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The importance of having goals in life
The importance of having goals in life
Importance of goals in life
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This essay will explore two topics shown in the film The Talented Mr. Ripley, a psychological thriller which is based in a novel made by Patricia Highsmith. These two topics are desire & violence. I chose this topics because of three reasons, the first one is that desire is what makes characters act impulsively and irrationally. The second one is that desire is what leads to violence in the first place; and the third one is that desire is something very interesting because everyone, absolutely everyone, wants things they can’t have. Desire is one of the most powerful feelings in the worlds since it can lead us to do things we can’t even imagine. For example, to violence, as seen in the film. As I watched the film I was often surprised by the decisions the main character made and I could see that even though they were rash and delirious, there was a really strong reason behind …show more content…
them, they were all moved by the desire of being recognized, of being a fake somebody instead of a real nobody. I found that fascinating. For example: The main character forges documents in order to have a new identity. As the movie moves forward we can see that desire leads to worse and worse things; little by little Tom Ripley crosses a line from which theres no return. He aspires for greatness, he has an amazing ability at impersonations but desire and anger issues are not a good combination. Desire happens everyday in our lives, it can happen in a small and insignificant way or it could be something that changes your day completely.
There is something that I’ve always found very interesting and that is the fact that everyone wants something they don’t have, it can be recognition, material things or even a human being. This is something people take for granted but I think it’s a true game changer, because we (humans) don’t have a limit, we always want more and that’s what leads us to do the things we do, to take the decisions we take, to live the way we live. There’s a huge difference between desire and goals, and I want to point this out because I think it’s important to know that what Mr. Ripley had was desire. Desires are things that we desperately want in the future. You could desire to have a family, to be the president someday, etc. A goal is something that you alone can accomplish and outside factors will not affect the outcome. Goals can help you get to your desires, and that’s what Tom did, he set goals for himself to achieve the desires that he wanted so
desperately. Violence is defined as the aggressive behavior showcased by an individual. I am and I will always be against violence but there are some people that can’t live without violence, people that need violence and that are violent whenever they have a chance. This is showcased in the movie because Tom Ripley has a very short temper and has anger issues; this causes him to make rash and violent decisions which change his plans and objectives.
[2] Missing is a rather confusing film to follow at first. Admittedly, I had to view it a few times to understand what was happening. Perhaps the initial feeling after seeing this film is confusion. However, after having watched it a second, fourth, eighth time, what I really felt was anger. Each time I watched the film, the anger and disgust would grow, so much so that it pained me to watch it again. However, in identifying the cause of my anger, I began to realize many things.
During the Romantic and Victorian period of British literature, several works were written about desire. Mary Shelley’s Frankenstein, Alfred Lord Tennyson’s “Ulyssess,” and Matthew Arnold’s “Dover Beach” all have characters who desire something grander than they can ever obtain. In Frankenstein, the Monster desires love, but he does not know how to love or even what love is. Úlyssess wants adventure, yet he is old, foolish, and selfish. The speaker in “Dover Beach” longs for the world to turn back to Christianity, but the speaker cannot control what society does.
In conclusion, both of these pieces of work were written in their cultural and historical context. I attempted to compare the two in reference to plot, character, morals/values, and themes and explain them in their cultural and historical context. Dangerous Liaisons was considered to be a condemned piece of literature and Cruel Intentions emphasized this immorality as a modernized version of the story.
One incident that represents desire appears when Goodenow is about to commit suicide. Goodenow went to a lake and “waded in up to his chin, and stood sobbing an intention to drown himself” (6). This incident reveals Goodenow’s desire to end his life. Goodenow has been bullied all his life by various people, including his step dad. At the camp, he is kicked out of two cabins because he wets the bed; he suffers this because of the abuse he takes from everybody. This adds insult to injury and causes him to snap. Second, this also illustrates Goodenow’s desire to make the boys feel guilty. Many of the boys make Goodenow’s life a living hell and they are unapologetic for it; however, Goodenow is going to make them feel guilty by making the boys realize that he killed himself because of them. Lastly, this also represents Goodenow’s desire to deny that things are going to get better....
When this story is viewed through Sigmund Freud’s “psychoanalytic lens” the novel reveals itself as much more than just another gory war novel. According to Sigmund Freud psychology there are three parts of the mind that control a person’s actions which are the id, ego, and superego. Psychoanalysis states that there are three parts of the human mind, both conscious and subconscious, that control a person’s actions. The Id, ego, and
Nicholas Ray's films frequently address a competition between a 'father' and 'son' (whether literal or figurative filial relationship). More importantly, Ray has an ideological approach to these struggles. In his films, homosocial struggles are always supplanted by Ray's desired outcome of an idealized heterosexual coupling. That is, the threat of prolonged homosocial desire between his characters is usually eradicated by the death of one of the dueling men. The deus ex machina nature of the deaths implies that the resulting heterosexual coupling is somehow the way things "ought to be". In Bitter Victory and The Lusty Men, the women are clearly the people over whom the men fight in their struggle to establish a 'home' or security (with that woman). In Rebel Without a Cause, however, the male-male-female love triangle is complicated by the on-screen presence of a nuclear family that effectively literalizes Freud's Oedipal conflict.
