Cruel Iago Alfred Lord Tennyson once said, “A lie that is half-truth is the darkest of all lies”, implying that when a lie has somewhat of a truth to it, it could be more damaging than a lie without truth to it. Lies are part of everyone 's human nature, some lies are not meant to hurt people but other lies do, even if they are only half lies. In William Shakespeare 's play “Othello”, the character Iago is no different than people to this day that have this human nature trait, but in his case he uses it to hurt people. Iago puts on a mask that makes him come off as an honorable friend. Iago hides behind this mask of innocents, and behind that mask Iago is a manipulative, malicious villain of all time, who enjoys causing chaos and watching
Othello is strikingly an outcast, he is an exotic in a white man’s society. Othello is referred to as the “The Moor” throughout this whole play, “Moor is a name applied to the Arab and Berber peoples in North Africa who inhabited medieval Spain” (Karen Kay BritainInprint). This already sets him apart from everyone else, making it easy for Iago to make Othello sound like the bad guy. All the more so, his relationship with Desdemona was not thought of highly and very rare at this time. With Othello being an outcast and in a marriage that no one approves of, it sets up Iago to be able to capitalize on Othello’s lack of confidence and to make Othello feel jealous. Iago starts off by, telling Othello that Desdemona is being unfaithful to him and that she prefers people of the same type as her, Iago states, “As – to be bold with you – / Not to affect many proposed matches / Of her own clime, complexion, and degree, / Whereto we see in all things nature tends” (3.3. 244-247). Iago knows that Cassio is the perfect match, he is the same age, same race and class as Desdemona, whereas Othello does not have any other these characteristics. Furthermore, Iago uses Desdemona’s pass against her to convince Othello of her unfaithfulness, “She did deceive her father, marrying you; / And when she seemed to shake and fear your looks, / She loved them the most” (3.3. 220-223), Iago deceives that Desdemona, having already go behind her father’s back, there is a very high chance that she will be unfaithful to Othello. Little by little, Iago wears down Othello’s wall piece by piece and the jealousy and doubt begin to grow wild in Othello. Additionally, Iago clouds Othello’s mind to the point where Othello trust no one but Iago. Iago wraps Othello in nothing but lies, continuing to use Othello’s lack of confidence in himself and Othello’s growing doubt and jealousy until he is turned
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago, like Satan, has proved himself to be a master at deception. He lies to everyone taking great care to disguise his own thoughts. For example, in Act 1, scene 2, when he is speaking to Othello about his feelings toward Cassio, he uses very strong language of a manly soldier, while at the same time, he lies throughout the whole speech faking loyalty to a fellow soldier and all the while implying that he is reluctantly holding back the full truth: "I had rather have this tongue cut from my mouth/ Than it should do offense to Michael Cassio" (I.ii.21-22). This deception impresses and convinces Othello that his ensign is a good and loyal soldier. Iago also succeeds in deceiving Cassio. After Cassio's drunken fight, Iago counsels him to speak to Desdimona about trying to convince Othello to reinstate him as lieutenant, all th...
Iago in William Shakespeare's Othello When the play "Othello" was first written by Cinthio the character of Iago was simple, and he had a legitimate motive for the trouble he was causing. In Cinthio's version Iago had a great love for Desdemona and because he was unable to fulfil his love, he became frustrated and expressed this frustration by creating havoc. Shakespeare, however, upon writing his version of "Othello" rejected this idea and converted Iago into a more complex character, and directed his hatred not against Desdemona but against Othello.
