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The relationship between crime and family
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Cry, the Beloved Country Essay How Chaotic and Illegal Actions Cause Undesirable Consequences Everyone makes mistakes and does wrong at some points in their life, whether they break minor rules or commit serious felonies. With punishable actions come consequences, which impact the offender as well as whomever else the criminal action involves. Results of offenses can be irreversible and can have the potential to emotionally and physically tear apart families and relationships. Throughout the contemporary novel Cry, the Beloved Country, Alan Paton uses personification to reveal how chaotic and illegal actions can result in consequences that separate offenders from those that love them. When people commit such awful crimes, the family as well as those around them think of the offender as an outsider. As Absalom and his girlfriend “greeted each other like strangers” after they both know of their definite separation due to Absalom’s death, Paton indicates, “hands without life, not to be shaken, but to be held loosely, so that the hands fell …show more content…
Families and those that care for the criminals take the impact the hardest and almost perceive the separation as a physical obstruction: “There is a barrier here, a wall, something that cuts off one from the other” (130). The meeting of Stephen Kumalo and his son brings a feeling of tension, which Paton describes as very influential on them both, with emphasis on the personification of a physical separation barrier. The tragic and painful separation has a profound effect on both Absalom and his father because of their severance by a crime. In addition, both Absalom and the one(s) that he loves know that the criminal himself needs a punishment, and the tension just builds up for everyone involved. Punishments for crimes bring the criminal into even more isolation, especially a permanent consequence such as Absalom’s
Morley Callaghan’s novel More Joy in Heaven follows the short life of notorious bank robber and gunman Kip Caley. Callaghan's novel is based off and follows Red Ryan's now forgotten story almost word for word. Red Ryan and the fictional Kip Caley both face the effects of a being an outsider in a forceful, high-class society. Individuals and organizations play a huge responsibility role to ex-convicts; readers of More Joy in Heaven unfortunately see the side effects when selfishness and thirst for glory play into this important, delicate role. Nonetheless that readers see what the wrong individuals will do to an ex-convict, readers will also see what kinder individuals can do to someone trying to reform. Yet what the public does and does not do is not to be blamed systematically; Red Ryan and Kip Caley crave societies attention and even begin to depend on it before their story is over. Their craving for attention makes them vulnerable to being abused by society. Both society and parolees want to live the upstanding lives, but neither takes into account what the others wants and needs are, so who’s fault is it when a parolee fails to meet societies precast expectations?
However, instead of allowing the corruption and grief of losing a significant figure in her life completely consume her, Leah embraces a new culture and turns to another male figure, her husband Anatole, for guidance. With new surrounding influences, Leah encounters various forms of separation, whether it be from her birthplace, father, or husband, and accepts all the drawbacks and loses that come along with the isolation. At the same time, Leah also challenges herself to overcome the loss and succumb to the loneliness that could potentially bring her closer to a new aspect of life never explored before. Through it all, Leah turns her experiences with exile into bittersweet memories sprinkled across the time span of her life for each rift allowed her to obtain a sense of self identity during periods of time free of human contact or, in Leah’s case,
The Day of Mourning Protest, held in Sydney’s Australian Hall on the 26th of January, 1938, was an event organised by the Aborigines Progressive Organisation (APO) in a call for Aboriginal civil rights. It was held on the symbolic sesquicentenary of the British landing at Sydney Cove, as the day represented 150 years of Aboriginal suffering under the Whitemen. All “Aborigines and Persons of Aboriginal Blood” were invited to attend (APO, 1938 in BGGS, 2017, pg. 23).
When a person does something that hurts others, one will likely experience regret for the harm their actions. In A Separate Peace by John Knowles, the theme of guilt and its effects on your behavior, self-image, and your interactions with others is explored. Gene, in the beginning, sees Finny as his best friend, and relies on him for support and friendship; however, after Gene causes Finny to break his leg, his guilt causes him to change is personality and self-image. Their friendship is damaged by Gene’s guilt.
The short story, “Good Country People”, by Flannery O’Connor, was built on the elements of both irony and foreshadowing. Throughout the story, the most ironic aspect was the phrase: “good country people” because after analyzing each individual character, all of them were uniquely flawed in their own way. In addition every character’s name was uniquely crafted to either foreshadow future behavior or ironically give the character a deeper meaning as a whole. The main characters, Hulga and Manley were both ironically portrayed as someone they are not until their true characteristics were revealed at the very end when they were alone together.
In Harry Mulisch’s novel The Assault, the author not only informs society of the variance in perception of good and evil, but also provides evidence on how important it is for an innocent person experiencing guilt to come to terms with their personal past. First, Mulisch uses the characters Takes, Coster, and Ploeg to express the differences in perspective on the night of the assault. Then he uses Anton to express how one cannot hide from the past because of their guilt. Both of these lessons are important to Mulisch and worth sharing with his readers.
Cry, the Beloved Country is such a controversial novel that people tend to forget the true meaning and message being presented. Paton’s aim in writing the novel was to present and create awareness of the ongoing conflict within South Africa through his unbiased and objective view. The importance of the story lies within the title, which sheds light on South Africa’s slowly crumbling society and land, for it is the citizens and the land itself which are “crying” for their beloved country as it collapses under the pressures of racism, broken tribes and native exploitation.
