Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The Character of Othello
Aspect of plot and character of othello
Character analysis of Iago of William Shakespeare's Othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The Character of Othello
Iago demonstrates manipulative tendencies throughout the play in order to benefit himself. William Shakespeare wrote the play, Othello to address the topic of manipulation and emphasizes the fact that deceiving people will lead to the manipulators downfall and cause serious ramifications. In Act 1, Iago introduces his hatred for the Moor and the basis of his plan “To get his [Cassio’s] place and to plume up my [Iago’s] will In double knavery...After some time, to abuse Othello’s ear That he is too familiar with his wife...The Moor is of a free and open nature...And will as tenderly be led by th’ nose As asses are...Hell and night Must bring this monstrous birth to the world’s light.” (1.3.330-341) Iago’s hatred for the Othello has brought him to …show more content…
Cassio and Roderigo are a couple loose ends that need to be taken care of. Iago manipulates Roderigo and convinces him to kill Cassio. Iago has decided that, “...whether he [Roderigo] kill Cassio Or Cassio him, or each do kill the other, Every way makes my [Iago] gain.” (5.11.13-15) When it came time for Roderigo to kill Cassio, Roderigo ended up missing and Cassio stabbed him. Cassio then was hamstringed by Iago, who later killed Roderigo and acted as if he had come upon a terrible scene and had no part in it. Meanwhile, Othello is so enraged with jealousy that he strangles Desdemona. Emilia tells Othello, “Oh, my mistress, a villain has made a mockery of you love! My husband said she was unfaithful!..If he [Iago] say so, may his pernicious soul Rot half a grain a day! He lies to th’ heart. She [Desdemona] was too fond of her most filthy bargain.” (5.2.162-169) Emilia begins to piece everything together and they realize that Iago has been manipulating all of them. Iago is so enraged that Emilia has figured out his scheme that he stabs her and Othello is so distraught over what he did that he commits suicide and dies beside his dear Desdemona in a tragic
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
The desires of Othello, Cassio, and Roderigo allowed Iago to develop his deceitful plots by either offering, in the cases of Roderigo and Cassio, or taking away, in the case of Othello, what they want most. Iago used the weaknesses of others to complete his horrifying mission of destroying those above him. Iago manipulates Roderigo by using him as a pawn in his game to gain power. He also manipulates Cassio by using his flaw of becoming angry when drunk against him, a secret Cassio believed he told to a trusting friend. Othello is most clearly blindsided by Iago’s plot and no longer desires to live when he realizes he has killed his truthful wife after being told a lie. These characters all shared the common fatal flaw of trust, which lead to their downfall.
Though her world was fall apart with Iago creating false images of an affair between her and Cassio to Othello, Desdemona strangely remains kind, innocent, and willing to grant grace. When Cassio approaches her for help, she quickly agrees to help her old friend. While she discusses relationships with Emilia, she rejects all thoughts of infidelity. She had every reason to fight Othello when Othello carries out her murder, yet she resist only a little, She responses, “The Lord have mercy on me…[and] mercy on you too” to Othello’s “Thou diest” (Othello 5.2.50; 71-74). When she is briefly revived and quested by Emilia as to who her murderer is, Desdemona only replies, “I myself” (Othello 5.2.152).
The lust for power which rushes through Iago, and the fact of him believing he is superior to others, is the main drive for Iago’s ambition to dismay others; however, these reason are not realistic
Within Shakespeare’s Othello, it conveys moral and subsequent reflection of events in its current society. In Act 4, Scene 2 (Part 1) demonstrates the road to Othello’s downfall and the success of Iago’s revenge. Within this scene, Othello interrogates Emilia for suspicion of Desdemona and Cassio’s affair, in which they have none, and with Othello's confrontation, he questions and insults her of her unfaithfulness and infidelity leaving Desdemona confused about what happened to Othello. Iago, called by Emilia, pretends to offer Desdemona comfort and Emilia raises notions of the possibilities and hypothesising that someone is 'feeding' Othello lies. Iago hastily covers these ideas to avoid exposure of the truth. This strong and indecisive scene twists the ideas of human nature within Othello’s mind and convinced perceptions of Desdemona, fulfilling Iago’s Revenge.
...race, beauty and status put her on a pedestal like a goddess allowing him to idolize her and therefore never truly deserve her. Beneath his noble persona on display for all to see, the idealistic view of his wife, leads him to believe that she will never be able to fully reciprocate the love he has for her. Iago’s exploitative tactics used for revenge trigger Othello’s fatal insecurities to surface for the ultimately climactic ending in which he smothers Desdemona with a pillow before discovering “honest” Iago had been deceiving him, as well as the majority of the other characters, the entire time. Outraged, Othello attempts to stab Iago as revenge for being manipulated into killing his beloved wife, however when his hasty murder attempt fails, the heartbroken and worn-out man stabs himself next to the already dead Desdemona, whom he never believed he was worthy of.
