The de Young Museum is a fine arts museum located in the bustling metropolitan cultural hub of San Francisco. Opened in 1895 as the Fine Arts Building, the museum was created to become the brief home for “an eclectic collection of exotic oddities and curiosities to the foremost museum in the western United States concentrating on American art, international textile arts and costumes, and art of the ancient Americas, Oceania and Africa,” becoming home to much more over the next century. Set in Golden Gate Park, the beauty of the de Young does not rest solely in the art it is home to; the experience of the de Young is influenced by everything from the ethereal gardens to the Observation Tower. Upon entering the de Young, it’s a very large and gaping minimalistic hallway. White walls, ashen colored flooring, and very open spacing definitely set me up for the search for some fantastic modern art. I first enter the 20th Century and Contemporary Art exhibit, hoping to find some pieces that intrigue me in one of my more favored artistic genres. There’s two pieces that solidly catch my interest-- Colours by Ken Price and Backstage Curtain by Lia Cook-- that I figured I would use for this, but I explored on in the museum anyway. I go upstairs to the Art in America to the 20th Century exhibit, not expecting to find anything visually stimulating …show more content…
“The Hudson River School was America's first true artistic fraternity” , describing the group of 1850’s New York painters that focused on depicting romanticized and vast landscapes. “Hudson River School artists were strongly influenced by European aesthetic concepts of the sublime,” a concept most often associated with Burke. Edmund Burke believed in “the passion caused by the great and sublime in nature” , a sort of astonishment or excitement that he thought to be in all great
On My visit to the Hunter Museum I chose the piece of art that I felt best related to. I picked the piece of art Pullman, by Hung Liu, because I loved the way they worked together to accomplish a mission. Pullman is a 2 dimensional wall piece created by Hung Liu in 2004, and was later purchased by the Hunter Museum in 2009. Pullman is A 66x132 inch oil on canvas, colored paining and is displayed on the wall in the museum. There is a wall text about the piece that can be found next to the painting. The painting is hard to define from close distance, but the farther you stand away the colors and textures come together. The paining is on a wall by itself, and is truly a breathtaking piece. We often take for granted the luxuries we have in the United States.
If the above mentioned paintings do not sound intriguing, the Frick’s remarkable holdings also include works by David, Goya, Renoir, Bruegel, and Velasquez. However, its collection is not limited to paintings only as significant sculptures like Bernini’s “Head of an Angel” from 1655 and Clodion’s ”Zephyrus and Flora” from 1799 can be found there as well. Along with these sculptures, an extensive collection of Italian bronzes and eighteenth century furniture combine to create a museum which although is small in size compared to the Metropolitan Museum of Art, makes up for it with an extensive collection of carefully selected pieces from some of the world’s most renowned artists.
When most people hear the name “Ringling” they think of the Ringling brother, known for their world famous circus. Besides their world-renowned circus, one of the brothers, John Ringling, had a vast collection of art pieces in his Florida mansion. His collection grew so big; he decided to build a museum to display his collection of art. The Ringling museum is located in Sarasota, Florida. The Ringling museum is comprised of multiple buildings. The museum itself, which holds all the art and has a gardens filled with sculptures and elegant architecture. Next to the museum is the circus museum, filled of wonders from their circus; and finally, john Ringling 's lavish mansion. I will focus on two specific pieces from the fine art museum. The Ringling museum has a
The white walls of the museum came to life by the art works on and surrounding them. As soon as I walked in, I was facing Sheila Hicks, Vivace, Vivace, (2014) which lit up the room with its vibrant colors, serving as the
This essay will also compare the work of Thomas Moran, another Hudson River School artist working with the same subject matter, and will attempt to clarify the artist’s similarities and differences in regard to both technique and contributions. The work of Winslow Homer, a contemporary of Church, will be briefly discussed in relation to the impact the Civil War had on subject matter in relationship to nati...
Joseph Mallord William Turner, 1775-1851, born the son of a London Barber and Wigmaker, is considered one of the greatest European artists of the 19th century. Turner, the English romantic landscape painter, watercolourists and printmaker, was regarded as a controversial and revolutionary figure by his contemporaries despite his training being similar to other artists of the time. His work ‘Walton Bridge’, Oil on Canvas 1806-10, reflects much of his training as a young artists as well as his well-known Romantic style. In this essay I will follow the beginnings of Turners artistic life, showing how his influences, training and opinions surrounding landscape painting have influenced his work ‘Walton Bridge.’ I will further explore how art critics, fellow artists and the wider public of the 19th Century received ‘Walton Bridge’ and his Landscape paintings in general.
This group was formed by American landscape painters who were present from 1825 to 1880. Their work constituted of interest in realistic illustration of nature and a fascination to celebrate precisely the American scenery. Until its emergence, most artists seemed more interested in making portraits than painting murals. Those who did landscapes generally always turned to Europe for guidance on subject matter and skills. Subjects similar to the other side of the Atlantic appear on their canvases mostly compared to American scenes, such as Norman castles, Greek and Roman ruins. In addition, much of the paintings done prior to the emanation of the Hudson River Schoolwereemblematic and therefore not necessarily intended to emblematize a real place. The school combines elements of romanticism and the art of Nationalism. Its Romantic nature provides an alternative framework through which to view and appreciate the nature in the world.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
When I visited the museum, it had a wide variety of exhibits and artworks. It had two temporary Exhibits. The first temporary Exhibit I had the pleasure of seeing was Peter Max’s 50 Years of Cosmic Dreaming, which is on display from June 10th thru September 11th. Max was born in Berlin, but has lived in China, Israel, and finally the United States. Max was a rising star in the 1960s, with a passion for astronomy, sages and spiritual life. His work is strongly “associated with pop art, neo-fauvism, and abstract expressionism” (Peter Max). Max’s artwork contains multiple United States symbols and cultural icons. Symbols included the statue
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.
When I entered through the main gallery entrance, the first thing that I noticed was this colorful glass sculpture in the middle of the room. I was in awe at how beautiful the sculpture was and the way how the light was reflected on the sculpture really emphasized the
In addition, the use of spot lighting also draws more attention to the pieces, especially in dimly lit rooms. I feel that it would also be appropriate to set an intimate, feminine ambiance, which relates to the fact that the artwork celebrates female influence. I want the audience to feel like they’re stepping into the House of Invention and perhaps even discover some revelations about themselves. As the audience circulate through the exhibit, they will feel the mystic and protection of the art and culture Indigenous artists such as Christian Chapman and Norval Morrisseau have been fighting to preserve. The exhibit will be the Future of the House of Invention, which could also serve as the
Boulton, J. T. Burke?s Enquiry Into The Sublime And The Beautiful. New York: Columbia University, 1958.