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Social norms of america
Social norms of america
Social norms of america
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Baylard, Dana Reece. "Daisy Miller." Masterplots, Fourth Edition (2010): 1-3. Literary Reference Center. Web. 23 Feb. 2014.
This article analyzes the traditional social expectations implemented in an ancient European setting that conflicted with the more unorthodox ways of Americans who were traveling in Europe. Baylard depicts Daisy Miller’s behavior in the novella as innocent, yet ignorant to the customs of sophisticated Europe. Baylard describes Daisy Miller’s repeated misjudgment from Geneva’s society and reflects on the positive attributes to her personality that unfortunately are consumed by her conformity during her untimely death by the end of the novella. The author, Baylard, discusses how Daisy’s behavior is innocently rash and that her behavior is unintentionally trying to be lewd, but being in an unfamiliar setting to that of modern America has left her unaware of how to act properly. This is what leads to her misjudgment, which is clearly represented in Baylard’s descriptions of how various characters acted in the story. Such as Eugino, who would act shocked and look at the Millers in a disapproving manner, or that of Mrs. Costello, who Baylard points out as an example of how women were supposed to act. Women of this specific time period, as Baylard says, were defined as delicately feeble as Mrs. Costello is similarly with her constant headaches, but Daisy’s untraditionally improper ways are a breath of fresh air to the typical norms.
Brown, Melanie. "Freedom in Daisy Miller." Bloom's Literature. Facts On File, Inc. Web. 3 Mar. 2014.
The writing discusses the theme of “Daisy Miller: A Study” being about freedom. Brown bring up the fact that Daisy and the Millers grew up in America where having a sense of in...
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...ce and gives an effective analysis on her point of view.
Works Cited
Baylard, Dana Reece. "Daisy Miller." Masterplots, Fourth Edition (2010): 1-3. Literary Reference Center. Web. 23 Feb. 2014.
Brown, Melanie. "Freedom in Daisy Miller." Bloom's Literature. Facts On File, Inc. Web. 3 Mar. 2014.
Bruccoli, Matthew J., and Judith S. Baugman. "Daisy Miller." Bloom's Literature. Facts On File, Inc. Web. 2 Mar. 2014.
Coffin, Tristram P. "Daisy Miller, Western Hero." Western Folklore 17.4 (1958): 273-75. JSTOR. Web. 01 Mar. 2014.
Dunbar, Viola R. “The Revision of Daisy Miller.” Modern Language Notes 65.5 (1950): 311-317. JSTOR. Web. 28 Feb. 2014.
Morris, Toni J. "Daisy Miller." Cyclopedia Of Literary Places (2003): 1. Literary Reference Center. Web. 5 Mar. 2014.
Werlock, Abby H. P. "Daisy Miller." Bloom's Literature. Facts On File, Inc. Web. 5 Mar. 2014.
Labin, Linda. ”Harrison Bergeron.” Masterplots II: Short Story Series, Revised Edition. 2004: 1-2. Literary Reference Center. Web. 12 March 2014.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Podolsky, Marjorie J. "Octavia E. Butler." Magill’S Survey Of American Literature, Revised Edition (2006): 1-5. Literary Reference Center. Web. 14 Mar. 2014.
Bibliography:.. Works Cited Meyer, M., Ed., (1999). Bedford Introduction to Literature, 5th Ed. Boston: Bedford/St. Martin.
Kempe, Margery. "From The Book of Margery Kempe." The Norton Anthology of Literature By Women. 2nd ed. Sandra Gilbert and Susan Gubar. New York: W.W. Norton & Company, 1996. 18-24.
The story “Daisy Miller” is a romance of a love that can never be. The character Annie P. Miller (known as Daisy Miller) is portrayed as a young naive wild yet, innocent girl who want to do nothing more but have fun with the company she please. The story “Daisy Miller” is a lot like The Age of Innocence. In both the movie and the book the leading lady was shunned from society because of their behavior. Both Daisy and the Countess Olenska were misunderstood and out-casted because they were saw as different. These women did not want to conform to what the society thought was proper and good, they had their own opinion and was bold in their time to state it.
n.p., n.d. N. pag. Bloom's Literature. Web. 23 Jan. 2014.
Browning, Elizabeth Barrett. “The Runaway Slave at Pilgrim’s Point”. 1850. Correspondence Course Notes: ENGL 205*S Selected Women Writers I, Spring-Summer 2003, pp. 51-58. Kingston, ON: Queen’s University, 2003.
Nadelhaft, Ruth L. Joseph Conrad, Bloom's Major Short Story Writers. Philadelphia: Chelsea House, 2000. Print.
Works Cited “American Literature 1865-1914.” Baym 1271. Baym, Nina et al. Ed. The Norton Anthology of American Literature.
Daisy Miller may be uneducated, as Winterbourne and his aunt describe her, but she is witty." One illustration of her humor takes place at Mrs. Walker"s party when Winterbourne is criticizing her for her relations with Giovanelli." He says they don"t "understand that sort of thing here"not in young married women."Daisy cries, "I thought they understood nothing else!" and goes on to say, "It seems to me more proper in young unmarried than in old married ones."Daisy typically speaks and behaves frankly, almost in a child-like fashion, but this shows, as the narrator describes it, a "startling worldly knowledge" (1587)." Daisy is somewhat rustic but smart." She has a "natural elegance" and a mixture of" "innocence and crudity," and yet, as seen in her response, her character proves to go beyond the boundaries of this character type of the natural beauty (1564 and 1574).
Daisy Miller was used by Henry James to represent the American Stereotype in that time and to differentiate American and European customs. She was the “American flirt” in this story; very young, unsophisticated, and bold. In the time that this novella was written, it was not uncommon for Americans to visit and explore Europe. Europeans held a negative opinion of Americans due to the Americans’ spontaneous and often poor manners. Daisy’s character represented all Americans and Winterbourne represented the Europeans even though he, himself, was American as well.
James, Henry. Daisy Miller: A Study. The Heath Anthology of American Literature Volume C Late Nineteenth Century 1865-1910. Ed. Suzanne P. Weir. Boston, New York: Houghton Mifflin Company, 2006. 281-320.
A. “Reading Little Women.” Temple University Press (1984): 151-65. Rpt in Novels for Students. Ed. Elizabeth Thomason.
Bily, Cynthia A. "Annabel Lee." Masterplots II: Poetry, Revised Edition (2002): 1-2. Literary Reference Center Plus. Web. 4 Apr. 2014.