Assigned with having a trade paperback recommended to me I visited, “Big Red Comics”, where Deadpool & The Mercs for Money was first suggested to me. My original intent was to explore a more mature story, based of my interest in Y: The Last Man and Saga, and my newly altered interests. I failed in my original intent, when the employee questioned my past interests, I immediately mentioned Deadpool. The employee suggested I read Deadpool & The Mercs for Money due to the fact that it was a spinoff of where I had originally left off in the series. Having a Deadpool comic presented to me which I had never seen brought about a sense of nostalgia upon me, making my choice for me. Reading the comic allowed for me to realize where I had failed in my …show more content…
Swaying from this “classic” script style, some writers have chosen to present the audience with the exact opposite, an anti-hero. Anti-heroes vary in a range of ways, some take on classic characteristics of the hero, while others present a villain like aroma that brings audiences to question if the character is at all just. Commonly writers clearly pronounce their heroes’ alignment as either a hero or anti-hero, but the Mercenary with a mouth, Wade Wilson, has never clearly belonged to either side. Deadpool’s unpredictable nature creates a character that the audience cannot so easily decipher. Cullen Bunn’s Deadpool & The Mercs for Money successfully showcases Deadpool on the spectrum, between “Hero” and “Anti-Hero”, and sees Deadpool himself acknowledge this fact. Cullen Bunn also identifies between the traits of a hero and anti-hero through documenting Deadpool’s transition between the two. Deadpool’s realization of his unusual placement on this scale raises the question, Where does his future on this scale rest?. Audiences see Deadpool assess and decide where he hopes to be on the scale. Bunn further explores the hero’s character by aligning Deapool with a team, something audiences rarely witness. Deadpool’s team of mercenaries amplify the argument that peers have a drastic affect on one
In most works of literature there is an “evil” character that has conflicting interests with the protagonist. This issue may arise in multiple forms including, but not limited to, abuse and manipulation. In this paper we will be discussing the similarities and differences between Shakespeare’s character Iago from Othello and J.K. Rowling’s character Voldemort from the Harry Potter series.
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
Humanity has created this “universal story” of what a hero is, or at least the myth of it, time and again. Different tasks and encounters with a variety of villains all lead the hero to the prize, to a new life (Seger). This person deemed the hero is as ordinary as the next but what makes them different is the drastic test that they must face. Individuals admire this character because the hero stands for something, something bigger than themselves. Whether it be the compassionate act of Katniss Everdeen in The Hunger Games or the death of the oldest brother in Brother Bear, as an outsider, an individual sees the human side of these heroes and relates. Connor Lassiter from Unwind by Neal Shusterman is an ideal example of the myth due to the
What is hero? A hero, under the Merriam-Webster definition, is a person who is admired for brave/great acts or fine qualities. This is a very broad definition that combines both ancient and modern belief of what --or who-- a hero should be. Beowulf is an epic poem that focuses on an Anglo-Saxon hero. As such he embodies the traits that his culture valued most. Deadpool, on the other hand, portrays the most recent ideas of what traits a hero should embody. With these examples from contrasting periods, we are still able to see similarities and differences that shows how modern and Anglo-Saxon idea of heroism reflects its culture.
The Marvel Cinematic Universe is full of elusive, charismatic and heroic characters. Marvel has grossed billions of dollars in making family friendly movies for all to enjoy, However, a year ago, production for Marvel's most adult, foul mouthed superhero changed that. Deadpool is perhaps one of the most advertised movies to date, drawing the attention of everyone around the world, even those who essentially don't know who the hero is. Deadpool has become more and more prominent in the MCU as of late, due to a steady stream of social media ads that increase the characters fanbase. Deadpool himself didn't catch the attention of moviegoers,
We are currently living in the Golden Age of Superheroes. They dominate our cultural life, and have become seemingly permanent fixtures in modern media. Since X-Men burst onto the screen fifteen years ago, we have witnessed the release of over forty superhero movies. By 2020 we will have seen the release of more than twenty-five more. Today, the much anticipated film Superman vs. Batman has come to theaters. Though a plethora of superhero movies have been released, it is to the dissatisfaction of many, having long been exhausted by the stories of the Hulk, Batman, and Spider-man. Although I must agree that it is quite easy to get bored with the constant action, and flashing colors of these films, if one looks deep enough into the story they will discover universal themes and metaphors. Though they may be fighting off alien invasions, these heroes are also battling with their personal challenges, challenges which we can
As a society we value and admire heroes who represent the idealized version of ourselves whom we stride every day to become. This is why they are sometimes scrutinized, unless they are an anti-hero, of course. The anti-hero is also admired by some even if he utilizes unlawful methods to achieve his goal, because he represents the good in a corrupt world. But this is not always the case as it is seen in some Noir stories. In Noir stories, the anti-hero is supposed to be a modern knight. Transgressing society's corrupt rules in order to reaffirm for its male audience the need to act justly do rightly; however, the anti-hero through this false nobility and sexism reinforces the social problems that plague contemporary society.
