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Handling family conflict
Resolving family conflict
The effects of conflicts in a family
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The turmoil of a broken family affects people for the entirety of their lives. These consequences penetrate even deeper when there are unknowns involved. For Vender in David Burr Gerard’s Epiphany Machine-- the unknown haunts him. As the search for information on the whereabouts of his mother and the possibility of the terrifying truth of the Epiphany Machine come to a head he must address that sometimes the unknown appears much more comfortable that the truth.
Venter Lowood’s internal battle between the desire for answers but the fear that comes along with the unknown drive him to confront a man that known to have a personal relationship with his mother. While this story contains a conflict between Venter and Adam Lyons, the entire basis
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of the story revolves around the deeper turmoil within Venter. The narrator, Venter Lowood, is both the protagonist and antagonist. The cause of the conflict is that his search for truth is not without fear. This section of the story takes place in New York apartment where Adam Lyons lives and the Epiphany Machine does its work. It occurs sometime in the future, we know this because tattoos were outlawed at some point. The truth of the decisions of his mother to leave his grandmother to raise him and the looming opportunity to get an epiphany from the epiphany machine (even though it may ultimately reveal something very negative) and the search into the unknown for it cause him distress. The dynamics of the characters, both those present in this section of the story and those previously mentioned, help to reinforce the unknown in the story.
There are many bigger pieces to the story in connection to the characters that are left ambiguous. The protagonist Venter Lowood is presumable son of Issac Lowood and Rose Schuldenfrei. The story contains a moment when it is made clear that there is an inkling of suspicion that Adam Lyons may be his father. Seventeen-year-old Venter finds himself on a mission for information about his mother. Rose Schuldenfrei is the mother of Venter and the motivation for the venture to visit Adam Lyons and the Epiphany Machine. She worked with Adam Lyons as his superintendent. After leaving working for Adam Lyons she went on to birth and raise Venter for some period of time. She had one encounter with Lyons after his birth. Issac Lowood is the Father of Venter Lowood. His whereabouts are not made known to the reader but his presence in the life of Venter does not seem. Adam Lyons is not the father of Venter Lowood. He is the owner of the epiphany machine. He comes across as confident but slimy and conniving. He makes it clear that he desired Rose, but nothing ever happened between the two of them. There are many holes of mystery in the weaving together of the characters. Venter is not telling the whole story, to himself or to others. Each character holds their own
secrets.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
There are some literary devices or methods that can be applied in analyzing a given story that can either be short or long. Other aspects include literary devices, contrast, repetition, and anomalies (Wallek and Warren, 1956). In this task, I will use the short story, The First Day, which is written by Edward P. Jones. I will provide a summary of the story and later analyze it by identifying the devices used and how they have been applied to bring out the meaning of the story. The story is about a little girl seeing her mother as a flawed woman. The first day of school or the young girl, she found out her mother is not perfect. It’s not easy when you grew up expecting something, but after a while you find out the opposite is completely right.
... also come to the conclusion that complete understanding is not only impossible but also undesirable. As a result, Jack agrees with Ellis Burden who reasons that “Separateness [from God] is identity,” and since only God knows everything, ignorance is a quality all humans share (Warren 659). It is ironic that the world seems clearer to Jack when he realizes that men are naturally ignorant than when he sought to understand everything. Jack’s progress lies in his ability to “distinguish the pursuit of knowledge from Complete Knowledge itself” (Wolf). Jack realizes that it is only human have the freedom to pursue knowledge, while the possession of Complete Knowledge destroys the purpose of life. Jack’s epiphanies occur at the expense of others, namely Judge Irwin, Willie, and Adam, but it is necessary for Jack to learn that freedom comes from the realization of truth.
O’Connor consciously constructs both Julian Chestny and his mother to participants of convergence and yet incapable of coalescence because of their distortion of self and reality, in part because they live in a world that supports this pretense. From the outset of the story, O’Connor builds an inane world through Julian’s limited view. Julian and his mother set out into a sky of “dying violet,” the start of their journey to reduction marked by the ending of a what should be a beautiful bloom—this imparts an uncanny sense of foreclosure to a beginning (406). Here, O’Connor already portends that their style and approach to building
Nothing hurts more than being betrayed by a loved one, Christopher’s father has no trust in Christopher and tells him that his “Mother died 2 years ago”(22) and Christopher thinks his mother died of a heart attack. When Christopher finds out his father lied, he runs away to live with his mother and his father despritally looks for him and while looking for him realizes the importance of telling the truth. When someone betrays one’s trust, they can feel morally violated. Once Christopher finds his mother, she begins to realize how unfit her living conditions are for Christopher and brings him back to his father, bring him “[..] home in Swindon”(207) Christopher feels incredibly hurt and distressed he does not want to see his father. Whether a relationship can be repaired depends entirely on whether trust can or cannot be restored. Christopher’s father works very hard to regain his trust, he tells his son “[..] I don’t know about you, but this...this just hurts too much”, Christopher’s father is dealing with the result of being dishonest with his son and himself.
