Evil: Morally bad or wrong; wicked. Causing ruin, injury, or pain; harmful. Characterized by or indicating future misfortune; ominous. Bad or blameworthy by report; infamous. Characterized by anger or spite; malicious. The definition of evil, a term used very cautiously in modern society, is very diverse among different people. In Joseph Conrad’s Heart of Darkness, the term evil is articulated through several ways mainly four characters: the cruelty within the people of the Belgian Congo, main mystery of Kurtz, the setting upon which the characters reside, and the atmosphere in which the Belgian Congo produces from the elements prior stated. The smarter Europeans used their intelligence and arms strength to cruelly overcome the weaker natives. The concept of evil is personified in the story through different things mainly through a man named Kurtz. Even though the land of the Belgian Congo can be thought of being evil by the Europeans, the land is more of a medium used to bring out the worst in people. Aside from the land the inhabitants can be thought of being a means for corruption. Also Conrad focuses on darkness as being a factor of the evil. Conrad incorporates darkness to his story as a whole whether through: characters, settings, or motifs.
Evil, although not directly mentioned, is the after effect of the Europeans conquest of the Congo. As much as one may want to believe this story is all fictional, it’s not the Belgian Congo really was a part of history. The supposed purpose of the Europeans traveling into Africa was to civilize the natives. Instead they colonized on the native's land and corrupted the natives. The Europeans implement their own beliefs upon the weaker natives, like the way that Cortez and the Spa...
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...s spiritually reborn. The story itself uses Kurtz as the dark right side in which Marlow searches for entering into the darkness of his own persona. The journey that Marlow goes through within himself is one that is very complex.
This whole story consists of a large paradox, the darkness can be represented as Kurtz yet Kurtz can be perceived as a dark inner side of Marlow’s character, while the Congo can represent pure evil, and the Congo could also represent the test in which Marlow goes through to emerge as the changed man the reader sees at the end of the story. Yet as Marlow rides on the boat back with Kurtz he realizes that everybody has that lil’ bit of evil inside of them it all depends how you control it or let it control you. For Marlow he learned from seeing a man who was so much like him, Kurtz end up ruined by the temptation of the jungle.
The mind is a wonderful thing. It allows us to think on three very different levels. One we choose to express, one we don’t choose to express, and one we do not even know exists. All these stages of thinking are clouded over in Joseph Conrad’s The Heart of Darkness. Three menacing forces occur that completely take over the white man to act inappropriately. They accuse others of acting savage, when they violently act against people of other cultures. They conform to specific beliefs, and push aside their subconscious thoughts. These men also have an abundance of ignorance that makes them feel false superiority. The Heart of Darkness reaches into the minds of readers, to prove that all of civilization is surrounded by an abundance of forces that can fog our mind, and darken our hearts.
The things that Kurtz had both done and seen in his life were in fact horrible, but was something. that Marlow was able to see past. This is later clear by what is in. his thoughts as he talks to the woman. He condemns mankind as a whole with this statement. .
Looking at the book from a psychological viewpoint, there are apparent similarities to the psychological theories of Sigmund Freud in its suggestion that dreams are a clue to hidden areas of the mind, and that at the heart of things--which Freud called the Id--we are all primitive brutes and savages, capable of the most appalling wishes and the most horrifying impulses. Through Freud, or other systems of thought that resemble Freud's, we can make sense of “the urge Marlow feels to leave his boat and join the natives for a savage whoop and hollar” (Tessitore, 42). We might even, in this light, notice that Marlow keeps insisting that Kurtz is a voice--a voice who seems to speak to him out of the heart of the immense darkness--and so perhaps he can be thought of, in a sense, as the voice of Marlow's own deepest, psychological self. Of course, we must remember that it is doubtful Conrad had ever heard Sigmund Freud when he set out to write the book. Although a psychological viewpoint is very useful, it does not speak to the whole of our experience of the book.
The epiphany of Marlow in "The Heart of Darkness" has significance in the overall story. The theme of the story is how every man has inside himself a heart of darkness and that a person, being alienated like Kurtz, will become more savage. Marlow, in his epiphany, realizes the savagery of man and how being alienated from modern civilization causes one to be savage and raw. This savagery is shown especially in the death of the helmsman, which is where Marlow's epiphany takes place, but the savagery is also show in Kurtz. The link that Kurtz has to the natives and the death of the helmsman is that the natives work for Kurtz.
