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Recommended: American art essay
De Young Museum For our art history class, we got the opportunity to visit a museum to enhance our art knowledge or in a way test our knowledge on paintings. A couple of friends and I went to the De Young Museum in San Francisco. This museum had a lot of paintings from American artist, one of the few were the ones our professor talked about in class like Thomas Cole, John Singleton Copley, and Hiram Powers, to name a few. It was incredible to see the painting that were at museum were the ones known in class. It made me appreciate the class more, art was not just about looking at it but observing it and seeing what stories the artist was trying to portrait. For instance, William Michael Harnett who was the painter for ‘after the hunt’ showed
For my research I decided to visit the Smithsonian art museum in Washington dc. The Smithsonian art museum has about 3299 art works on display for viewing. I was able to see many great works of art while the art museum. The trip was eye opening. I was exposed to different art techniques with varying use of contrast and depth. I noted the different brush strokes and drawing styles and how they varied between each artist. After viewing many works of art, I decided to compare Henry O Tanner’s painting “The head of a Jew in Palestine” with Alice Pike Barneys painting, “The head of a Negro Boy”
On My visit to the Hunter Museum I chose the piece of art that I felt best related to. I picked the piece of art Pullman, by Hung Liu, because I loved the way they worked together to accomplish a mission. Pullman is a 2 dimensional wall piece created by Hung Liu in 2004, and was later purchased by the Hunter Museum in 2009. Pullman is A 66x132 inch oil on canvas, colored paining and is displayed on the wall in the museum. There is a wall text about the piece that can be found next to the painting. The painting is hard to define from close distance, but the farther you stand away the colors and textures come together. The paining is on a wall by itself, and is truly a breathtaking piece. We often take for granted the luxuries we have in the United States.
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
Seeing the art in person truly made me see the beauty and captivity a painting can hold. Each gallery was filled with different American works. My favorite kind of paintings are the ones I can look at and immediately write a story in my head about what is happening, even if it not what the artist intended. As I was going through the galleries one painting in particular stuck in my mind. I was fortunate enough to experience a special exhibition called, “Audubon to Warhol.” It was composed of different works acquired from private and public collections. I was lured to the emotions that was captured by the main figure in one of the works. I was drawn not only to the beauty of the painting, but the story it shared. The painting I chose was Peeling Onions, by Lilly Martin Spencer.
Dyckman Farmhouse Museum narrates the story of rural Northern Manhattan, a landscape and a life that disappeared in the makeover of a farming community to urban neighborhood. Through the history of the Dyckman family and farm, the museum discovers life in early 19th century rural Manhattan and the protection of that memory in the early 20th century. The Dyckman Farm house & Museum is a historical place that reminds us of how the city looked and how it has changed throughout time.
I never go anywhere alone. After a depressive Saturday morning I finally crawled out of bed and went to the Cummer Museum. Art is one thing that I don’t understand. How people can find deeper meanings from paint on a canvas is Japanese to me. When I look at a painting I see exactly what is being shown and nothing more. There is no deeper meaning evident. Being at this museum cranky and solo trying to find a picture I felt connected to was almost impossible. It took me about ten minutes to go through the whole museum. But in one of the last sections I went in there was finally something that my eyes were drawn to. An image that made me want to find the deeper meaning. Thomas Hart Benton’s June Morning.
Just last summer after grade 9, I went to New York City and Philadelphia. They both have amazing art museums: New York has the Museum of Metropolitan Art and Philadelphia has the Philadelphia Museum of Art. Both art museums have beautiful and alluring paintings that I love and it’s evident that these paintings are genuine works of art and that they exemplify what we define as art: something that is beautiful, intricate, bold or simple. I remember seeing the “Irises” painted by Van Gough and the full series of “Poplars” by Monet. Van Gogh emphasizes tones and shadows while Monet depicts his subjects realistically with small, fine, but visible brushstrokes. Their styles are unique and distinguishable and there is a wide range art styles to
My first experience at the museum was a good one. I had so much fun even after we were done with the Norton-Simon. Being a business major, I did not know that art could speak to me as it did. It has not influenced me so much as to change my major, but it did open my eyes to a whole new world. Now when I look at art, I do not just see a pretty picture, but what the artist is actually trying to say.
The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.
For example, the Water Lilies (1914—1917) in the Toledo Museum of Art is extremely different from the one discussed above. There’re lots of grasses on the painting and the audiences can hardly see the water in the composition. The water lilies in the Toledo Museum of Art reflects the catastrophic Monet viewed the world while he was composing it. Moreover, expecting the water lilies in the Legion of Honor museum was composed when World War 1 was about to end will be an educational guess because the audiences can feel faith from Monet by looking at the
In every museum, each exhibition represents a series of decisions that some individual or group undertook to compile a series of artifacts together in a display. Often times people fail to recognize the amount of time and several steps one took in order to assemble each arrangement. Source A, source B, and source C each mention different, crucial considerations one mast take into account when facing the responsibility of securing a new artifact for a museum.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Culture is defined as a pattern of behavior that is common within a particular population of people. We are all born into a culture, some different than others, but for the most part we all are a part of a familial culture. We express our culture within our families through traditions, roles, beliefs and at times even art. Cultural art has helped develop the mind and body, refine feelings, thoughts, and tastes to reflect and represent a cultures customs and what they believe in. I had the opportunity to visit the Bowers museum in Santa Ana, CA. which was a wonderful experience since I had little or no knowledge about the different types of culture in California. I will begin talking about my experience I had at the Bowers museum, the different cultures I witnessed behind
One art experience I enjoyed was at the Zwinger Museum in Dresden, Germany. I loved all the paintings there. Each painting was unique, but you could pick out similarities in them too. The paintings all had stories to tell, real or fictional they all had their own interesting tale. All of the paintings were beautiful, elegant, and one of a kind. This was one of my favorite museums that we visited on this trip. Another art experience I enjoyed was at the Mucha Museum in Prague. Mucha's work was very unique and artistic. I really liked his style because to me it seemed like a combination of modern and Victorian at the same time. The way the colors flowed with each other appeared very elegant and inspiring. The artists in these two places really inspired me and I really enjoyed their art. A quote from a Prague tour guidebook states, "The 19th century Renaissance saw a period of national and revival and the burgeoning of civic pride," made me realize that the art I...
When first arriving at the museum it was an old styled, rustic, building that was not very modern, which I think fits into the theme of the museum. The outside of the building had history, similar to how the inside of museum is filled with a history. There was also an impressive statue of former president Theodore Roosevelt. I thought it was an interesting display, but Theodore Roosevelt was an advocate for the preservation of national parks and the conservation of animals, moreover, I thought it was a great tribute to him. I think the outside of the museum shows how rich the history of the world is and there is so much to learn. The past has been polished for the people of the present to understand and admire. Overall, I felt every exhibit was easy to understand and not intimidating; subsequently, it was easy for children and adults to look at.