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The major themes in Moliere tartuffe
Themes in Tartuffe by moliere
The major themes in Moliere tartuffe
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The Power of Deception and Reason in Tartuffe
Jean-Baptiste Molière wrote Tartuffe during the Enlightenment, which was around the 17th century. The Enlightenment was considered the age of reason. Political and social issues were being questioned, and people focused less on religious views. The Enlightenment thinkers believed that people should think for themselves and not believe everything bases on religious teachings. The citizens started to reveal and challenge the abuse of the clergy. This is evident in Tartuffe. The power of deception is seen throughout the play. Some characters used the theme of deception and reason to uncover Tartuffe’s charade. The characters Dorine, Elmire, Damis, and Cleante are able to see through Tartuffe’s hypocrisy;
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however, Orgon and lady Pernelle are so blinded by their religious views that they cannot see through Tartuffe’s hypocrisy. During the Enlightenment, there were a number of people who remained devout to religious doctrine and leadership. As evident in Tartuffe, some leaders used religion to persuade and manipulate their congregations and followers.
There were people who were unable to discern between religious truths and false witness; these people could be fooled easily. People started to discover that not all who claimed to be religious were actually righteous. Tartuffe is the master of hypocrisy. According to Ruth Grant, “A hypocrite is a person who pretends to be morally better than he is for the sake of some advantage to himself” (p.67). Similarly, Tartuffe uses religion to purse only his goal and to take advantage of Orgon. He uses the excuse of being a religious man to take advantage of Orgon. Tartuffe uses religion to empower himself over Orgon’s household. It is evident that Tartuffe is envious of Orgon’s lifestyle and wants to steal Orgon’s his wife, daughter, property, and money. David Maskell states, …show more content…
“Tartuffe is a director of conscience in the household of Orgon.
A director of conscience in 17th-century France was supposed to be a man of piety who would advise on how to live a good Christian life. Molière's Tartuffe, however, is a criminal whose exaggerated pretense of piety has duped Orgon into complete subservience to him” (n.pag). It is evident that Orgon is letting Tartuffe take over the household. Orgon no longer is the one making the decisions. An example of this is portrayed when Dorine states, “Orgon once ruled this house in his right mind. / In the troubled times, he backed the prince, / And that took courage. We haven’t seen it since. / He is intoxicated with Tartuffe “(1.2.10-14). Orgon is such a fool, allowing some stranger dictate how his household should be ruled. “Orgon's behavior is that of a tyrant who does not have the best interests of his family in mind. In fact, he almost brings about the ruination of his family due to his pig-headedness” (Partikian n.pag). It is evident that he chooses Tartuffe over his own family. Dorine expresses this when she states, “And so he worships this imposter who / He calls brother and loves more than one / This charlatan more than daughter, wife, son” (1.2.17-22). When Orgon comes back
from his two-day trip, Dorine lets him know how sick his wife has been. Orgon show no emotion or worrisome over his wife. All he cares about is Tartuffe. Any time Dorine expressed his wife’s sickness he would respond, “And Tartuffe?” (1.4.11). Tartuffe is such an expert that he easily deceives Orgon with lies. An example of this is when Orgon and Cleante are discussing how Tartuffe came to his household. Orgon tells Cleante how Tartuffe refused to take all the gifts he gave him. He only took half. Tartuffe uses pity to trick Orgon. He tells Orgon, “I am not worthy. I do not deserve / Your gifts or pity. I am here to serve / The will of heaven, that and nothing more” (1.5.52-54). Tartuffe is such a mastermind that he uses pity to get Orgon to bring him home. He pretends to be a religious man who cares for the well-being of the poor and who is mindful of others’ best interests. From the beginning of the play, it is evident that Dorine is against Tartuffe. Dorine is one of the central characters that can see through Tartuffe’s mask. Dorine uses her ability to reason to emphasize Tartuffe’s hypocrisy. Dorine is very outspoken to be a maid. Nothing detains her from saying what she thinks. This gets her in trouble throughout the play. When Orgon and Dorine are discussing Tartuffe’s supposed holiness, she points out Tartuffe’s weaknesses. She states, “It seems to me a holy man of merit / Wouldn’t brag of what he might inherit / Even gifts in heaven, he won’t mention. / To live a humble life is his intention. / Yet he wants something back? / That’s just ambition” (2.2.55-59). This makes Orgon really upset. He cannot seem to