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
In Heart of Darkness, Joseph Conrad presents the character of Kurtz as a man who is seen differently by all who know him depending on their individual experiences with him. His cousin knew him as a man with great musical talent, others knew him as a great leader, and his “Intended” fiance knew him as an admirable humanitarian; but all of these knew him to be a remarkable genius. When the narrator, Marlow, first hears of him, he is told that Kurtz is known as a great leader destined to hold high positions and fame. However, as he travels the river, he also learns that Kurtz has become insane during his time in the African jungle. After Marlow finally comes into contact with him, he discovers that Kurtz has become a god among the natives and has been brutally collecting the coveted ivory. Marlow finally convinces the deathly ill man to return to the ship where he finally dies. Upon his death, Kurtz’s facial expression causes Marlow to feel as though he may be seeing his entire life passing just before it ends; and finally, he murmurs his final words “The horror! The horror!” (Conrad, p. 64).
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.
Kurtz once was considered an honorable man, but living in the Congo separated from his own culture he changed greatly. In the jungle he discovers his evil side, secluded from the rest of his own society he becomes corrupted by power. "My Ivory. My people, my ivory, my station, my river," everything was under Kurtz's reign. While at Kurtz's camp Marlow encounters the broken roof on Kurtz's house, the "black hole," this is a sign of the uncivilized. The black hole represents the unknown and unconquered, and therefore represents the uncivilized. Also, Marlow notices the "black heads" on Kurt...
In Heart of Darkness, Conrad uses light and dark to symbolize good and evil, respectively. "It is whiteness that is truly sinister and evil, for it symbolizes the immoral scramble for loot by the unscrupulous and unfeeling Belgian traders in ivory and human flesh; the whiteness of ivory is also contrasted with the blackness of the natives whose lives must be destroyed for its sake" (Gillon 25). Two central themes occur in Conrad's Heart of Darkness. The first is the struggle between the white people and the native tribes, which plays into the next theme, that of light versus dark.... ... middle of paper ...
The Significance of the Congo River For Marlow, the journey on the Congo River is one of the most difficult and ominous journeys he will ever take. The fact that it takes him around and not completely into the jungle is significant of Marlow's psychological journey as well. He never really goes on land but watches the shore from the outside. The only time he goes on shore he finds a wasteland. For Marlow the jungle of the Congo is representative of evil that man is capable of. In Heart of Darkness, it seems that the further Marlow travels into the jungle, the deeper he looks into himself. All this time is spent on the Congo River as he looks from the outside. This is symbolic as he is looking at his soul from the outside but never really sees himself until he goes on land to get Kurtz. When he arrives on land is symbolic of when he looks the deepest into himself. He goes to find Kurtz on his deathbed and is given he choice to take over for him as a god among an African tribe. Marlow is faced with the ultimate choice between good and evil. For a moment it is uncertain what choice Marlow will make. But, unlike Kurtz, Marlow picks the good over evil, as he rescues Kurtz back to the steamer. The fact that Marlow sailed along the Congo River, around the jungle, and not actually into the jungle is an important symbol also. Marlow never walks the path that Kurtz did to self-destruction. He went around the jungle to avoid getting captured by evil. Kurtz was a decent Englishman until he gave into the desires of his heart of darkness. Kurtz spent all his time in the jungle and eventually forgot all of his self-control, manners, and upbringing. He truly looked in the deepest part of himself and found that his evil desires would reign. This is symbolic because he was deep inside the jungle. In this respect Conrad uses to men to show the reader both the good and bad of humankind. He shows the true evil and good that man is capable of If proper restraints had been there would Kurtz have done things differently?
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
In Heart of Darkness by Joseph Conrad, "darkness" represents various parts of reality, human nature, and the corruption of decency when faced with insurmountable obstacles. Darkness is used throughout the novella in reference to skin color, ignorance, actual darkness of the jungle, as well as blackness at the heart of imperialism and anarchy. Marlow uses it regularly, both in a literal sense and in a symbolic sense to show how the Congo affects people morally and ethically.
...il of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision,-he cried out twice, a cry that was no more that a breath- 'The horror! The horror!' "(Longman, 2000, p. 2240). This is what distinguishes the two men; Kurtz abandoned himself and went over the edge, but Marlow is aware of just how close he was to becoming what Kurtz was.