The archetypal theme of the repression of a desire is rendered in various ways in the novella The Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson, with the repercussion of these subdued urges resulting in both favorable and adverse outcomes for the restrained individual. The novella takes place in the Victorian Era, a time where the suppression of vehement emotions and impulsive conduct was immensely urged, to the extent that it was considered an acquired behavior, as they believed an exposure of true expression would lead to the loss of a dignified demeanor, as well as a loss of morality. While this theory is reasonable, it is also indisputably inaccurate in certain instances. The repression of certain aspects, such as curiosity,
The genre of horror films is one that is vast and continually growing. So many different elements have been known to appear in horror films that it is often times difficult to define what is explicitly a horror film and what is not. Due to this ambiguous definition of horror the genre is often times divided into subgenres. Each subgenre of horror has a more readily identifiable list of classifications that make it easier to cast a film to a subgenre, rather than the entire horror genre. One such subgenre that is particularly interesting is that of the stalker film. The stalker film can be categorized as a member of the horror genre in two ways. First, the stalker film can be identified within the horror genre due to its connection with the easily recognizable subgenre of horror, the slasher film. Though many elements of the stalker film differ from those of the slasher film, the use of non-mechanical weapons and obvious sexual plot points can be used to categorize the stalker film as a subgenre of the slasher film. Secondly, the stalker film can be considered a member of the horror genre using Robin Wood’s discussion regarding horror as that which society represses. The films Fatal Attraction, The Fan, and The Crush will be discussed in support of this argument. (Need some connector sentence here to finish out the intro)
Any quotes on specific pieces of writing, film, art, or anything else tend to have more meaning because those speaking could be supporters, critics, or neutral minded analysts. Most specific quotes have some sort of direction that go with them, and I enjoy exploring them. With Hitchcock, most of his quotes were deep and insightful, but some really stood out as being analytical and almost responsive to his own work. For my second angle of this paper I chose to explore the prompt where we were to write a thorough analysis based on a single character because everyday we analyze people by watching them and analyzing them based on appearance and personality. When there’s an appearance of very interesting people, we enjoy diving deep into their characters. We explore who they are as a person, where they came from, why they are where they are, and to what extent our relationship would lead. When given the opportunity to explore a char...
"Why We Crave Horror Movies” is an essay in which the auther, Stephen King, whos one of the most succesful horror witers, assumes that we as humans are mentally ill. ”I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all.” King gives his reasoning as to why we make the independent decision to buy a ticket and watch other human beings get killed. In other words, why we go cinema to watch horror movies. Futhermore he explains that that people enjoy watching horror movies because they to keep our insane
...Acton both begin completely sane but become worse as a result of circumstance. They are driven to behaving the way they do because of the way they are treated by other people. The two characters hallucinate and visualise objects that aren?t actually real. One difference is Acton becomes crazy as a result of his own actions but the narrator becomes crazy as a result of actions by others who take control of her fate.
Perhaps deep-seeded in the flesh that is humankind, lies a poison, villous and infected, whose venom devastates that which is humanity. Indeed, it is a serpent, reducing its victim’s soul to a pathetic shamble of indignity and wrath. Gently caressing its prey’s bones, it slithers here and there, clenching and compressing, ignoring any pleas for mercy. Gradually, it tightens, smothering and slaughtering the purity of human. Indecency plays no mind for the serpent, for it does not act from courage, but rather for authority. Truly, evil has taken the body that once was. Corruption of the mind and soul, however, does not stand unchallenged. Indeed, and quite possibly the miracle that is as equally a part of humankind, stands a fender of evil: There stands conscience. A concrete state of the mind that demands attention; conscience makes room for a moral compass, fighting the powers of inner-barbarity. Conscience may in fact be the humanizing factor, as it makes room for choice. Quite evidently, human would crumble without the freewill that is choice. It tempts us with morality and the freedom of benevolence, while reminding us of the serpent, praying patiently, waiting to strike. This curious balance of wickedness and conscience is no new concept to humankind. As creatures infatuated by our own existence, humans crave knowledge of our own reality. Consequently, countless magnificent literary pieces have been devoted to the study of actuality; most recognizably Shakespeare’s sixteenth century play Hamlet. The play cements itself as a fundamental and relevant piece of literary work in modern study because of its enticing themes, strong entertainment value and intricate characterization. At large, the play draws insight into the depths of...
lives. Many people search for hope, happiness and fulfillment when they should not be searching
desires can be engaged without reason. Their thoughts are consumed by their desires for the
The Appeal of Sherlock Holmes The purpose of this assignment is to determine the appeal of Sherlock Holmes, a fictional detective mastermind, first written by Sir Arthur Conan Doyle in 1887. Arthur Conan Doyle was in 1859 in Scotland, Edinburgh. Doyle's Irish mother and English father sent him to be raised and educated at very strict Jesuit schools Austria and Scotland. It was not until the year 1876 that Arthur Conan Doyle arrived at Edinburgh University with the passion of studying medicine in his mind. It was during his stay at Edinburgh University that he met Doctor Joseph Bell, one of the professors who taught him there.