As the reader, I was deeply overwhelmed with many mixed emotions such as compassion, sadness, happiness, disgust, remorse, and fear. I have pity for the characters in the book The Road, because “the man” and “the boy” have to pass day to day struggling to survive in a frigid bleak world where food is scarce “They squatted in the road and ate rice and cold beans they’d cooked days ago.” “Already beginning to ferment.”(McCarthy 29). The landscape is blackened, and mankind is almost extinct “The mummied dead everywhere.”(McCarthy 24). As I read on I noticed myself connecting more deeply with the characters. When the boy’s mother takes her own life, I was deeply saddened and my heart broke for “the boy” simply because his mom, someone he cherished and loved so much, had given up on hope and faith and deserted him. I just wan...
One of the main characters suffered most from this theme of isolation indefinitely. Poor Sethe. Through her life she was forced to make many indelicate decisions which could have cost her, her life, but comparatively the only life that was lost was here daughters. The way her daughter was conceived was not what Sethe wanted. When a woman is raped, I feel that she loses part of herself possibly a piece of dignity. Sethe became detached from herself for she felt that nothing in the world could do right if something like this could happen. Not only did she have to deal with that fact, which created some inner isolation, she also had to make the decision whether or not to kill her daughter or let her suffer through a life of slavery. She made the decision to have her daughter killed. This also created some detachment from herself. Perhaps she felt as if her mind had deceived because she had her daughter killed. But yet, s...
...ms by which to live. An individual confronts many challenges in society, whether it be crime and punishment, struggle to grow, or other rapid modifications. Cry, The Beloved Country and Things Fall Apart exemplify how societies can be disrupted and how people react to interruptions to their traditional way of life. Some choose to adapt to society’s new ways, while others resist assimilating themselves with the innovative public. Societal change happens no matter where you are, however, how someone allows it to affect them remains determined by that person. Society maintains their own way of punishment, production of a particular type of person, and causes some to prevent from adapting to its evolving ways.
Of all musical genres country music is perhaps the one most influenced by a male presence. Country music is often associated with the classic cowboy strumming a guitar around a campfire or riding his horse with a guitar strapped to his back. Even the politics of country music is inclined towards a male-dominated, republican, conservative, pro-war stance (Spong 184). The stereotypical women of country music “behave properly” and passively follow the same values as men do. Therefore, in 2003 when the Dixie Chicks, a three member all female country music band, became the top selling female group of all time it was quite an accomplishment. Their success began in 1997 with an image that embraced their versatility. Martie Maguire and Emily Robison, who are sisters, played fiddle and banjo and provided background vocals to lead vocalist Natalie Maines, gifted with a strong, clear voice. Maines stood out from the others with her forceful stage presence. They wore feminine, bling infused, non-countrified outfits. They were pretty to look at and kind of goofy in demeanor (129). The kind of young women fans could imagine having a lot of fun with, but also the kind that young women could identify with through their music. Songs like “Goodbye Earl” described a strong woman who has had enough of her abusive husband and ends up killing him. However, the band delivered it in a style that was far from morose. It sent a clear message of girl power for many women (129). Many accolades followed from the Academy of Country Music and the Country Music Association (CMA) which included Entertainer of the Year, Top Vocal Group, and album of the Year (Towner 293). During the first five years of their career they sold 28 million copies of the three records...
Cry the Beloved Country, by Alan Paton, is the story of the two fictional characters, Stephen Kumalo and James Jarvis, who lose their sons in South Africa in 1948. In his story, Alan Paton used the George Hegel's Dialect of thesis, antithesis, synthesis, in order to expose social injustices in a microcosm of South Africa that correlate to the macrocosm of the issues faced by the entire country and what must be done to fix these injustices. Paton subdivided his story into three books. The first of these books, depicts the Journey of Stephen Kumalo, to try and restore his family, is a cry against injustice. The second book focused mainly on James Jarvis’s plight to understand his deceased son, depicts the yearning for justice. While the final book displays the restoration and repair of the injustices derived from the yearning for justice.
With the typical mystery novel falling between the common outline of victims and an unknown criminal that is painted in a dull and consistent palette of predictability, every single character in this storyline is a criminal but also a victim of their own guilt. Rather than exploring the mere surface of leveled justice, a deeper meaning of the concept is reached as death is doled out in an order of increasing guilt; those who are less guilty die towards the beginning of the purge to evade the anxiety and panic that haunts one as they continue their trek and witness their fate. Evading the governmental justice system before, the characters are emotionally tortured as they succumb to their thoughts and
Bibliography w/4 sources Cry , the Beloved Country by Alan Paton is a perfect example of post-colonial literature. South Africa is a colonized country, which is, in many ways, still living under oppression. Though no longer living under apartheid, the indigenous Africans are treated as a minority, as they were when Paton wrote the book. This novel provides the political view of the author in both subtle and evident ways. Looking at the skeleton of the novel, it is extremely evident that relationship of the colonized vs. colonizers, in this case the blacks vs. the whites, rules the plot. Every character’s race is provided and has association with his/her place in life. A black man kills a white man, therefore that black man must die. A black umfundisi lives in a valley of desolation, while a white farmer dwells above on a rich plot of land. White men are even taken to court for the simple gesture of giving a black man a ride. This is not a subtle point, the reader is immediately stricken by the diversities in the lives of the South Africans.
The novel Tsotsi, by Athol Fugard, is a story of redemption and reconciliation, facing the past, and confronts the core elements of human nature. The character going through this journey, who the novel is named after, is a young man who is part of the lowest level of society in a poor shanty town in South Africa. Tsotsi is a thug, someone who kills for money and suffers no remorse. But he starts changing when circumstance finds him in possession of a baby, which acts as a catalyst in his life. A chain of events leads him to regain memories of his childhood and discover why he is the way he is. The novel sets parameters of being “human” and brings these to the consideration of the reader. The reader’s limits of redemption are challenged as Tsotsi comes from a life lacking what the novel suggests are base human emotions.