Like Roderigo, Cassio also believes in "Honest Iago," for he thinks that Iago is only trying to help him. On the night of Cassio’s watch, Iago convinces him to take another drink, knowing very well that it will make him drunk. Even though he really doesn’t want to, Roderigo puts his faith into Iago and states, "I’ll do’t, but it dislikes me." Iago’s plan goes smoothly when Cassio is make to look like an irresponsible fool, resulting in his termination as lieutenant.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
Iago is willing to prattle on Othello and Desdemona for animosity. Iago's poisoned language builds up Brabantio's fearness of mixed race marriage and especially his pure daughter. Iago's manipulation of Roderigo and Brabantio sets up the battle between Othello and Brabantio. Later on in the play Iago still seeks help from Roderigo by forcing him to kill Cassio whom is drunk with just a few words. Montano which is the governor of Cyprus stepped in to resolve the problem between Cassio and Roderigo. Unfortunately Cassio stabs Montano since he lost control of himself from Iago's...
Manipulation is viewed in a negative light in society, but if used correctly, such as advertisement, can be quite effective. Despite the fact that Iago is considered to be Othello’s right-hand man, he uses conniving and manipulation to get revenge, shaping every odd occurrence and event to his own cowardly schemes. Iago gets inside of Othello’s mind and uses his jealousy and persecution as the Moor against him. He controls Rodrigo and ultimately destroys his reputation as well as influences Cassio when he is depressed. Iago figures out ways to manipulate multiple characters in Shakespeare’s play Othello using their faults - jealousy, control, and pride – to obtain his wants and desires.
Othello’s own problems lead him to murder Desdemona. He has insecurity issues with himself. In the beginning of the play, Othello is confident. Iago speaks of Othello in a lowly manner oftentimes. He even calls him an “old black ram” and describes him as “tupping your white ewe” (1.1.9) when he wakens Brabantio with news of Desdemona’s marriage to Othello. Othello starts to degrade himself by saying “rude am I in speech” (1.3.96). This loss of confidence puts a dent in his relationship with Desdemona, laying the pavement for her later death. He is gullible for allowing Iago’s remarks to affect him. Therefore, Othello’s own personal conflicts lead to Desdemona’s demise.
Iago’s cunning strength lies in his ability to undermine every single character through their weaknesses. Specifically, Othello and Roderigo are the main victims of his lies and deceit. The trait Iago abuses in Roderigo is his naive nature. From the very start of the play, Iago cheats Roderigo of his money and later tricks him into attempting to kill Cassio: “I have no great devotion to the deed, / And yet he hath given me satisfying reasons. / ‘Tis but a man gone. Forth my sword! He dies!” (5.1. 8-10). Evidently, this gullible character is manipulated through the words of Iago as he attempts to kill Cassio for a chance at Desdemona. After his failure in doing so, Iago stabs Roderigo, as he is of no use anymore. In giving his trust to the misleading antagonist, Roderigo leaves himself completely vulnerable. This demonstrates how ruthlessly Iago uses this foolish character, as his longing for Desdemona is the cause of his death. The other victim, Othello, is the main target and falls furthest into this manipulative villain’s layers of lies. Iago is very strategic in his attacks and notices that Othello has a great deal of trust in him which can be easily torn apart. Iago uses this trait to get Othello to believe everything he says and begins by planting the seed of suspicion that Desdemona is having an affair with Cassio because of his understanding of
"I follow him to serve my turn upon him," said Iago (9:45). From the beginning of the story Iago has a cruel intent bent on destroying Othello merely because the job that he sought after was given to young Cassio. Exactly why his hatred burns so bright is unclear because it was not uncommon to lose a position to another soldier. With or without reasonable justification for revenge, Iago immediately starts to tear Othello apart by informing Brabantio (Desdemon's father, Othello;s wife) that she is out with a black ram and committing unjust acts. As time progresses Iago becomes more wrapped up in his lies that he even begins to believe that Othello has slept with his own wife, Emelia, and now he has even more reason to hate "the Moor", "I hate the Moor and it is thought abroad that `twixt my sheets `has done my office"( 55:429-431). Iago is so obsessed with his revenge on Othello that he does not care what happens to anyone else so long as he is happy. In the process of hurting Othello he manages to have Roderigo killed, Cassio severely injured, his own wife Emelia is slain by his own hands, Desdemona dies at the hands of her husband Othello, and after everything Othello kills himself. Sadly Iago accomplishes his revenge but with so many casualties and then he himself is tortured and killed for his part in the great conspiracy, but before he is punished he has to see that Cassio will be the one to take Othello's place (a strange irony since it was Cassio that Iago was jealous of).
Each point is explored further into Iago’s manipulation schemes and will analyze the nature of evil portrayed throughout the play. Shakespeare Othello was an act of many evil traits, including betrayal, manipulation and jealousy. Evil can be described as an act of someone who causes grievance, destruction, or impairment for one's own satisfaction; Iago, unquestionably, fits the description. Othello represented these traits through his character, Iago, as he reveals his true nature of evil by diminishing people's lives and becoming the downfall of many people around him. “Hell and night/ Must bring this monstrous birth to the world’s light” (I, iii, 394-396).