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The inferno dante analysis
The inferno dante analysis
The inferno dante analysis
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Dante Alighieri's The Inferno is a poem written in first person that tells a story of Dante’s journey through the nine circles of Hell after he strays from the rightful path. Each circle of Hell contains sinners who have committed different sins during their lifetime and are punished based on the severity of their sins. When taking into the beliefs and moral teachings of the Catholic Church into consideration, these punishments seem especially unfair and extreme.
Souls residing in Purgatory receive punishments despite the fact that this level is not considered part of Hell. As Dante and his guide, Virgil, enter Ante-Inferno (also known as Purgatory), Virgil explains to him that this is where the souls of those who did not take a side between God and Satan or did not do anything during their lifetime that would determine whether they would go to Hell or Heaven (III. 30-37). The punishment that the souls in Purgatory must face is being bitten by insects and weeping for the rest of eternity, which is unreasonable seeing that Purgatory, according to the Catholic Church, is a place intended for people who need to be cleansed of their sins before entering Heaven (“Catholicism and Purgatory”). The Catholic Church’s definition of Purgatory implies that the souls here have not done anything honorable enough to earn a place in Heaven nor have they done anything so wrong as to deserve being put in Hell. Because Purgatory is neither Heaven nor Hell, it does not make sense for the souls kept here to receive a punishment like the sinners in Hell do.
Similarly, souls in Limbo also face punishments even though they have not necessarily done anything that would put them in Hell. When Dante and Virgil enter the first circle of Hell, also known ...
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Although most of the punishments may have been fitting and appropriate based on the sins that were committed, there are a few that the Catholic Church would disagree with, namely the fact that blasphemers against God received such a mild punishment and that souls in Purgatory and Limbo were punished at all. In conclusion, although Dante’s The Inferno does often allude to the Bible, it is not biblically accurate and was not meant to be a teaching of the Catholic Church, but a fictional story of his own vision of Hell intended for literary purposes.
Works Cited
"Catholicism and Purgatory." - For Dummies. N.p., n.d. Web. 14 Mar. 2014.
New International Version. [Colorado Springs]: Biblica, 2011. BibleGateway.com. Web. 14 Mar. 2014.
Alighieri, Dante. The Inferno of Dante. Trans. Robert Pinskey. New York: Farrar, Straus, and Giroux, 1994. Print.
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
God states that we treat each other with the love he gives to us as individuals; while us stating violent acts against love, fraud constituting a corruption and, greed becoming normal thing amongst people defines everything god had envisioned for mankind. Yet, while Inferno implies these moral arguments, it generally states very little about them. Dante discusses with each of the souls in the different circles of hell although it is not truly stated as to why they are specifically in that circle. Only because God justifies there sin belonged there. In the end, it declares that evil is evil, simply because it contradicts God’s will and justification, and since God is God, he thus does not need to be questioned about his morals. Dante’s journey of evil progressed as he winded down the depths of hell pitiless and was driven to make it to purgatory. Inferno is not the normal text that most people would read, then think about how it relates to todays morals; its intention is not to think about the evil discussed but, rather to emphasize the Christian beliefs that Dante followed through his journey.
Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.
This notion of the suitability of God’s punishments figures significantly in the structure of Dante’s Hell. To readers, as well as Dante himself (the character), the torments Dante and Virgil behold seem surprisingly harsh, possibly harsher than is fair, Dante exclaims this with surprise. He doesn’t actually wonder who decided on these tortures. He knows it was god. What he is questioning is how these punishments are just, since they don’t appear to be just from a human’s point of view which views each punishment together with its conjugate sin only superficially. For example, homosexuals must endure an eternity of walking on hot sand, and those who charge interest on loans sit beneath a rain of fire. At first glance, each one seems too terrible for any sin. However, when the poem is viewed as a whole, it becomes clear that the guiding principle of these punishments is one of balance. Sinners suffer punishment to the degree befitting the gravity of their sin, in a manner matching that sin’s nature. The structures of the poem and of hell serve to reinforce this correspondence.
Dante went through each level of hell with his guide the poet Virgil starting from the top, from the sinners whose punishment was not as bad as the last level of Hell. To show , from high to low it was first, limbo in which the sinners in which did not sin, but were never baptized. Secondly, lust the sinners who have a sexual desire and were punished by have winds pushed them back and forward. Thirdly, Gluttony, here the sinners who are selfish suffer day and night in
In the Inferno we follow the journey of Dante as he wanders off the path of moral truth and into Hell. The Virgin Mary and Santa Lucia ask Beatrice, Dante’s deceased love, to send some help. Thus, Virgil comes to the rescue and essentially guides Dante through Hell and back to the mortal world from which he came. However, things begin to seem kind of odd. When reading the Inferno one may begin to question the way Dante describes Hell and the things that occur within, or even the things we have always believed about Hell. Despite the way it is described and well known in western civilization, Hell is not at all how we expect it to be because of Dante's use of irony throughout this poetic masterpiece.
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...
Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.
Inferno is the first and most famous of a three part series by Dante Alighieri known as the Divine Comedy that describes his journey to God through the levels of Hell, Purgatory, and Paradise written in the early fourteenth century. Scholars spanning over nearly seven centuries have praised its beauty and complexity, unmatched by any other medieval poem. Patrick Hunt’s review, “On the Inferno,” states, “Dante’s extensive use of symbolism and prolific use of allegory— even in incredible anatomical detail—have been often plumbed as scholars have explored the gamut of his work’s classical, biblical, historical, and contemporary political significance” (9). In the story, each of the three main characters, Dante, Virgil, and Beatrice, represent
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
Dante is undoubtedly biased in his punishments and rankings of his sins as a result of his personal thoughts and experiences. Although some of his punishments are fairly reasonably and match the crime, there are also some circles that are in the wrong order and have unjustified punishments. A few of the circles that are the most disagreeable include limbo, the lustful, violence against self, and complex fraud. These specific circles are disagreeable because Dante ranks them based on his own experiences and thoughts. Hell could also be redesigned in a completely different way to make it more reasonable. Dante’s divine comedy has some major biased within it, making the sins and punishments arrangements arguable, and able to be completely redesigned.
Despite the obvious flaws of Dante himself, he does give a clear vision of how punishments will be taken forth in the afterlife. He gives reason to fear and respect the law of God lest eternal punishment be your only promise in the afterlife. These punishments are as relevant as can be, so he offers a very vivid picture of hell. The men that he puts in hell give it a realistic twist, enhancing the fear that is felt upon reading this work
As mentioned above, the structure of Hell is determined by the sins people commit during their lifetime (the specific morals people disobey) and how ‘bad’ these sins are considered to be (within their respective divisions). The sins being described in The Inferno abide by the rules written for the Catholic religion in The Bible, which is why The Inferno is often viewed as a religious text. This explains why Aristotle and Dante would disagree on a few key points of what it means to be virtuous. Aristotle is adamant about not having excess nor deficiency and rather finding a middle ground (mean), whereas Dante abides by the virtues laid out in The Bible. Hell usually personifies what would be considered excessive rather than deficiency in Aristotle’s code of ethics because of its background in the Catholic religion. One example of this exists with humility. In the Catholic context, humility stands a virtue that is praised in The Bible (and therefore Inferno) whereas in Nicomachean Ethics humility is a vice to be looked down on. This continues to be the case with many different excesses and virtues for