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Personal identity and culture
Personal identity and culture
Cultural influences on identity
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Daisy Miller is a story related by a young, American man named Winterborne, who lives mostly in Europe. Winterborne meets a lovely young lady named Daisy Miller at a Swiss resort in Vevey. He notices her naiveté, having no reservations about talking to strangers. He befriends this young girl very quickly. He would love to introduce her to his aunt, but she thinks that Daisy is common, vulgar, and refuses to meet her. Daisy and her family decide to leave the resort and visit Italy. Several months passe until Daisy speaks to him again. She invited him to Italy. He finds Daisy with an Italian man named Giovanelli. Winterborne notices that Giovanelli is not what he considers a gentleman. After finding Giovanelli and Daisy at the Coliseum late one night, Winterborne thinks of Daisy as “a young lady whom a gentleman need no be at pains to respect';. Daisy, unfortunately dies of Roman fever a week later. In some messages Daisy sent to Winterborne from her deathbed, he realizes that she was still a very innocent girl and desired his respect. Winterborne realizes that he has indeed lived “too long in foreign parts.'; He has been so influenced by conservative European social conventions that he was unable to appreciate Daisy’s free and natural spirit.
The theme of the novel focuses on the harm that is done when an individual is rejected by society for unconventional behavior. Non-conformists are type cast in a negative way and their individuality is devalued. James presents Daisy as the “free, spontaneous, independent, natural'; (Fogel p.3) American girl who is stereotyped as “disreputable'; (Fogel p.9) by the highly conventional Europeanized Americans she meets in Vevey and Rome. At the same time, James shows how Daisy’s “utter disregard for convention prevents her from successfully relating to others'; (Fogel p.9) and leads to her death when she disregards warnings not to go the Coliseum at night.
James conveys the poetic dimension of Daisy Miller by using symbolism in the names of the characters in the novel. Daisy’s name suggests her innocence and freedom. “Etymologically, daisy means ‘the day’s eye’ suggesting Daisy’s radiance, her fresh ‘morning’ quality, and beautifully fitting into the further symbolism that flowerlike Daisy closes up and then dies after Winterborne cuts her.'; (Fogel p.38) Thrice, Winterborne met Daisy in a garden, a place where flowers grow, once in Vevey and the second time in the Pincian Garden in Rome, and the third, and final time he saw her was at her grave, which was “beneath the cypresses and the thick spring flowers.
The author, Melina Marchetta applies a variety of familiar and stereotypical events in the book. From cases such as the different characters, their characteristics and their reaction upon certain events that occur in the book. One great example of a stereotypical event in this book is the relationship between Josephine Alibrandi and Jacob Coote who is the school captain of a public school called Cook High. “He cracked two eggs on my glasses once” (32).
Jordan Baker, Daisy's friend, is portrayed by Fitzgerald as a masculine figure. One of the first things we find out about this woman is the fact that she is a professional golf player. Nowadays, we don't find anything unusual about this, but, in the twenties, it was quite unusual to find a woman playing golf. When we first meet this character, she is described as a 'slender, small breasted girl with an erect carriage which she accentuated by throwing her body backward at the shoulders like a young cadet.'; Small breasts are usually symbolic of a masculine figure, as would being a 'young cadet.'; Later on, we see her reading the Saturday Evening Post, and turning the pages with a 'flutter of slender muscles in her arms.'; Reading a newspaper would be an unlikely action of a woman of that time, and even her muscles reveal her masculine features. Fitzgerald's masculine depiction of Miss Baker in this fashion shows the reader the coming of a self sufficient woman into our times.
In Leland S. Pearson, Jr.’s essay “Herstory” and Daisy Buchanan,” Pearson explains why Daisy’s character is incomplete in the novel. Particularly in this paragraph:
Throughout Marilynne Robinson’s works, readers are often reminded of themes that defy the status quo of popular ideas at the time. She explores transience and loneliness, amongst other ideas as a way of expressing that being individual, and going against what is deemed normal in society is acceptable. Robinson utilizes traditional literary devices in order to highlight these concepts.
The central theme in “A Jury of Her Peers” is the place of women in society and especially the isolation this results in. We see this through the character, Minnie Foster and her isolation from love, happiness, companionship and from society as a whole. Not only does the story describe this isolation but it allows the reader to feel the impact of this isolation and recognize the tragedy of the situation.
Daisy Buchanan illustrates the downfall of the stereotypical upper class women of the 1920s; she is “high in a white palace the king’s daughter, the golden girl”, the girl who men idolize and dominate. Society has moulded her to be subservient and powerless. She is completely controlled by her husband Tom Buchanan, who is the archetypal character of the patriarchal social system of the 1920s. She is materialistic and s...