In the 40s, comic books had a large audience. There would have been at least a dozen people in your class who read comics, claims Chabon. A few years later in the 70s, there would have been less than a dozen but more than one or two people who read comics. Now, it is hard to find more than a few people that you know who actually read comics. If you read comics today, you are considered unique. Children are loosing interest in everything that stimulates the mind in a positive way. Chabon claims that the obvious decline in interest in comic books should make authors want to take initiative and fix the
Watchmen is not just a graphic novel, but also a unique representation of American idealism as expressed through character image. Although the characters are portrayed as "superheroes," each is psychologically complex in that they become symbols for the flaws of American culture. Together, the characters of Watchmen reflect an unflattering image of American identity. We sacrifice morals to defend principles, rather than saving people. We sacrifice ourselves for commercial gain and for the fame that comes from the worship of strangers.
Anna Godberson once said, “She should have known that villains often come with pretty faces”. This is regularly the case in the film industry. Hollywood has an abundance of beautiful villains that steal people’s hearts. But, even though physical beauty is a common theme for glamorous Hollywood villains, there are many more means to ploy an audience to love an antihero. In a diversity of films, the audience is manipulated in to liking the bad guys in many divergent ways. With the use of enticing looks, schemas, and the fundamental attribution error (Keen, McCoy, and Powell 129-148) film developers master piloting their audience to love their villains. The directors and actors alike make these characters appeal to everyone who watches the film. Television shows including Arrow, breaking bad, and weeds all glamorize criminals that people have come to recognize and respect.
“In the world of so-called villains, what we need is not another hero. What we need is to stop the influx of people who dress themselves as menaces and proceed to harm others” (Tugaleva, para 1). In the short story, “The Most Dangerous Game”, the antagonist, General Zaroff, paints a picture of villainy. The author, Richard Connell, illustrates the effects that a villain has on a story and how they affect other characters. Throughout the story, Connell uses the methods of characterization to reveal that villainy drives the plot through the development of his antagonist, General Zaroff, the cruel and narcissistic murderer.
To conclude, the graphic novel Watchmen presents the non-fantastic representation of a superhero, implying that not all heroes are like Superman. This notion is explored within the novel by mentioning the realistic motives of the characters choosing to become superheroes, by Rorschach’s representation and through the heroic reactions of the New Yorkers to a street crime. These elements all contribute to Watchmen’s uniqueness and complexity as a superhero comic.
Being a hero means that one can show courage when it comes to facing a problem. It is a person who helps others in many ways, such as a person in danger. In the modern era, the creation of superheroes have become popular when it comes to producing films. Viewers can choose their favorite heroes due to the idea that there a many of them. However, most fans argue which superheroes are better. Two of the most popular superheroes are DC’s Batman and Marvel’s Iron Man. Although Batman and Iron Man are loved by many viewers because of how they help people in danger, they still demonstrate imperfections which can cause viewers to dislike them. However, both superheroes share similarities and differences between themselves. Batman and Iron Man have
Looking in this day and age, movie heroes are taking the law into their own hands, creating the anti-hero in the long run. Defined by wikipedia, the anti-hero is a villain or an outsider, but is nevertheless portrayed somewhat sympathetically. In particular, an anti-hero may have enough heroic qualities and intentions to align them with the heroes in the readers' mind ("Anti-hero"). A film that depicts the classic vigilante is Man on Fire by Tony Scott. The film takes on the idea of revenge with a blend of disturbingly sentimental seriousness and harsh reality.
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.