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Symbolic imagery in the heart of darkness
Heart of darkness as a metaphorical journey
Themes in Joseph Conrad's heart of darkness
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Recommended: Symbolic imagery in the heart of darkness
In Heart of Darkness by Joseph Conrad, "darkness" represents various parts of reality, human nature, and the corruption of decency when faced with insurmountable obstacles. Darkness is used throughout the novella in reference to skin color, ignorance, actual darkness of the jungle, as well as blackness at the heart of imperialism and anarchy. Marlow uses it regularly, both in a literal sense and in a symbolic sense to show how the Congo affects people morally and ethically.
Throughout the novel, Conrad shows the reader that appearances can be deceptive. Our first view of this is the map of uncharted Africa. Marlow is able to see that the continent, when drawn, is for the most part unknown. As the result, it appears white on the map (Conrad 5). Through exploration, colonization, and exploitation, the rest of the continent will be charted and filled in, which will cause Africa to appear dark. This is in direct contrast to the perception that exploration brings "light" to a region. Here, Conrad is trying to illustrate the negative consequences of colonization.
In Heart of Darkness, Conrad also uses light and dark to tell us more about the inner state of specific characters. Kurtz, a Caucasian man, has white skin, but also has the darkest and most depraved soul
The “heart of darkness” refers not only to a physical location inside Africa, but also to a state of mind and the consequences of imperialism. The wilderness of Africa makes men metaphorically blind to their situations and surroundings. In Heart of Darkness, through the experience of going deep into the Congo River, Marlow not only discovers the evil and brutality of imperialism but also finds the evil side of human nature. The Europeans go to Africa in the name of civilizing the savage people there. However, once they themselves break away from the constraints of civilization, they give in to the evil side of human
The contrast between light and dark is very important when attempting to understand Conrad's thoughts and ideas about civilization and what it really is.
Conrad's racism is portrayed in the actions and perceptions of Marlow along his trip up the Congo. Marlow's views of the area during the beginning of the trip are given as inhumane, and uncivilized. The Heart of Darkness for Marlow is the ignorance and brutality that he witnesses from natives as well as Whites that are met upon his trip.
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to the effect for the reader, but also to the overall meaning.
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
As Marlow assists the reader in understanding the story he tells, many inversions and contrasts are utilized in order to increase apperception of the true meaning it holds. One of the most commonly occurring divergences is the un orthodox implications that light and dark embody. Conrad’s Heart of Darkness brims with paradoxes and symbolism throughout its entirety, with the intent of assisting the reader in comprehending the truth of not only human nature, but of the world.
The novel, Heart of Darkness, by Joseph Conrad, is literally about Marlow’s journey into the Belgian Congo, but symbolically about the discovery of his heart and soul during his journey, only to find that it is consumed by darkness. He realizes that the man he admired and respected most, is really demonic and that he may be just like him. He is able to come to this realization however, before it takes the best of him.
An iconography is a symbolic representation that carries hidden meaning of a term, image, and item. Both Conrad’s Heart of Darkness and Achebe’s Things Fall Apart fully describe many symbolisms of specific items and all of them are attached to different kinds of meaning behind. Although Heart of Darkness is a famous literature that was criticized by Chinua Achebe and each of their work represents different point of views during similar time of history, both literatures have a similarity that they operate iconography in relation to race, class and identity with their own interpretations of symbols and icons.
Conrad also employs the literary device of symbolism to further display the theme, the duality of human nature in his novella Heart of Darkness. Three major examples of symbolism are evident in this novella. These examples include, light and dark, the Congo River, and ivory. Similar to Stevenson, Conrad uses light and dark symbolism throughout his novella. Yet curiously in Heart of Darkness, light does not symbolize genuine goodness nor does dark symbolize pure calamity. Marlow proves this when he says as a comment to the Nellie’s sailors that, “I know that the sunlight can be made to lie, too” (Conrad 1944). The true essence of the light and dark symbolism is portrayed when Marlow compares the white men to the black men, concluding that these men are all the same. In Heart of Darkness, the symbolizing of light and dark actually represents the duality of human nature, a universal condition, which affects all men despite their skin color. In Heart of Darkness, Marlow’s voyage up the Congo River represents Marlow’s own inward journey. As Marlow advances up the river in search for Kurtz, he begins to learn more and more about himself. Nearing the end of his voyage up the Congo River, Marlow realizes he has more in common with the natives than with the European imperialists. At the end of his journey, when Marlow finally reaches Kurtz, he has learned that everybody has a dark side, but some people learned how to conceal it better than others. The third example of symbolism is ivory. In Heart of Darkness, ivory symbolizes greed and the calamitous nature of man, or the evil side. All throughout the novella the agents and managers of the Company are consumed by obtaining ivory. So much so, that they abandon all their moral principles and...
One interpretation of Marlow's relationship to colonialism is that he does not support it. Conrad writes, "They were not enemies, they were not criminals, they were nothing earthly now,-nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom" (p. 27-28). Marlow says this and is stressing that the so-called "savages", or Africans, are being treated and punished like they are criminals or enemies when in fact they never did anything. He observes the slow torture of these people and is disgusted with it. Marlow feels sympathy for the black people being slaved around by the Europeans but doesn't do anything to change it because that is the way things are. One can see the sympathy by the way that he gives a starving black man one of his biscuits. "To tear treasure out of the bowels of the land was their desire, with no moral purpose at the back of it than there is in burglars breaking into a safe" (p. 54). This statement by Marlow conveys that he doesn't believe that the Europeans have a right to be stripping Africa of its riches. He views the Jungles of Africa as almost it's own living, breathing monster.
Heart of Darkness is written in the narrative frame and Conrad uses the character of Marlow to narrate his story of the "darkness" of the European colonialization. Marlow narrates his tell aboard a yawl to an anonymous crew. Joseph Conrad became more aware of King Leopold's policy within the Congo, causing millions of deaths of African natives because inhumane practices. He felt he could impact readers through depicting these horrors in his novel. From this viewpoint, Conrad goes on to build his novel of the around the theme of "darkness" compared to a man's natural wi...
The "Heart of Darkness," written by Joseph Conrad in 1899 as a short story, is about two men who face their own identities as what they consider to be civilized Europeans and the struggle to not to abandon their themselves and their morality once they venture into the "darkness." The use of "darkness" is in the book's title and in throughout the story and takes on a number of meanings that are not easily understood until the story progresses. As you read the story you realize that the meaning of "darkness" is not something that is constant but changes depending on the context it used.
Joseph Conrad's novel Heart of Darkness portrays an image of Africa that is dark and inhuman. Not only does he describe the actual, physical continent of Africa as "so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness" (Conrad 94), as though the continent could neither breed nor support any true human life, but he also manages to depict Africans as though they are not worthy of the respect commonly due to the white man. At one point the main character, Marlow, describes one of the paths he follows: "Can't say I saw any road or any upkeep, unless the body of a middle-aged negro, with a bullet-hole in the forehead, upon which I absolutely stumbled three miles farther on, may be considered as a permanent improvement" (48). Conrad's description of Africa and Africans served to misinform the Western world, and went uncontested for many years.
Although Conrad uses racist language in this book, it doesn’t mean that he is really racist. When we look at the language, we are just looking at the very surface of the story. Heart of Darkness is a story full of irony and deception. At one point, Conrad made a very interesting point. He suggested that the light is used to indicate deceit in Heart of Darkness.