Dehumanization In All Quiet On The Western Front

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Often, when people speak of war, they evoke images of pain, terror and deadening. Emotions are twisted, numbed and sometimes completely obliterated. In Erich Maria Remarque’s novel All Quiet on the Western Front, Paul Baümer plays the essential role as narrator of the story, and ultimately turns out to be the pivotal figure in Remarque’s accurate debunking of the absolute horrors of the First World War and its brutal effects on the soldiers involved. One can speak of dehumanization, shell shock and animalization, but to what extent were soldiers, and in particular Paul Baümer, either desensitized or over-sensitized by war? The very first thing that should be mentioned when talking about the effect of war on a soldier’s psyche is the notion …show more content…

Baümer realizes that he had just been the immediate cause of another, undoubtedly innocent, man’s life. He feels absolutely terrible for what he did, and therefore copies the address of the soldier whose name he discovers to be Duval, and he resolves to send money to his family anonymously. Here we see to what extent Baümer is over-sensitized by the effects of war, as he understands his own precarious situation is no different to the countless enemy soldiers he is forced to shoot at on a daily basis. He is over-sensitized because he is so deeply shocked by his killing of a single man, that he experiences mental pain infinitely worse than any possible physical pain. However, as dark falls and he is still trapped in the crater, his survival instincts reawaken. Somehow he knows he will not fulfill his promise to the dead soldier, and he realizes the utmost importance of distancing himself emotionally from what happened, therefore coldly referring to the French soldier as the “dead printer” (indeed the man was a printer in his ‘previous’ …show more content…

It epitomizes the transformation of this unlucky youth in a horde of desensitized zombies by a war to brutal to endure, and the numbness is emphasized by Paul Baümer’s often-flat tone in the novel; he frequently passes off the death of a friend as a common and expected occurrence, and his descriptions of “airplane dogfights” suggest a banality and truism conditioned by the horrors of war. Soldiers were unable to allow their feelings to prevail, and emotions were therefore discarded as soon as they popped

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