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The different genres of movies
Film genres essay
Film genres essay
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Dario Argento is arguably the world’s best and most talented horror film director. The director made some of the most popular horror movies including Deep Red (Profondo Rosso) – 1975 and The Bird with the Crystal Plumage (L’uccello Dalle piume di Cristallo) – 1970. We can thank Mr. Dario Argento for directing and Writing more than 20 great movies in his lifetime most of them horror. He accomplished a lot and he also helped to add a lot to the horror movie genre. Mr. Dario Argento Accomplished a lot to show that here’s a quote from a famous book writer “Dario Argento is one of the most original intellects to work in the horror genre” (Workland ,277). He is a small list of what he has Accomplished in 2001 he won the Lifetime Achievement Award …show more content…
His Horror movies generally had an emphasis on bright saturated colors, complex Cinematography, and skillful editing which came together to produce extremely violent movies. The techniques that he used made the murder look almost alluring. Which brings us to his American hit and arguably his best film which is probably his masterpiece and his most influential film: Suspiria – 1977 a film that he Directed it and help write it (only during post-production). This film has one of his trademarks an American in Europe witnessing a violent crime and getting caught in the middle of a complex murder mystery, that try to solve or …show more content…
Argento’s work has a lot of surrealism, in his movie Deep Red (Profondo Rosso) – 1975 Argento’s most surreal movie. The movie showed how a movie could look and feel unusually strange and almost like an experiment and at the same time still be attractive and professionally made. This surrealism helped inspire John Carpenter’s Halloween – 1978 and Don Coscarelli’s Phantasm – 1979. Phantasm had the dreamlike quality that the Deep red had. What Dario Argento did had an inspiration on Lucio Fulci's The Beyond– 1981, Brian De Palma's Raising Cain –1992 and every Giallo that came out, Argento’s work also had an effect across the pond in Hollywood. When one watches films such Don Coscarelli’s Phantasm– 1979 it's hard not to think or not see Argento’s affluence in that movie, even though Don Coscarelli did not come out and saw that Argento’s was an influence. At the end It's hard to estimate how much Dario Argento actually contributed to the horror films because everyday more and more films are coming out that show some of his
Guillermo González Camarena was a Mexican electrical engineer who was the inventor of a color-wheel type of color television, and who also introduced color television to Mexico,
He was a Horatio Alger Award recipient in 1995 and serves as a member of
Following careful thought on which director to study, I chose Francis Ford Coppola. Although he has directed more films than I have had the opportunity to experience, I have viewed enough to understand his progression and style of his work. Over almost forty years of work, Coppola has directed about twenty-five films, produced near forty-five, composed two, and acted in eight. He is known predominantly for Apocalypse Now (1979) and The Godfather I (1972), II (1974), and III (1990). However, he has worked in other genres, such as Horror/Romance, Musical, and even Comedy.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Hitchcock's Film Psycho Ever since the first horror movies were produced they have attracted huge audiences seeking to be scared, chilled and thrilled. Horror movies are so popular because the audience can get the adrenaline rush of being scared without actually putting themselves in danger, and also the audience ultimately get a rush of relief at the end of the film when the killer is killed. This is the same reason why people go on roller coasters because you get the adrenaline rush and then the relief when you get off. Also often horror movies are highly sexual films, and what's more it's a great excuse to hug your girlfriend! Horror movies started in the 1920's with German masterpieces of the silent era such as the ''Nosferatu'' directed by F.W Murneau (1922).
Movies come in different genres which are horror, romantic, comedy and even surreal genres. However, only a few directors were only working for films that were based on surrealism. Surreal films are the kind of films in which you found it strange and you will also think that this kind of films exists. Below is the list of the most surreal films.