reason. Dorine also uses deception for good. Ruth Grant states, “Doing the right thing also may require deception, or ethical posturing, or both; some forms of hypocrisy may be perfectly acceptable or even laudable” (p. 2). Dorine uses deception to protect Marianne. When Orgon is telling Marianne that she must marry Orgon, Dorine hides to be able to hear everything they are discussing. According to Liz Brent “One can surmise that Dorine has intentionally hidden herself from view in order to overhear this conversation. Thus, Dorine has employed a means of deception--hiding and eavesdropping--in order to protect the interests of Marianne” (n. pag). Dorine advises Marianne to deceive Tartuffe to avoid marrying him. All she wants is Marianne’s happiness. She tells Marianne to agree to marry Tartuffe while they create a plan. Dorine gives Marianne some ideas to postpone the wedding. She states, “One day, you’re sick and that can take a week. / Another day you’re better but can’t speak, / And we all know you have to say ‘I do’ / Or the marriage isn’t legal” (2.4.35-37). In this scenario deception for this cause is not entirely wrong, especially when dealing with someone who uses deception for the wrong reasons. Damis is Orgon’s son. He can see past Tartuffe’s fakeness instantly. He is outraged when he finds outs that his father wants to force Marianne to marry Tartuffe. He uses deception in one instance when he hides under the curtains to hear the conversation between Elmrire and Tartuffe. When he discovers Tartuffe’s lust for Elmire, he believes he has proof to prove Tartuffe’s hypocrisy. However, his plan backfires on him. Orgon’s trust toward Tartuffe at this point has become ridiculous. Tartuffe somewhat confesses that he is guilty. According to James Gaine, “In the eyes of a pious believer, a Christian who accuses himself cannot be entirely guilty, since the very act of self-accusation constitutes a proof of repentance from the sin in question. The weakness of this system is that it obviously has difficulty discerning the false repentance of a scoundrel who admits he is one with the intention of continuing to do so” (n.pag). This is shown to be true when Orgon refuses to acknowledge what has been said and exiles his son out of his home. The more Tartuffe tells Orgon to believe Damis’s story the crueler he acts. Organ truly believes in Tartuffe’s repentance, which makes it seem as if Damis is lying. Orgon’s actions and abuse of power contradicts that of a Christian man. Cleante is the voice of reason in the play. He is not able to be deceived by Tartuffe. He has several encounters with Orgon throughout the play. He tries to make Orgon use his reasoning skills. However, the men of the play seem to fail in their attempt to make him reason. After Tartuffe manages to get rid of Damis, Cleante faces him. He tells Tartuffe how he can proclaim to be a holy man when he seeks vengeance. He tells Tartuffe: Heaven’s business is in your dominion, Taking revenge is heaven’s task. I thought. Judging who is guilty and who is not? Taking revenge is heaven’s sovereignty What human verdict would you ever be The least very bit moved by. No you wouldn’t care Judging other’s lives is so unfair. Heaven seems to say “live and let live,” And our task, I believe is to forgive (4.1.36-44). Cleante identifies that Tartuffe’s religious mask is a fraud. He questions Tartuffe’s ability to judge right from wrong since it is God’s responsibility to evaluate the guilty. After Orgon realizes Tartuffe’s lies, he tries to condemn everyone who is truly religious. Cleante tells Orgon that although Tartuffe misused religion not everyone who is a true believer is a hypocrite. He tells Orgon,” So now all holy men are base deceivers? / Instead of just admitting your delusion, ‘They’re all like that!’ you say---brilliant conclusion. / Why trust reason, when you have emotion?” (5.1. 48-51). Cleante uses his voice or reason to help Orgon discern between religious truths and religious frauds. Elimire becomes the one who unmasks Tartuffe for good. She uses Tartuffe’s lust for her as an advantage. Orgon refuses to believe anyone unless he has physical proof. Elmire uses deception to bring Tartuffe’s downfall and succeeds. Orgon refuses to listen to any of the men, but this time it is woman who uncovers the truth. During this century woman were still considered inferior than men; however, Elmire contradicts that. She is able to demonstrate that a woman can actually think and be much smarter than a man. She is the one who outlines the plan to unmask Tartuffe. If it had not been for Elmire, Orgon would have never found out the truth. Molière’s Tartuffe, includes ideas from the Enlightenment During this time period, people started to rely more on reason than on religious beliefs. People started to use their minds to expose the truth, such as Tartuffe’s hypocrisy in Molière’s play. Orgon is able to see past Tartuffe’s hypocrisy thanks to his wife’s ability to reason. Deception and the ability to reason is evident throughout the play.