William Shakespeare's Othello is a remarkable tale of trust, deceitfulness, lust and the most destructive of human emotions: vengeance and hatred. Iago better known as Othello's antagonist embodies vengeance and hatred to move an agenda to squash all who oppose Iago's plans. As defined by Merrium-Webster the definition of a protagonist is a principal character in a literary work or a leading actor, character, or participant in a literary work. Othello by Shakespeare is a play about Othello an example of a tragic hero with all figures centered around Othello as the protagonist yet, Othello has two main leading characters. Iago and Othello have stark contrasts as leading roles and different themes represented through the actions, words, and moral compass of both characters. As Othello plays out the audience finds that Iago is the driving force behind Othello and the cause for all chaos. Iago's thirst for vengeance due to feeling dissatisfied and passed over potential lieutenant position pushes Iago to ruin the lives of all associated with Othello. The thirst for vengeance drives Iago as Iago drives the plot achieving all goals and because of this Iago is the true protagonist of Othello.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
All Iago had to do was hint at Desdemona being unfaithful and Othello’s becomes very bothered it and eventually starts believing it. The author of an essay does an analysis on Iago and says “He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.“ (Shakespeare’s Othello – Honest Iago). So Iago would hint at something going between Desdemona and Cassio so that Othello would become bothered and ask him what he means by that, it was like a game that Iago was playing, he would drop a little hint and then expect Othello to pick up on it and start questioning it and become more even suspicious. Brabantio tells Othello “Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee” (I.ii.286-287), So In this scene Brabantio warns Othello that Desdemona has already fooled him and she might fool him too, so be careful, and it turns out, Othello believed in him after all and that’s part of the reason of why he thinks that Desdemona is being unfaithful to him. It leads him to start questioning Desdemona in a very suspicious way. At one point he even hits her in front of a nobleman and that was very shocking to the nobleman because he believed him to be a very calm and collected gentleman but obviously he was a changed man. The nobleman even expresses his shock by saying that “My lord, this would not be believed in Venice, though I should swear I saw’t. ‘Tis very much make her amends; she weeps” (IV .i.217-219). This negative thinking and insecurity was one of the main reasons to Othello’s change in a negative way. A lot of this was Iago’s doing but it was also Othello’s fault to fall for Iago’s
The core of it is thanks to 1603’s views on African males, as they believed that they were savages that practiced black magic. So, this had caused issues once Iago had resurfaced those problems with the subtle reference to the infidelity of Desdemona. He does this through saying innocently “As for Michael Cassio I think it would be safe for me to swear that he’s honest” although it seems harmless the amount of ideas that plants in Othello’s head while distancing himself, protecting and accusing Cassio at the same time. The complexity of this one quote by Iago is enough for Othello to be sent down a deep spiral of self-doubt and anger displaying how easily his insecurities can be exposed. Deconstructing the same scene, there is a ton of irony here as he utters Cassio’s name once after making Othello say it five times. Iago acts innocent and clueless which is against his character and saying that Cassio is honest when in fact Iago isn’t but Cassio is, creating a paradox situation that is irony filled. This is the turning point in the plotline as Iago has just planted the seeds of doubt in Othello’s mind and it will only bloom from
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
One of the themes of the play is prejudice. The reader gets a taste of Iago’s prejudice against women and sexist ways when Desdemona and Cassio first arrive on Cyprus. Iago says to Desdemona “You are pictures out of door/ Bells in your parlors/ Wild-cats in your kitchens/ Saints in your injuries, devils being offended/ players in your housewifery, and housewives in your beds.” (2.1.109- 112). He thinks that all women have two sides to them; a pleasant public side and an irritating private side and he sees Desdemona as a lesser person simply because she is female. Iago looks down on Cassio because Cassio is “a great arithmetician … a Florentine … That never set a squadron in the field” (1.119,20,22). He is a mathematician, not an army man, which makes Iago feel that he is more qualified for the job of lieutenant. Othello is older, from Africa, and Iago often calls him “the Moor” (1.2.58) and “an old black ram” (1.1.88). Iago does not want to follow him as he tells Roderigo “I follow him to serve my turn upon him/ we cannot all be masters, nor all masters/ cannot be truly followed.” (1.1.42-44). By this, Iago is saying that he only follows Othello to take advantage of him and does not think he deserves to be followed. This prejudice drives Iago’s malicious actions through a yearning to be seen in the superior way the way he feels he deserves to be
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago longs to hurt Othello. He is Othello's footsoldier, an ancient, his right-hand man, and long-time friend. Iago was enraged when Othello did not promote him to lieutenant, choosing instead the handsome, young, affluent, Cassio. Iago felt that he was more entitled to the position than Cassio. Cassio was a brillant strategist, but had very little experience on the battlefield. Iago, on the other hand, had an abundance of battle experience and felt that he was passed over only for appearances' sake. This idea may very well be true. Othello needed someone who would make him look better in the eyes of important state officials and people of high standing in the community. The Moor was a black man, a fact that is often referred to in the play and which also causes Othello much insecurity. He saw his race as a drawback and something that could prevent him from gaining further success. So Michael Cassio was the perfect "face" to bring along to state functions; the perfect white face. He was a very presentable, educated, good-looking man from a middle-class background. To get back at the Moor, Iago decides to poison his mind against his wife and against Michael Cassio, by conjuring up images of an illicit sexual affair between the two.
When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love Cassio.
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).