Canadian filmmaker and cinephile, Guy Maddin once said, “I do feel a bit like Dracula in Winnipeg. I’m safe, but can travel abroad and suck up all sorts of ideas from other filmmakers… Then I can come back here and hoard these tropes and cinematic devices.” Here, Maddin addresses his filmmaking saying that he takes aspects from different film styles and appropriates them into his own work. In The Saddest Music in the World (2003), Maddin uses a combination of French Surrealist filmmaking and classical American Hollywood cinema, specifically melodrama, to create his own style. In an article by William Beard, Steven Shaviro talks about Maddin’s filmmaking, and he links Surrealism and melodrama together saying, “Maddin’s films are driven by a tension between romantic excess [melodrama] on the one hand and absurdist humour [Surrealism] on the other.” In regards to The Saddest Music in the World, the relationship between Surrealism and melodrama is not one of tension, as Shaviro suggests, but one of cooperation. This paper will analyze two films by filmmakers Maddin was familiar with —Un Chien Andalou (1929) by Luis Buñuel and Salvador Dali on the Surrealist side, and All That Heaven Allows (1955) by Douglas Sirk on the melodrama side—to showcase the important elements of each, concluding with an analysis of The Saddest Music in the World in conjunction with both film styles. Ultimately, it will be shown how Guy Maddin combines French Surrealist cinema and Hollywood melodrama in The Saddest Music in the World, to create his own unique film style.
His experimental and unique perverse screenwriting has shocked and inspired numerous people. His aesthetics painted horror vividly and presented itself dramatically. His musical and cinematic vision was a healthy extension of his devilishly, clever, and demented mind. His modes of publication with music, film and print, had and still a tremendous fanbase. He has gained our attention in every media related forum and we can’t look away, even if we try. He has left us cheering, screaming and on the edge of our seats. We leave feeling bad about ourselves for watching his visual storytelling unfold. “You know, it’s like, I’m going to sit here for 90 minutes and watch these guys get fucked up with no hope. That’s what I love about these films, you walk out feeling bad about yourself, saying “Why did I enjoy that? What does this say about me as a person?” It is a cathartic experience that horror lovers can have again and again. Not acting on those horrific urges, but instead, becoming one of his characters that were just never really understood and that evil is real. Evil never dies and revenge always wins or at least in horror
For this paper I chose to explore Alfred Hitchcock’s Psycho because it has remained the only horror movie I’ve seen to date. I went into a couple others but immediately left; let’s just say horror is not my favorite genre of film. People may or may not always call Psycho a horror film, it may be more of a thriller to people nowadays, but I still believe the correct genre analysis is horror because it should always refer to the genre at the time the film was created and released. I chose Psycho because I spent multiple weeks in high school studying Hitchcock, and Psycho specifically, so I feel comfortable writing on it. I also thoroughly enjoy the film, its backstory, and the character development. Plus, it’s been roughly adapted into one of my favorite shows: Bates Motel, which I will also briefly explore.
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
Hitchcock employs plenty of unique visuals, including camera tricks that confuse depth perception, invasive close-ups, film noir lighting, and rapid cuts to show nudity with out showing nudity or extreme violence / killing without much blood. The movie “Psycho” was a first for several filmic elements making it sometimes more notable than effective. At its heart, however it’s a extreme thrilling murder/ mystery that boasts a climax unlike any other before its time. The suspense and anticipation are almost unbearable, keeping the ultimate, answers brilliantly stowed until the very
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has led several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island.
Frist Alfred Hitchcock, he is the master of suspense. He imposed a new style with his films.
One of the most influential Italian cinemas film directors was Federico Fellini, who became popular after World War II. The filmography of Fellini included 24 titles; of which won him five Academy Awards including the most Oscars in history for best foreign language film (Encyclopaedia Britannica). Federico Fellini’s influences have became such an integral part of the film industry, that some of his influences are barely even credited to him in todays society such as the word “paparazzi” which originated in his film La Dolce Vita, and became the word it means today. Also high schools across the America stage perform the Broadway musical comedy Sweet Charity, which was based on the Fellini film Nights of Cabiria, which was a film about an eternally optimistic Roman prostitute (Encyclopaedia Britannica). Fellini started out as a documentary-style realist in the Neorealism movement but soon developed his own distinctive style of autobiographical films that imposed dreamlike or hallucinatory imagery upon ordinary situations and portrayed people at their most bizarre state (Encyclopaedia Britannica). Federico Fellini was a significant directors in the Neorealism movement in his early career but later left Neorealism behind and created a new style of film that’s influences are still seen today and are prominent in film and other artistic pieces of work.