From the very beginning of Tartuffe, the reader learns that Tartuffe is held in great religious standing by Orgon’s mother:” Whatever he reproves deserves reproof. He’s out to save
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants. In the social arena there is always a central powerful family, or first family that everyone in the community aspires to be, or in more recent term “keeping up with the Jones”, “or the one with swag”. The title, position and authority was so entrenched in their social community, that it came down to even choosing one’s mate through arranged marriages. We see in Moliere’s Tartuffe, that authoritative power was as precious as gold, in the realms or patriarchal power that was prevalent in the 17th Century, political and economic power, and also religious power (in which Oregon) wanted association
In the reading, Tartuffe is a con artist who uses religious hypocrisy as a deceit to trick Orgon and gain access to Orgon’s family and legal documents of the house. Tartuffe’s deceit is blatantly apparent to the readers and several characters in the story like Cleante, Dorine, and Elmire. In one particular scene, Orgon learns about Tartuffe’s deceit with the help of Elmire, stating “What an abominable man! I can’t believe it! I’m overwhelmed!” (Moliere 82). This scene is significant because Tartuffe represents religious hypocrisy by using his fake piety as a method to manipulate others as a way to achieve his devious goals. Moliere attacks this idea of religious hypocrisy because he views it as a danger to French society. In the journal article titled “Tartuffe, Religion, and Courtly Culture,” the Emanuel S. Chill explains how the character Tartuffe is based on a group of religious people in France called the Cabale des Devots” (156). The Cabale des Devots was a fundamental Catholic group that persecuted the Huguenots, the protestants, in France by depriving them of their rights, leading to the mass emigration. Furthermore, the historical event is mirrored in Tartuffe when Orgon and his family are nearly evicted from their house. Moliere uses this part of the story to reinforce his idea that religious fanaticism is dangerous by inserting
Out of the plays that we could have chosen to produce, I have decided to go with Molière’s, “Tartuffe.” This play is a comedy that comes from 17th century France and is heavily influenced by two large sources of experience for Molière. Those sources are the rules and structure for a play put in place by the French academy and the lessons of improvisation taught by the Commedia dell’Arte. This piece is written in fives acts that are in a unique alexandrine style of verse which have 12 syllables in a line and usually ends with rhyming words. The reason I chose this play is because, in my opinion, things like television, movies, plays, and other forms of media and entertainment are meant to transport you away from all the bad things happening in real life and focus you on something fun and/or interesting. I find this play to have a lot of fun moments that can be mined for even more comedy and I think it has the good chance to keep a large audience entertained for a long period of time. To accomplish my goal I will use elements of situational comedies, France in the 1660’s, and one of Molière’s plays, “A school for girls.”
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations. When Dorine tries to tell Orgon about Elmire's illness, all Orgon can say is,
The play "Tartuffe", by Moliere, is a work that was created to show people a flaw in their human nature. There are two characters who portray the main flaw presented in the play. Both Madame Pernelle and Orgon are blinded to the farces of Tartuffe and must be coaxed into believing the truth. The fact that Orgon and Madame Pernelle are too weak to see the truth is an important theme of the play.
Madame Pernelle shows the family trait that she shares with her son when she states: "He's a fine man, and should be listened to. " (I, i, 44), while speaking of Tartuffe. Although they share this trait throughout the play, Orgon's eyes are finally opened at the end of the play while his mother is still held by the farce of Tartuffe. Although Tartuffe is portrayed as the main character of the play, Orgon is the character who should really be paid attention to the most. As suggested in an essay on "Tartuffe" audiences who concentrate on the character who titles the work may miss the author's point: ".vitriol and spleen vented on one man suggests that Moliere's satire of Orgon, nevermind Tartuffe, was steeped in truth.
In Tartuffe, Moliere creates a play that is interesting in so many ways. His comedy reflects a lot on the role of men and women within a family. During this time, it was common for the man to be the head of the household and women to be submissive to the men. Men held the power in the family and made all the decisions. In this play, a man's point of view is the only view that matters. All else do not serve an importance. His lack of trust and awareness for other people's feelings and needs has caused great conflict in his family. The actions taken by Orgon and his family members express how this play views marriage and relations between men and women. It is a extremely different view (in some cases) of marriage today in average American family.
A theme of the play Tartuffe is justice. Justice, or the lack of justice, can be seen in the relationship between father and son, father and daughter, and guest and host. Lacanian philosophy, which focuses on language and the conflict that the male feels due to a disintegration of oneness, can be used to look at injustice as it manifests itself in the male conflict within the play.
Tartuffe is a comedy, but it still follows these characteristics. Firstly the appearance of a tragic hero. In this play, our tragic hero is not Tartuffe for whom the play is named, but is instead Orgon, the head of the household where the play takes place. Orgon is our tragic hero because he really isn’t a bad person. He isn’t seeking to ruin anyone with hidden plans or deception, he is just very unaware of what’s happening right under his nose. The tragic flaw that Orgon shows is just taking everything that tartuffe says as absolute truth and not questioning it at all. This is what ultimately leads to his error in judgement which is telling his daughter that she is to marry tartuffe and not Valere who she’s already proposed to. Of course, this doesn’t
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
Imagine the Paris home of Orgon, who meets Tartuffe at church and is completely taken in by him...so much so, that he foolishly not only invites this relative stranger, Tartuffe, to live in his home, but also promises his daughter (Mariane) in marriage to the man, though she has promised her heart to Valère.
Tartuffe is a satirical comedic play written by Molière in 1664. It is focused around the family of Orgon and the character of Tartuffe, who has become Orgon’s personal holy man. Before being brought into Orgon’s home, Tartuffe was nothing more than a common beggar who learned how to act pious. Throughout this play, we see Orgon give everything he owns to Tartuffe: his love, his money, his daughter, and even the deed to his house. While everyone else in the household sees Tartuffe for who he really is, Orgon remains blind to it throughout most of the play. Orgon is warned many times by different members of the household, including his own son, yet he only chooses to lash out against those speaking. From early on in the play we as readers are able to recognize that Tartuffe is no more than a hypocrite and Orgon is a blind fool. In the play Tartuffe by Molière there are several different important themes that impact this work,