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Dante's inferno analysis
Dante's inferno analysis
Dante's sins and punishments
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Some people may argue that, the punishments in circle 4 and ditch 10 of circle 8 don’t fit the crime because, hoarding/spending only effect the one individual and that the punishment of constant pain/torture is too extreme for just trying to turn metals into gold. When Virgil first came upon spenders and hoarders he declared, “O unenlightened creatures, how deep-the ignorance that hampers you!” (VII. 70-71). As Virgil is pitying the sinners he is pointing out how their own problems affect themselves. Also, the moment Dante entered the 10th ditch of circle 8 he exclaimed, “I felt the force of strange laments, like arrows whose shafts are barbed with pity; and at this I had to place my hands across my ears.” (XXIX. 43-45). Even to Dante the punishments were to such an unnecessary extent he had to shield himself from it. …show more content…
For example, sinners in the 4th circle of Hell according to Virgil, their, “Ill giving and ill keeping have robbed both of the fair world and set them to this” (VII. 58-60). By hoarding and by spending the sinners have taken away from the world, they have ether kept too much that others could befit from. Or on the flip side of the coin, have spent too much to not be able to provide for others in their life. Additionally, Dante is Announcing to the punished sinners, “do not let your vile and filthy torment make you afraid to let me know your names.” (XXIX. 107-108). Dante calls out the sinner’s sins, as a man of the Church, Dante the pilgrim and Dante as the poet despises what they have done, after all what they did was a direct offense against
This quote symbols all feelings of sympathy and kindness have left Datnes heart as he now get revenge on all those who betrayed him. Dantes wants to be the instrument that hands out the punishment to his enemies.
One of the first punishments we observe comes from the fifth circle of Dante’s hell, the wrathful and the sullen, as the author expresses his thoughts of the fitting consequence with each sin. This portion of the text begins in the seventh canto and in it the punishment of those who lived in wrath are discussed, when Dante and Virgil first enter the circle they see a marsh containing people who endlessly beat upon each other the idea being that because they lived their lives in wrath they will live out their eternity with pure hatred for any soul they may encounter. Also addressed in this circle is the punishment for those who lived their life in a sullen manner, ignoring the goodness that the world around them contained. “‘Sullen were we in the air made sweet by the sun; in the glory or his shinning our hearts poured a bitter smoke. Sullen we begun; sullen we lie forever i...
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
...results but continues to do them. An example of a thief is Vanni Fucci. – “I am Vanni Fucci, the beast…/ I am put down so low because it was I/ who stole the treasure from the Sacristy, / for which others once were blamed.” (24.124-139) Vanni Fucci was also known as a man of violence but Dante places him in the eighth circle because theft is a greater sin.
This notion of the suitability of God’s punishments figures significantly in the structure of Dante’s Hell. To readers, as well as Dante himself (the character), the torments Dante and Virgil behold seem surprisingly harsh, possibly harsher than is fair, Dante exclaims this with surprise. He doesn’t actually wonder who decided on these tortures. He knows it was god. What he is questioning is how these punishments are just, since they don’t appear to be just from a human’s point of view which views each punishment together with its conjugate sin only superficially. For example, homosexuals must endure an eternity of walking on hot sand, and those who charge interest on loans sit beneath a rain of fire. At first glance, each one seems too terrible for any sin. However, when the poem is viewed as a whole, it becomes clear that the guiding principle of these punishments is one of balance. Sinners suffer punishment to the degree befitting the gravity of their sin, in a manner matching that sin’s nature. The structures of the poem and of hell serve to reinforce this correspondence.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...
In Dante’s Inferno, those who never repented for their sins are sent there after death. Like the old Latin proverb says, “The knowledge of sin is the beginning of salvation.” (“Latin Proverb Quotes” ThinkExist) The punishments in his Hell are decided by the law of retribution, which according to Webster’s Dictionary is the total effect of a person's actions and conduct during the successive phases of the person's existence, regarded as determining the person's destiny. (“Retribution” Merriam-Webster) Therefore, Dante creates a variety of reprimands for the three different types of sins: incontinence, violence, and fraudulence. These penalties can also be referred to as allegories because of their hidden moral meaning. The three best allegories in Dante’s Inferno describe the flatterers, fortune tellers, and suicides.
Dante’s definition of justice is fascinating because it incorporates many aspects of Philosophy and Catholicism. According to Dorothy L. Sayers, Dante classifies sins into 3 categories which is heavily based on Aristotle. Dante’s classifications are Incontinence, Violence, and Fraud. Incontinence is an uncontrolled appetite, in other words, people pursue bodily pleasure while thinking that they should not do so. This includes gluttony and lust. Violence is a perverted appetite which means people pursue acts that are especially wicked. Fraud is the worst type of sin because it harms reason. These sins create Dante...
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Dante Alighieri's The Inferno is a first-person poem that tells the story of Dante’s journey through the nine circles of Hell after he strays from the rightful path. Each circle of Hell contains sinners who have committed different sins during their lifetime and are punished based on the severity of their sins. When taking the beliefs and moral teachings of the Catholic Church into consideration, these punishments seem especially unfair and extreme. Souls residing in Purgatory receive punishments despite the fact that this level is not considered part of Hell. As Dante and his guide, Virgil, enter Ante-Inferno (also known as Purgatory), Virgil explains to him that this is where the souls of those who did not take a side between God and Satan or did not do anything during their lifetime that would determine whether they would go to Hell or Heaven (III. 30-37.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Sinners are placed in Hell according to the severity of their sins, lower for those who commit more grave sins. Dante’s placement of sinners can sometime be unjust and biased because of his personal beliefs and the beliefs of the Catholic church at the time. Dante unfairly places those who did not even have the option of being Christian in Hell and his little knowledge of mental illnesses combined with his old-fashioned Catholic beliefs prompts him to put those who committed suicide in Hell. Dante’s nationalistic and political bias also leads him put people he feels wronged him personally in the lowest circle of Hell. Dante speaks heavily about Divine Justice and God’s punishment but his choice of sinners seems too biased and ignorant to be the product of Divine
Dante is undoubtedly biased in his punishments and rankings of his sins as a result of his personal thoughts and experiences. Although some of his punishments are fairly reasonably and match the crime, there are also some circles that are in the wrong order and have unjustified punishments. A few of the circles that are the most disagreeable include limbo, the lustful, violence against self, and complex fraud. These specific circles are disagreeable because Dante ranks them based on his own experiences and thoughts. Hell could also be redesigned in a completely different way to make it more reasonable. Dante’s divine comedy has some major biased within it, making the sins and punishments arrangements arguable, and able to be completely redesigned.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sin, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.