In Part I of the novel, Agee quickly establishes the importance of the father-son relationship. Rufus Follet, Jay's six-year-old son, accompanies his father to the silent film theatre against the objection of Rufus's mother, who finds Charlie Chaplin (one of James Agee's heroes) “nasty” and “vulgar.” This disagreement underscores the marital conflict that underlies Rufus's ambivalent feelings toward both his parents. When Jay takes Rufus to a neighborhood tavern after the picture show, despite the father's warmth and love for his son, it is clear that the father's pride is constrained by the fact that the son's proclivities, even at this early age, follow the mother's interests in “culture” rather than the father's more democratic tastes for athletic ability and social pursuits. Tensions between Rufus's parents are apparent as Jay's drinking and “vulgar” habits become a point of contention in the household, with the child Rufus caught between his sometimes bickering parents. For her part, Mary Follet is a character whose extreme subjection to moralistic attitudes suggests...
Another realization that helps the narrator gain more of an identity is the realization of his grandfather’s advice.
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
Throughout the narrative, the text utilizes the conflict over the crisis of cognition, or the very mystery regarding the Marquise’s lack of knowledge surrounding her mysterious pregnancy, as a catalyst for the presentation of the plurality of opinions associated with the Marquise’s current status in society and presumptions to the father’s identity. In itself, this state of cognitive dissonance prevents the Marquise from making any attempts at atoning for her supposed sin, as she herself is unaware of any possible transgressions responsible for her current predicament. In turn, this separation from the truth pushes the marquise to fall into the conviction that the “incomprehensible change[s] in her figure” and “inner sensations” (85) she felt were due to the god of Fantasy or Morpheus or even “one of his attendant dreams,” (74) thereby relinquishing her subconscious from any guilt. However, despite her self-assurance of innocence and desperate pleas at expressing her clear conscience, the marquise becomes subject to external pressures from both her family and society, who come to perc...
Relationships are often difficult and messy, especially in the world Tayari Jones presents in her 2011 novel Silver Sparrow, chronicling the lives of the two daughters of bigamist father James Witherspoon. Jones depicts the complicated the world of Dana Yarboro the secret daughter, her father’s attempts to hide her from the prying view of the world and her refusal to stay hidden. While Chaurisse Witherspoon the public daughter James proudly presents to the world for all to see, enjoys the luxury of suburban life. Throughout the novel Jones’ character, Dana tries to reconcile how she can be part of her father’s family, but not truly a part of his life. While Chaurisse moves through the world with blissful ignorance of the secret life that lay
... is not at all that he imagined. It is dismal and dark and thrives on the profit motive and the eternal lure its name evokes in men. The boy realizes that he has placed all his love and hope in a world that does not exist except in his imagination. He feels angry and betrayed and realizes his self-deception. He feels he is “a creature driven and derided by vanity” and the vanity is his own (Sample Essays).
Franz Kafka’s short story “A Report to an Academy” follows the story of an ape named Rotpeter who is forcibly removed from his homeland and transitions to living as a human. Rotpeter’s journey is symbolic of the journey of the ordinary human towards enlightenment. First, he is ignorant, then he is forcibly awoken from his former state, then he must work hard at first to begin his journey to enlightenment. The latter progression from semi-enlightened to mostly-enlightened is easier than the initial parts of the journey, but for Kafka, enlightenment is impossible to fully attain. He showcases this with the “tickling at the heels” (Kafka 3) that “everyone on earth feels” (3); this “tickling” (3) is the lingering unenlightenment that haunts everyone and threatens to return at any moment. Kafka uses the story of Rotpeter to show that no one can ever completely achieve a state of enlightenment.
With both hands resting lightly on the table to each side of his white foam cup, Otis stared into its deep abyss of emptiness with his head bowed as if willing it to fill again, giving him a reason to enjoy the shelter that the indoors provided. I could almost touch the conflict going on inside of him, a battle of wills as if he was negotiating with an imaginary devil on one shoulder and an angel on the other. I sensed a cramp of discomfort seizing his insides, compelling him to flee, then a silent resolve, as if a moment of clarity had graced his consciousness.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
Guilt and clandestine behaviour are major elements in the disintegration of the Keller family. Secrecy is defined in the opening stage directions with the Kellers house. The house is exemplified as having a; “secluded atmosphere”. The adjective; “secluded” suggests that the Kellers don’t want prying eyes and unwanted questions which suggests that they are cloaking a dark secret that they do not want to be divulged. Keller is shown to have little feeling of contrition, however he shows some remorse when he says he has; “never been ill” which suggests to the audience that he is guilty and he was not actually; “ill” when the faulty parts were shipped. Furthermore, towards the end of the play Keller begins to show how remorseful he feels, this is delineated when Chris turns against him and Keller starts “pleading” with him. The noun; “pleading” shows a...