Approaching near the climax, Sophocles sets up a fundamental conflict of the play, the need for Oedipus and Jocasta to perceive the immutable state of prophecy through the consequences that deliver itself when the gods fulfill their plans for one’s destiny. The messenger even describes the omnipotent power of the gods, and witnesses the augury of death proposed by the supernatural, finally stating:
When Oedipus realizes what his future holds he decides to avoid it at all costs. As a result, he picked up and ran away. He decided not to tell his parents he was leaving so that he could avoid hurting their feelings. When he was on his journey to Thebes there were people coming towards him and they got in an upset about who had the right of way where three roads crossed. He ended up killing all but one of the men there. This is where Sophocles proves that you can never run from your fate. Even Jocasta accounts for this happening, “That it was fate that he should die a victim at the hands of his own son, a son to be born to Laius and me. But now, he the king was killed by a foreign highway robber at the place were three roads meet-so goes the story” (1.1.791-796). The man he killed in that street was actually his dad.