It is not surprising then, that Daisy Buchanan views herself as an elevated individual - in part due to her aristocratic lineage - and attempts to portray herself as such. However, her image progressively deteriorates in the eyes of Nick, and Fitzgerald herein captures his contempt towards the aristocracy, as despite having once been “the golden girl”, Daisy is now described as the embodiment of “vast carelessness”, Furthermore, Fitzgerald extends the “quality of distortion” to all classes in contemporary American society, as both Gatsby and Myrtle attempt to reject their impoverished dispositions, and portray themselves as elevated individuals. Gatsby’s attempt is ultimately futile, as despite his ostentatious displays of wealth, none of those who formerly attended his parties, attend his funeral, and he is thus left to die alone. Myrtle’s death, similarly reflects the futility of attempting to escape reality, as in an attempt to literally escape her disposition, she throws herself in front of Gatsby’s car. Thus, Fitzgerald effectively - yet quite pessimistically - expresses that it is futile to portray one’s self in an elevated manner, and living out one’s
When we tumble across Daisy for the first time, she is an absolutely monotonous character. She comes from an affluent family, is currently prosperous and will be in future. Daisy emerges to be in accompaniment of equivalence. On the other hand, against strong exploration, Daisy varies between conscious simplistic and deep, consciousness and insensible. Regardless, Daisy does not abide enough conversion to be analyzed as an accomplished character; it is competent to say that
Daisy Buchanan, the rich and charismatic cousin of Nick Carraway, objectifies to the primary status quo of women. Daisy portrays a very intelligent and superior character, yet she can also be extremely sly and selfish. The feeling of love she tries to show Gatsby is illegitimate and uncaring, the love she shows is towards his money and objects, not Gatsby himself. Daisy’s actions are not
Daisy’s society places her under strict social regulations based on wealth, which ultimately decide many aspects of her life. The 1920s society that is the setting for The Great Gatsby seems to consist of three social classes: the wealthy, socially connected, and old fashioned in East Egg; the newly rich and flamboyant lacking social connections in West Egg; and the poor living in the “Valley of Ashes.” Daisy Buchannan belongs to the upper East Egg class. Those who are part of this class are held to high social standards. Coming from a wealthy family, Da...
Daisy is the "pretty American flirt" throughout the novella (James 474). She is nice and sweet, but also rebellious and ignorant. Daisy really does not care what society thinks of her. You see this throughout the course of the novel when she goes to Chillon with Winterbourne alone and when she frolics the streets at night with Giovanelli. Most Europeans look down upon American travelers in Europe, especially when they do not follow the customs and culture of their country. This is something that still has not changed today. The Miller family treats their carrier, Eugenio, like one of the family. Typically carriers live and sleep on the lower levels of the house, while Eugenio sleeps on the same level and interacts with the family. This is something that stands out to Winterbourne's aunt, Mrs. Costello because that is unheard of in European culture. When Winterbourne tells Mrs. Costello about Daisy, you can see the symbolism already becoming very prevalent, "They are very common; they are the sort of Americans that one does one's duty by not- not accepting" Mrs. Costello feels very strongly about the Americans in a negative way. She refuses to be introduced to Daisy and tells Winterbourne that she should be more like his cousins from New York. Ironically enough, he has heard that his cousins are "tremendous flirts" (James 478). This is interesting because of Winterbourne's belief that all American girls are flirts.
Daisy is as fragile as a flower. Daisy Buchanan is known to be the beauty of Louisville, yet she is very weak and immature and doesn't think of the consequences of her actions. Daisy is a 19 year old young lady in the book, pressuring herself to get married. She believes it is the best thing for her, but does not think of how being marrying so young might affect her. According to Nick; "For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras... and all the time something within her was crying for a decision." (151) Daisy was ready to settle down and get married, but not just with any guy. She wanted the best, richest, good-looking, most powerful bachelor in town. What Daisy did not know was that marrying Tom Buchanan was the worst mistake she could make. Wild rumors that her husband was cheating on her, and about her marriage spread across Chicago, and Daisy knew that they were true. Her husband Tom was having an affair with this women named Myrtle Wilson, and showing h...
Daisy Buchanan is The Great Gatsby’s most impenetrable and disappointing character. Although Fitzgerald attempts to deem Daisy worthy of Gatsby’s infinite devotion, in the end, she reveals herself for what kind of person she truly is. Despite her flirtatious charm and undeniable beauty, Daisy is merely an insensitive and self-absorbed woman. Gatsby convinces himself that he is wholeheartedly in love with Daisy, when in fact, he is only in love with the idea of her. Although Fitzgerald makes Daisy seem pure and innocent, in actuality, she is the opposite of what she is presented to be.
fault of gatsby. relates to daisy to try and get him.Some women were independent and had
Daisy is a weak female character, who depends on wealthy men who would offer her safe haven. According to Nick Carraway Daisy” wanted her life shaped now, immediately— and the decision must be made by some force—of love, of money, of unquestionable practicality…” (Fitzgerald,161). The quote proves to us how daisy uses men that she will be able to depend on emotionally and materialistically.In the novel daisy plays the role of the stereotypical housewife; who treats her husband respectfully and is obedient towards him, with that being said Daisy is not the brightest female but she is smart enough to know to survive in a patriarchal society. Many people started to